The "All-New All-Different" X-books have announced their first crossover, sort of, starting in March of 2016. X-Men: Apocalypse Wars is being described as three separate stories, in each of the three main X-books (and each lasting only one issue, apparently) that all center on the X-villain who also happens to be the focus of the upcoming movie X-Men: Apocalypse. The issues also sport three matching covers, featuring Apocalypse, Archangel, and Kid Apocalypse.
The Marvel Cinematic Universe was built out of spare parts. With heavy-hitters like Spider-Man and the X-Men owned by different studios, Marvel Studios bet big on less popular characters and emerged victorious. Suddenly, Iron Man and Captain America became a big deal for ordinary, non-nerd people. Marvel no longer needs their big guns to matter. And now, they’re showcasing their clout by ruthlessly removing the X-Men from the comic book landscape using the characters they intend to replace them with – the Inhumans.
In what must be one of the last official announcements to come out of Marvel ahead of Wednesday's reveal of the full All-New, All-Different line-up, Marvel has unveiled the new flagship X-Men roster from the creative team of writer Jeff Lemire and artist Humberto Ramos, with colors by Edgar Delgado. Extraordinary X-Men introduces yet another adjective to the X-Men's arsenal, and brings together a team of Storm, Nightcrawler, Colossus, and Magik, plus the present version of Iceman, a past version of Jean Grey, and a future version of Wolverine.
In celebration of the 10th anniversary of David Petersen's beloved series Mouse Guard, a new collection of short stories set in the Mouse Guard world is about to debut. With stories from creators as varied as Mark Buckingham, Becky Cloonan, and Dustin Nguyen, the four part Mouse Guard: Legends of the Guard Vol. 3 begins in March.
Dan Slott must have been saving up his jokes over the past 16 months or so.
The Amazing Spider-Man #1, the issue that officially reintroduces Peter Parker to the Marvel Universe after a lengthy absence during which his body was under the control of Doctor Octopus, is chock full of laugh lines that really hit. Slott, artist Humberto Ramos, inker Victor Olazaba and colorist Edgar Delgado get the tone just right, but I couldn't help but feel that the story itself was a bit lacking in forward momentum, as the lingering effects of Superior Spider-Man dominated the issue's lead story.
Marvel went to C2E2 armed with a plethora of publishing announcements for the Chicago crowd, focusing largely on special projects like miniseries and some pretty cool-sounding Original Sin tie-ins, but with a couple auspicious new series as well. In an inspired bit of comic book casting, Our Love Is Real and Avengers A.I. writer Sam Humphries will write the The Legendary Star-Lord, a new series drawn by Paco Medina starring the Guardians of the Galaxy leader. In similarly agreeable news, fan favorite X-Men leader Storm will star in a new ongoing series, this one courtesy of Greg Pak and Victor Ibanez.
If our weekly Ask Chris column isn't enough of definitive comic book (and pro wrestling) opinions for you, good news: This week, we're launching Here's The Thing, a series of videos where you can join our own extremely opinionated senior writer, Chris Sims, as he sits in his living room under a framed portrait of Destro, drinking a cup of coffee and sharing his opinion on comic books.
This week in the debut episode, Chris tackles the question of what the greatest single issue of all time is -- or at least, his favorite, same thing, right? -- and declares it to be Mark Waid and Humberto Ramos's Impulse #3 from 1995. Check out the video to find out why!
We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, as well as the special qualities of comic book storytelling, but because cartoonists, illustrators and their fans share countless numbers of great pinups, fan art and other illustrations on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, awnd some of it’s endearingly silly. All of it is awesome.
It was never a matter of if, but when Peter Parker would come back. A year ago this week, Marvel launched Superior Spider-Man, a classic mind-swap story that saw Doctor Octopus switch minds with Peter Parker, then proceed to take over both his personal and heroic life. It was a pretty standard mind swap premise, but with a bit of a twist: shortly after Doctor Octopus forced the switch, his body -- which was now occupied by Peter Parker's mind -- died, seemingly giving the villain a final victory over his hated rival.
But it was never meant to last, of course. And today, Marvel has announced the anticipated return of Peter Parker as Spider-Man, with a new era for the character beginning in April's Amazing Spider-Man #1 by Dan Slott and Humberto Ramos, marking the return of the flagship title for the publisher's most popular hero.
We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, but because cartoonists, illustrators and their fans share countless numbers of great images on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, and some of it’s endearingly silly. All of it’s awesome.