We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, but because cartoonists, illustrators and their fans share countless numbers of great images on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, and some of it’s endearingly silly. All of it’s awesome.
JH Williams III - Page 2
One of our favorite comic book artists, JH Williams III routinely bewilders us with the always beautiful illustrations and impressive designs he creates for Batwoman, the DC Comics series he also co-writes with W. Haden Blackman that was among our selections of the best comics of 2012. Having had the pleasure of seeing Williams' original art in person at last year's MorrisonCon, I can confirm that all the delicate and precise intricacies of the Batwoman artwork are right there on the page, which for those of us not gifted with drawing talent seems impossible to believe and invites the question: how the hell does he even do that?
We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, but because cartoonists, illustrators and their fans share countless numbers of great images on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we've created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it's new, some of it's old, some of it's created by working professionals, some of it's created by future stars, some of it's created by talented fans, and some of it's endearingly silly. All of it's awesome. In honor of this year's 75th anniversary of the first appearance of Superman and this weekend's release of Man of Steel, we present for the second time a compilation of some of the coolest portraits of Jerry Siegel and Joe Shuster's brilliant creation that we've highlighted in this feature over the last few years. We know it's cheating but we didn't count on going away for a month and then coming back in the middle of a big media event. All-new next week evermore.
Courtesy of DC Entertainment, ComicsAlliance brings you an advance look at new periodical comic books and collected editions going on sale in May 2013 from the publisher's Vertigo line for mature readers. All of the foll
We didn't realize when we set out to list our favorite comic books of 2012 that it had been such a fun year to be a fan of the medium that we all love so much. The last twelve months offered readers a wide variety of work ranging from the most crowd-pleasing superhero epics to the most idiosyncratic of indies; the return of much missed mangaka and the emergence of exciting new talent; a new crowd-sponsored visibility for self-publishing; and the ascension of the fan artist from bedroom dreamer to Tumblr tycoon. It was a busy a
Devised by the Ignition Sequence (Isotope proprietors James Sime and Kirsten Baldock and iFanboy co-founder Ron Richards) MorrisonCon was first announced in January as a kind of hip, forward-thinking antidote to the organizational chaos and overt commercialism of the traditional comic book show. A collaboration with preeminent superhero comics writer Grant Morrison, the event was also p
First announced back in January, MorrisonCon is designed to be a stylish and forward-thinking antidote to the chaos and commercialism of the traditional comic book trade show. Curated by Grant Morrison and the Ignition Sequence (a collaboration of Isotope proprietors James Sime & Kirsten Baldock and iFanboy co
We are not the mainstream.
That's a truth understood by anyone who identifies as lesbian, gay, bisexual, transgendered or in any other way queer. We are not the audience. We are not the market. We are not the