Pending any announcements this convention season, that means a lot of fan favorite characters now go back into mothballs, including Marvel's premier gay teen couple, Wiccan and Hulkling, and breakout fashion icon Miss America. But the one I'll miss the most? Marvel's first male pin-up; Marvel Boy.
Kieron Gillen and Jamie McKelvie have just completed a successful year-long 15-issue run on Young Avengers. The widespread expectation was that their next collaboration would be "The Immaterial Girl," the already announced third volume of their music-is-magic series Phonogram. It turns out they had a surprise up their sleeve.
Live on stage at Image Expo in San Francisco, publisher Eric Stephenson just announced a new ongoing Image series from Gillen and McKelvie titled The Wicked & The Divine. This is a story about gods, teenagers, life, death, and David Bowie. We spoke exclusively to Kieron Gillen to find out more.
The comic book, animation, illustration, pinup, mashup, fan art and design communities are generating amazing artwork of myriad styles and tastes, all of which ends up on the Internet and filtered into ComicsAlliance’s Best Art Ever (This Week). These images convey senses of mood and character — not to mention artistic skill — but comic books are specifically a medium of sequential narratives, and great sequential art has to be both beautiful (totally subjective!) and clear in its storytelling (not so subjective!). The words and the pictures need to work together to tell the story and create whatever tone, emotion and indeed world the story requires. The contributions of every person on a creative team, from the writer to the artist(s) to the letterers, are necessary to achieving a great page of sequential storytelling.
It is the special nature of comic books that we’re celebrating in this all-new recurring feature: Best Sequential Art Ever (This Week).
Over the past year, Kieron Gillen, Jamie McKelvie and Mike Norton's Young Avengershas been one of the most consistently enjoyable comics on the stands. The thrilling, completely unsubtle adventures that take teenage problems and blow them up into world-threatening monsters have revived Marvel's teenage heroes and put them back to the forefront in a way that fits perfectly with their position that universe.
At New York Comic-Con, I spoke to Gilllen about the first year of the comic, his approach to capturing the feeling of being a teenager, and, of course, those first four drumbeats of "Be My Baby."
We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, but because cartoonists, illustrators and their fans share countless numbers of great images on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, and some of it’s endearingly silly. All of it’s awesome.
On sale this week from BOOM! Studios is the first issue of Day Men, a new series that introduces readers to the human helping hands of the violent vampire elite who rule the world in secret. Written by Matt Gagnon (Freelancers) and Michael Alan Nelson (Supergirl), Day Men is a cool organized crime-tinged take on the enduringly popular vampire genre, but the major selling point for the series is that it marks the return to monthly comics of one of the American industry’s most talented but elusive artists: Brian Stelfreeze. Does the final product live up to the auspicious occasion? Yes and no, but that it exists at all might be more important.
We at ComicsAlliance have never been shy about our love for Kieron Gillen and Jamie McKelvie's excellent indie Phonogram. We named The Singles Club the fifth-best comic of 2010, broke the story about Phonogram's end, and wondered hopefully at the teasing implications of a return. When The Immaterial Girl was announced in 2012, we celebrated, and when we heard it was pushed back to 2013, we were a little crestfallen. But when it was announced that Gillen and McKelvie would be the creative team on the relaunch of Young Avengers, we figured we could probably wait a little longer. We were right. Five issues in, the creative team has made Young Avengers one of the most exciting and experimental books on the stands, and one of the few comics about youth that actually captures the energy and potential of it.
In 2005, as part of an overhaul of Marvel's Avengers line in the wake of Avengers Disassembled, writer Allan Heinberg and artist Jim Cheung launched Young Avengers, a new title with a cast of kid heroes inspired by established characters. The series -- and its central gay
We didn't realize when we set out to list our favorite comic books of 2012 that it had been such a fun year to be a fan of the medium that we all love so much. The last twelve months offered readers a wide variety of work ranging from the most crowd-pleasing superhero epics to the most idiosyncratic of indies; the return of much missed mangaka and the emergence of exciting new talent; a new crowd-sponsored visibility for self-publishing; and the ascension of the fan artist from bedroom dreamer to Tumblr tycoon. It was a busy a
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