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Comics Alliance Presents The Question: What’s The Best Comic About Women By Women?


The comics world is full of questions, from, “Who would win in a fight?” to, “Who came up with that weird idea?” Here at ComicsAlliance, we spend a lot of time thinking about all of it, from the big questions that matter a lot to the small ones that probably don’t matter at all but are still kinda fascinating. With The Question, we’re going to give our writers the opportunity to answer some of these brain-ticklers, because if we’re thinking about these things, you might be thinking about them too.

This time we asked our writers; what's your favorite comic by women about women? This year's Ignatz and Eisner wins suggest that women in comics are beginning to get the recognition they deserve, both as creators and as an audience. But there have always been great comics by women and great comics about women, and some comics that are both, and they exist across genres, borders, and cultures.

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The Amazing Powers Of Entitlement And Misanthropy: Should You Be Reading ‘They’re Not Like Us’?


When you look at the sheer range and number of original stories being told in comics form today, it’s hard to imagine a better time to be a comics reader. Online and in print, from all around the world, artists and writers are telling stories with their own voices and styles, and there’s so much to choose from that it’s sometimes difficult to know what to read next. With Should I Be Reading… ?, ComicsAlliance hopes to offer you a guide to some of the best original ongoing comics being published today.

A troubled young woman discovers that the mental problems she's been struggling with all her life are actually a form of telepathy, and that there are others with gifts similar to hers. The setup is very familiar, but in They're Not Like Us, our hero Syd discovers that the group that takes her in is a little different: they're entitled, narcissistic jerks.

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Mockingbird and Moon Knight Go Solo, Silver Surfer Returns in 2016


The Diamond Retailer Summit is underway in Baltimore this weekend, timed to coincide with Baltimore Comic Con, and Marvel has taken the opportunity to unveil more new titles for the All-New All-Different line relaunch, including ongoing series for two former West Coast Avengers, Moon Knight and Mockingbird.

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The Last Man On Earth: Should You Be Reading ‘The Autumnlands’?


Kurt Busiek and Benjamin Dewey's Autumnlands is set in a fantasy world that may or may not be the far-off future. Magic is dying, and the humanoid animal members of a highly hierarchical society devise a last-minute plan to bring the savior and progenitor of their world to their present day.

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Jeff Parker Talks Lord Death Man And ‘Batman ’66’ [Interview]


If you've been wondering why I've been a little more excited lately, why bird songs are a little sweeter or why food tastes a little better, it's because the latest storyline of DC's digital-first Batman '66 comic has involved Batman and Batgirl heading to Japan to take on Lord Death Man.

Jeff Parker, Sandy Jarrell and Jordie Bellaire have done a pretty amazing job creating story that I wish would've happened on television, but giving it the unlimited budget for stuff like a new Japanese Batmobile and an army of ninjas, and it's pretty great. To get some insight into just how it all happened, I spoke to Parker for his thoughts on bringing in other period-specific villains, why Lord Death Man is so much more exciting than his original American counterpart, and ideas for other non-Gotham location that could use a visit from the Caped Crusaders!

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Exclusive: Titan Comics Unveils ‘Best of British’ Month in May [Video]


As a Briton living overseas, I am always delighted to see people from the old country shamelessly milk their Britishness to sell themselves abroad. The more we ham it up, the more people seem to love it, as evidenced by Eddie Redmayne's Oscar win. So it's in that same glorious spirit that Titan Comics is playing up the "Downton Abbey and crumpets" angle for its May comics promotion, Best of British, featuring new and classic works from a roster of creators that includes Peter Milligan, Si Spurrier, Alan Martin, D'Israeli, and the late Brett Ewins. Check out the trailer above, debuting exclusively on ComicsAlliance.

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In Case You Missed It, Batman ’66 Is Fighting Lord Death Man In Japan And It’s Amazing

Batman '66 #54, DC Comics

Back when I was a kid, my single favorite episode of Batman '66, the one that I liked even more than the one where the Joker tried to conquer Gotham City by winning a surfing competition and becoming "King of the Surf and All The Surfers," was the one where Batman, Robin and Batgirl took a trip to Londinium in order to fight Lord Ffogg and his small army of mod pickpockets. Something about getting those characters out of that version of Gotham City is always interesting to me.

So you can imagine how excited I was when opened up this week's issue of Batman '66 and found out that Jeff Parker, Sandy Jarrell, and Jordie Bellaire had taken Batman and Batgirl on an international trip to Japan to battle it out with Lord Death Man. I'll admit that I'm predisposed to like this stuff, but trust me: It is basically perfect.

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Image Expo 2015: All The News And Announcements In One Place


Image held the latest in its series of one-day Image Expo events in San Francisco on Thursday, putting a spotlight on a slate of new titles for 2015, and introducing some new creators to the Image family. In concert with the expo, Image also released a new Humble Indie Bundle that includes an Image Expo Preview book containing art from the newly announced titles, plus some forthcoming books that were previously announced.

Titles featured in the preview include Savior by Brian Holguin, Todd McFarlane, and Clayton Crain; Injection, by Warren Ellis, Declan Shalvey, and Jordie Bellaire; No Mercy, by Alex De Campi, Carla Speed McNeil, and Jenn Manley Lee; Island, by Brandon Graham and a whole host of artists; RunLoveKill, by Eric Canete, Jonathan Tsuei, Leonardo Olea, and Manu Fernandez; and Starve, by Brian Wood and Danijel Zezelj; the book also includes a one-page ad for Marjorie Liu's new book with Sana Takeda, Monstress, and an ad for the second season of Pretty Deadly, by Kelly Sue DeConnick and Emma Rios.

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DC’s Fourth Round Of ‘Convergence’ Minis Turns The Clock Way Back With Doc Shaner On ‘Shazam!’ And Much More

Convergence Week Four

A more appropriate name for DC Comics' Convergence event, at least the miniseries that will accompany the main series for two months next spring, may be "Nostalgia Trip."

DC has been rolling out titles and creative teams for the 40 planned series week by week. The first batch focused on the publisher's pre-New 52 continuity. The second focused on the 1990s (including WildStorm), and the third seemed to center on the 1980s.

The fourth and final group of miniseries, which DC announced Tuesday, covers a much wider time period: All of DC's pre-Crisis On Infinite Earths continuity. And there's another twist: They all take place on defined and listed alternate Earths which existed before the company's last line-wide reboot in the 1980s.

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Urban Legend: How Shalvey And Bellaire Cast New Light On Marvel’s ‘Moon Knight’


Marvel’s recent relaunch of Moon Knight saw the white-clad vigilante pare things down to a bare minimum as he stalked the streets by night, taking down gangs, gunmen, and anything else that posed a threat to innocent people. In the hands of Warren Ellis, Declan Shalvey and Jordie Bellaire, the character was reinvented, stepping away from past characterizations to form a new identity. Across just six issues the creative team stamped a brand on the book that may mark how people approach the character and concept from here onward.

From The Dead collects the entirety of Ellis, Shalvey and Bellaire's run on the book. It features a series of deft action sequences, and builds a convincing new world for Moon Knight to walk in, though Ellis's sparse and low-key scripts effectively cede the floor to the artists, allowing penciller Shalvey to create that world and colorist Bellaire to establish the tone. The series is a methodically structured exercise in comics storytelling, with Shalvey excelling in his depiction of a run-down, black and white world of straggling criminals.

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