Created by Karla Pacheco and Maren Marmulla, Inspector Pancakes Helps The President Of France (Solve The White Orchid Murders) is a twisted take on the popular children's storybook. The basic hook is that the beautiful illustrations and large print captions tell the kid-friendly version of this story in which a talking American dog detective travels to France to assist its President in locating his missing croissant, while the smaller type details the decidedly kid-unfriendly story of the hard boiled, depressive and nihilistic canine cop and his pursuit of a serial murderer who butchers his victims in deeply disturbing ways. It is hilarious and wrong.
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This week, we're taking a look at a handful of comics that were produced with the crowdfunding help of Kickstarter, from magical realism to filthy, filthy porno and more! Did your favorite make it onto the list? Check it out and see!
Kel McDonald has been making comics for ten years, including a ten year run on her webcomic Sorcery 101. She was an early adopter of crowdfunding as a way of getting her comics out in print, and book one of McDonald's Misfits of Avalon series came out earlier this year through Dark Horse Comics. As increasing numbers of young, particularly female comics creators turn to webcomics as a way of getting their work out there, and as increasing numbers of comics publishers look to webcomics for up-and-coming talent, creators like McDonald are poised to have a unique understanding of the current comics world we live in
As part of her wrap-up of Sorcery 101, she's currently running a Kickstarter campaign for an omnibus of the series. ComicsAlliance sat down with McDonald to talk comics, crowdfunding, and web versus print.
Comic book publishing is a difficult world to survive in, particularly for small and independent publishers. C. Spike Trotman and her Iron Circus Comics, however, has found a way to thrive. When we spoke with Trotman earlier this year for Hire This Woman, we spoke primarily about her role as a creator. Today, this is only a small part of the role Trotman plays in comics, as the slate of books from Iron Circus continues to increase.
As a publisher, Iron Circus places a high value on inclusivity and publishing books that are too often ignored in mainstream comics. To wit, the publisher has a currently-running Kickstarter for Poorcraft: Wish You Were Here written by Ryan Estrada and drawn by Diana Nock. The 130-page black and white book is the the followup to Trotmans original Poorcraft, and is available in a variety of formats at eminently sensible price/reward tiers.
With less than one week left to pledge to the Kickstarter, we reconnected with Trotman to talk about webcomics, publishing, smut, and paying the bills.
If there's one thing that you need to know about the staff here at ComicsAlliance, it's that we're staunchly anti-cannon, and feel that they should be busted as often as possible. As a result, our interest was piqued when we heard about a new Kickstarter for a project from comic artist and animator LeSean Thomas called Cannon Busters, which seeks to raise $120,000 for what we assume will be an extended and thorough campaign design to leave no cannon un-busted. Finally, we will have these fearsome weapons out of the hands of the pirates that menace our shores.
Each weekday, ComicsAlliance brings you a carefully selected variety of links from around the web about comics and comics-related media, including movies, video games, toys, and whatever else might be worth noting. Quite frankly, these are items you may just need to know about to have a productive day. Take a look at today's hand-picked links after the jump.
Spike Trotman is a visionary. She sees possibility where others throw their hands up in defeat. She sees innovation where others see stagnation. She is fundamentally optimistic about the future of comics — and why shouldn't she be? Trotman has conducted massively successful Kickstarters — plural — organized some of the best talent in comics into anthologies like Smut Peddler and The Sleep of Reason, made money-producing Poorcraft (a comic about not having money), and, all the while, maintained Templar, Arizona, her long-running and beloved webcomic.
Comics have been good to Spike Trotman, but her success is very much the result of hard work and fresh thinking rather than chance—hard work that has left her one of the most interesting people in the industry. So, naturally, ComicsAlliance tracked down her booth at San Diego Comic-Con to talk Kickstarter foibles, “porn for chicks,” and a new golden age for comics.
While Captain America is perhaps fictional history's best-known Hitler-puncher, he is far from the only hero to sock old Adolf in the jaw -- and now Canada gets its turn courtesy of Francis Manapul's fundraiser sketch for the Johnny Canuck Kickstarter. The Toronto-based Detective Comics co-writer and artist filmed himself as he sketched, and the video offers a fascinating glimpse of his process.
Like Nelvana of the Northern Lights and Brok Windsor, Johnny Canuck is one of the lost Canadian comic heroes of the 1940s, a time when American comics weren't allowed into Canada because of restrictions on non-essential trade. Long out of print, a new generation may get to enjoy his adventures thanks to this Kickstarter.
Canada offers an impressive range of comics talents, but its comic industry has usually been overshadowed by the buying power of the U.S. market -- but for one brief period in modern history. During the Second World War Canada restricted the import of non-essential items -- and that included comic books. For much of the 1940s, Canadians could only read Canadian comics. The era has become known as the Canadian Golden Age.
Hope Nicholson was a researcher on a documentary about the characters created during this era, Lost Heroes. Fascinated by the subject, Nicholson and her partner Rachel Richey launched a project to restore and republish the stories of one of the first comic superheroines, Adrian Dingle's Nelvana of the Northern Lights. With that book now in print, Nicholson has launched a Kickstarter to revive another lost Canadian hero; the square-jawed action man Brok Windsor.
Amy Reeder made a name for herself in the comics scene with Fools Gold from Tokyopop, but became a favorite of comics art lovers for her excellent occasionally breathtaking work on Vertigo's Madame Xanadu, which saw the versatile stylist to depict a complex and beautiful heroine across vast expanses of time and in all the aesthetic luxury that affords. Her profile rose further with a major level up on Batwoman, synthesizing her manga storytelling influence with tightly rendered yet loose and dynamic action. Whether you quiet scenes with exquisite facial expressions and palpable mood, or diverse body types in the throes of big splash-page comic book action, Reeder's got you covered.
Possibly the most Reeder book ever, Rocket Girl is about a teenage girl who's a cop in the future sent back to the middle of the 1980s to investigate Time Crimes, and in so doing discovers secrets that reveal her utopian home-time isn't so great after all. The premise allows Reeder to indulge herself fully, and in the best sense possible. Full of action, fashion and drama, Rocket Girl is a pleasure to read -- partly because it's obvious that its artist has so much fun drawing it.
We sat down with Amy Reeder at Comic-Con International in San Diego to talk about Rocket Girl, Kickstarter, and the evolution of her unmistakable style.