When action figures and vinyl collectibles based on your favorite DC heroes aren't enough, you can always turn down the more prestigious statue road. Sure, they're a bit pricier than a six-inch figure, but they bring a certain air of respectability to your collection. Anyone can buy an action figure. It takes a refined eye to know which statues will make a collection pop even more. Probably. I just usually buy the ones that look the coolest.
Today, we're debuting a few cool pieces from DC Collectibles upcoming slate of statues, courtesy of DC Comics. We've got the first look at three upcoming statues from DC Collectibles' Cover Girls, Icons and Super-Villains lines, featuring designs from Jim Lee and Stanley Lau. We've also got a bit more detail on the upcoming Wonder Woman: The Art of War by Bruce Timm statue.
The first thing I did when I woke up this morning was run to the window, throw open the sash, and ask a young urchin to tell me what day it was, and when he told me that it was only September 9, I rejoiced, for I had not missed Batman Day!
Of course, I have always resolved to keep Batman Day in my heart year round and honor it each and every day of my life, but that's more of a personal thing. For the official version, we can all look forward to September 26, when DC teams up with comic shops, libraries and bookstores for a celebration of the Dark Knight, including giving away free copies of Batman: Endgame Special Edition, with new covers by Jason Fabok and Jim Lee.
More than a decade after it was originally announced back in October 2004, one of comics' long-lost projects, Batman: Europa by writers Brian Azzarello and Matteo Casali and artists Jim Lee and Giuseppe Camuncoli, is finally releasing its first issue in November.
The book was previously solicited for a January 2011. Now DC has exclusively revealed to ComicsAlliance the new solicitation and Lee Bermejo's variant cover for Batman: Europa #1, ahead of next week's November solicits. DC also unveiled details of a series of special collector's editions for Frank Miller's Dark Knight III: The Master Race.
Created by Marv Wolfman and George Perez, Cyborg has slowly moved up the ranks in the DC Universe, growing from Teen Titan into a fully-fledged member of the Justice League. To mark the launch of his new solo series from David F. Walker, Ivan Reis, Joe Prado and Adriano Lucas, we've collected some of the best Cyborg art ever.
Milestone Media, the publishing imprint at DC notable for creating characters like Static, Zombi and Icon and promoting the work of African-American comics-creators, has formally announced their publishing return today at SDCC. Original co-founders Denys Cowan, Derek Dingle, and Reginald Hudlin will partner with DC Comics to relaunch Milestone as a part of the DC Multiverse, designating their shared universe as "Earth M."
Nearly 30 years after the release of The Dark Knight Returns, and almost 15 after The Dark Knight Strikes Again, Frank Miller is coming back to DC comics for a third installment in his series of stories about an older Batman in a world of corruption. It will be out this fall.
Let's generously say that the title is...interesting: The Dark Knight III: The Master Race. Miller is set to co-write the eight-issue series with Brian Azzarello, who wrote a somewhat controversial Batman story of his own, "Broken City," back in 2004. According to DC's blog, an artist has yet to be named. (Which seems to mean Miller won't be drawing it.)
The seventh issue of Grant Morrison's Multiversity, Mastermen, chronicles the story of Earth-10 (the pre-Crisis Earth-X), a world where the Nazis conquered America and won World War II and the Endless Reich is ruled by Overman, who's built a utopia on Hitler's massacres and doesn't feel very good about that fact.
We first met this version of the character in Final Crisis: Superman Beyond, when he was one of the Supermen on the Ultima Thule who traveled with Superman, Ultraman, Earth-5's Captain Marvel and the rest of the gang to try to stop Mandrakk/Dax Novu from destroying the multiverse, and all of the Monitors.
This issue is drawn by DC co-publisher Jim Lee, with inks by Scott Williams (and an assisting crew), and colors by Alex Sinclair (with assistance from Jeromy Cox).
Three years ago, DC Comics hit the continuity reset button with the launch of The New 52, seemingly wiping away the past 26 years of stories since Crisis on Infinite Earths.
But like superheroes, no story stays dead forever.
Next April, DC launches Convergence, a nine-part event series that brings the publisher's regular publishing schedule to a halt while bringing characters, places and concepts from DC's past into its current universe. It's also the culmination of the weekly series The New 52: Futures End and Earth 2: World's End, both of which wrap up just before Convergence launches.
Drawing comics is time-consuming, sometimes crushing, occasionally rewarding, and almost impossible to quit if you love it. And it helps if you get to do it around other artists who love it as much as you do.
Those are some of the key takeaways from Comic Book Artists: Next Generation, an AT&T U-Verse documentary about the artists at Toronto's R.A.I.D. Studio (a.k.a. the Royal Academy of Illustration and Design; though it's not a real Royal Academy in the strictest sense). The studio has ten resident artists, but the half-hour documentary shines a light on four key players: Ramón Pérez, Marcus To, Francis Manapul and Kalman Andrasofszky.
If there's one thing I've learned in a lifetime of reading, selling, making and writing about comics, it's that people who like comic books also tend to have a pretty healthy interest in breakfast foods. That, I assume, is why the people at General Mills decided to spice up their annual revival of the Monster Cereals -- Boo Berry, Franken Berry and the immortal Count Chocula -- with a set of redesigns for their principal characters, courtesy of artists Jim Lee, Dave Johnson and Terry and Rachel Dodson. In other words, your breakfast just got a New 52 reboot.
The whole thing is even marketed as a co-production between General Mills and DC, with the former presumably handling the cereal while the latter concentrated on art. Obviously, this means that these cereals are technically an edible DC Comics title, so with Halloween creeping up on us like a restless spirit, I have taken it upon myself to examine the new look for the spoooookiest of breakfast cereals to find out just how these new designs hold up to the originals.
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