Hard Case Crime, the noir imprint from Titan Comics, has announced another title about murder and corruption in America. But this is one that sidesteps the fedoras, the tommy guns, and the masculine heroes.
Normandy Gold, written by Megan Abbott and Alison Gaylin, with art by Steve Scott, tells the story of a female sheriff who comes to Washington DC to investigate her sister's murder in the 1970s. Naturally the story gets wrapped up in the unfortunate intersection of sex work and politics.
Comics carry a sense of physical prestige. When you pick one up from the shelf, it usually isn’t just lying there, blowing in the wind – it’s often wrapped up in a too-tight plastic bag, boarded with a thin piece of cardboard to ensure you don’t crease a single hair on Superman’s immaculate head. The experience is designed to make you consider each comic as a precious item, something best kept mint so you can sell it and get your grandkids through college in a few decades from now.
The thing is, sometimes we need to be reminded that comics are not immaculate, and actually there’s no reason not to mess them up a little in the course of reading. Some of the most enjoyable moments in comics over the last few years have been those moment where the storytellers step back, wave an arm towards the story they’re telling, and say, “Hey, let’s take a pair of scissors to this, eh?”
Writer Joshua Hale Fialkov has been building a positive reputation in the comics industry for years now. His work for Marvel and DC -- including Ultimate FF and I, Vampire -- may be what he’s best known for, but his creator-owned work -- including Oni's The Bunker and The Life After -- has built up its own fanbase.
One of the most interesting things about Fialkov is his serious, business-like approach to even his most creative endeavors. Many comic creators have their own ways of getting work done -- with varying success when it comes to meeting deadlines -- but there’s something particularly fascinating for me as an editor about creators who plan and schedule their time, analyze their own work, and still produce art that is innovative and entertaining. Fialkov's blog, How Fialkov Do, offers a thoughtful and entertaining view into how he gets his writing out into the world. I've spoken to Fialkov about his process a great deal over the years, and I thought ComicsAlliance readers might be interested to read more about it.
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