The current run of Deadpool --- which stretches back into the previous volume --- has been one of the smartest, most sophisticated takes on one of Marvel's most juvenile characters. Over the course of over sixty issues, Gerry Duggan and crew have infused Deadpool with a level of complexity that the character had been missing for decades.
Recently, Wade Wilson has been pulled in all directions by the Avengers, the Mercs For Money, his burgeoning relationship with his daughter Ellie, and his failing marriage with Shilkah, Queen of Monster Metropolis. In the most recent issue by Duggan, Mike Hawthorne, Terry Pallot and Jordie Bellaire, Deadpool #17 one of those bonds snapped, and a classic Marvel hero paid the price. Spoilers follow.
The 28th annual Will Eisner Comic Industry Awards took place this Friday at San Diego Comic-Con, where the creators, editors and publishers of your favorite comics were honored for their accomplishments. While many will be nominated, only a select few will take home the top honors in one of comic's most respected awards. It was a particularly good night for publishers Drawn and Quaterly and Fantagraphics, with fan and critical favorites like Over the Garden Wall, Cliff Chiang and Bandette being recognized as well.
Check out the complete list of winners and nominees below.
Five Stars is a new interview feature in which Steve Morris looks back over an artist's career by discussing five of their milestone works. We kick off the series with an interview with Declan Shalvey.
Throughout his career, Shalvey has chosen his projects carefully, and moved between creator-owned projects and work-for-hire in a way that has made him one of the most impressive and prolific artists of his generation.
In Britannia, Peter Milligan, Juan José Ryp and Jordie Bellaire tell the story of the world's first detective, a Roman centurion with an unusual understanding of psychology. When something that defies his knack for logic causes a murderous kind of trouble in the far reaches of the Empire, he's sent away from his home in the city to a colony far to the north --- and given the title of the series, you can probably guess which one.
To find out more about the series, which launches in September from Valiant, ComicsAlliance spoke to Milligan about his approach to introducing a "detectioner" into the ancient world, the challenges of creating a character who combines modern sensibilities with Roman society, and the historical facts that informed his story. We also got an exclusive look at pages from the upcoming issue.
AMC’s adaptation of Garth Ennis and Steve Dillon’s Vertigo series Preacher is proving to be very popular with audiences, despite the many tweaks and changes that the television series has made to the original comic’s story. The tale of Jesse Custer, Tulip O’Hare, and Cassidy has proven to be more adaptable and malleable than many fans may have thought, and the new approach to the show’s core concept opens up different avenues to update the classic Western tale.
If you love Preacher and you already know the comic from cover to cover, we’ve got five of the best independent comics for you to try next that tackle similar themes of cowboys, vampires, and how humanity relates when faced with a god.
When it came to 1960s action television, two campy crimefighting series captured the attention of audiences the world over. The first was Batman, the legendary Adam West/Burt Ward series that brought the Day-Glo hijinks of the comics to TV. The other is The Avengers, a long-running spy/science fiction --- or "spy-fi" if you will --- series from Doctor Who co-creator Sydney Newman.
The best known seasons of The Avengers paired Patrick McNee's "top professional " John Steed with Diana Rigg as the stylish "talented amateur" Mrs. Emma Peel. Although they've starred in their own comics before under the title Steed & Mrs Peel (to avoid confusion with those other Avengers) --- including comics written by Mark Waid and Grant Morrison --- now the pair cross paths with the Dynamic Duo in Batman '66 Meets Steed & Mrs. Peel, by Ian Edginton, Matthew Dow Smith and Jordie Bellaire. Judging by this first chapter, readers are in for a treat.
The Flash has been one of the most consistently enjoyable and downright fun comic book adaptations since it debuted, and more than most of its peers it is blisteringly unafraid to embrace its comic book origins. In the space of two seasons we've got multiverses, time travel, and an honest-to-gosh Gorilla City, and it paved the way for shows like Arrow and Gotham to lighten up and have more fun.
With no new episodes of The Flash until later this year, you might be looking for something to fill that science-based superhero hole in your life, and we've got five great independent comics for you that, while they might not all feature a super-speedster punching a gorilla in the face, do live up to The Flash's absurdity and unrelenting inventiveness in one way or another!
Captain America: Civil War is in cinemas now, and everyone’s raving about its impressive set-pieces, complex themes and snappy banter. Marvel Studios and the Russo Brothers not only managed to make possibly the best Captain America film (and the best Avengers film) so far, but they told an awesome, tightly-plotted story that never felt bloated despite the number of characters demanding the spotlight.
The Captain America franchise has always skewed somewhat more toward espionage thrillers than your average superhero series, similar in tone to the Jason Bourne series or the modern day James Bond films. If you loved Civil War and want to try some comics in a similar vein --- but you’ve already read Ed Brubaker and Steve Epting’s Captain America run --- we’ve compiled a list of five of the best independent comics to try next.
Moon Knight is a character that has gone through a lot at Marvel, and he's one of those characters that's so adaptable that everyone wants to do something different with him, to the point where it's eventually hard to square all the many versions into one coherent character. However, Warren Ellis, Declan Shalvey and Jordie Bellaire managed to craft possibly the definitive Moon Knight take with six issues of their 2014 run, to the point that everything that comes after it is going to be compared to that yardstick.
This week sees the release of a new Moon Knight volume, by Jeff Lemire, Greg Smallwood and Jordie Bellaire, which seemed to be going in an opposite direction from the previous run by returning Marc Spector’s dissociative identity disorder and placing him in what the book calls an “insane asylum.” It’s a take on the character that seemed fairly archaic and in poor taste, but on the page the creative team has turned in a first issue on par with the previous run, while doing something completely new.
The rise of Faith Erin Hicks and Jordie Bellaire in the last decade is easy to explain. Both women are insanely talented and ridiculously prolific. Bellaire's racked up hundreds of credits as a colorist alone since 2010. And since Hicks' webcomic Demonology 101 began in 1999, she's written and/or drawn everything from her own graphic novels like Friends With Boys and the Eisner-winning The Adventures of Superhero Girl to works by other writers like Nothing Can Possibly Go Wrong (written by Prudence Shen) and an upcoming OGN with best-selling YA author Rainbow Rowell.
Now two of the hardest-working creators in comics unite with The Nameless City, the first in a trilogy of original graphic novels from Hicks' longtime publisher, First Second, as part of its tenth anniversary slate of books. How lucky we are as readers to get this incredible story full of sweeping detail, beautiful artwork and endearing characters.
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