This week, Comixology has a huge sale on Grant Morrison's work for DC and Vertigo, and as much as I like writing these columns and helping to turn people on to some good stuff, this is one time where I don't really feel like I can give a whole lot of direction. As you may already know, Morrison is pretty good at writing comic books, and his collaborations with artists like Frank Quitely, Howard Porter, Rags Morales and Richard Case has produced some of the best classics of the modern era.
But as tempting as it is to just say, "Hey, just because you love All Star Superman, that doesn't mean you'll really like The Invisibles" and call it a day, there is one thing that you should definitely be on the lookout for: the complete collection of Aztek: The Ultimate Man, one of the most underrated, under-appreciated superhero comics of the '90s, can be yours for five bucks.
Taron Egerton has become quite popular since his breakout role earlier this year in Matthew Vaughn’s Kingsman: The Secret Service, and while that’s great news for the actor and his fans, it’s a bit tricky for his scheduling, which has gotten a little complicated. And it’s Egerton’s popularity that’s causing a slight issue for Kingsman 2 as it prepares to head into production in the spring.
The Marvel Comics line is about mid-way through its giant line-wide crossover event Secret Wars, in which reality has been rewritten by god-emperor Doom, and the heroes have been re-imagined more than a dozen times over in different domains paying tribute to stories from throughout Marvel's publishing history.
One of those domains is a version of House of M, another reality-rewriting crossover event that cast the Marvel heroes in different roles, which ran ten years ago. House of M launched the current era of Marvel events, kicking off a steady steam of universe-shaking storylines that continues into Secret Wars. To mark the tenth anniversary of House of M, and ten years of event-driven storytelling, we're asking you to determine which of these events was the very best.
Mark Millar’s stylish and violent graphic novels have proven to be ripe source material for film adaptations, from Kick-Ass to Kingsman: The Secret Service, but there’s one project that’s had a tougher time getting off the ground. Nemesis was initially set up at 20th Century Fox with Tony Scott attached to direct, but following the director’s untimely death, the property entered development limbo — until now.
Many of comics’ most popular heroes have been around for decades, and in the case of the big names from the publisher now known as DC Comics, some have been around for a sizable chunk of a century. As these characters passed through the different historical eras known in comics as the Golden Age (the late 1930s through the early 1950s), the Silver Age (the mid 1950s through the late 1960s), the Bronze Age (the early 1970s through the mid 1980s) and on into modern times, they have experienced considerable changes in tone and portrayal that reflect the zeitgeist of the time.
With this feature we’ll help you navigate the very best stories of DC Comics’ most beloved characters decade by decade. This week, we’re taking a look at the best Lex Luthor comics.
Image Comics held its now traditional pre-San Diego one-day show on Thursday at the Yerba Buena Center for the Arts in San Francisco, and unveiled an impressive roster of new titles for the coming year that includes new work by familiar names such as Warren Ellis, Jason Aaron and Gail Simone; plus an encouraging number of relative newcomers and unknowns. Check out our rundown of all the news and announcements.
Perhaps because he wanted to reveal more of the back story, perhaps because of Frank Quitely's legendary turnaround times, Mark Millar has teamed with artist Wilfredo Torres for Jupiter's Circle, a ten-issue companion series to Jupiter's Legacy. Does it actually provide something new, or is it more of the same? (I genuinely don't know, I'm writing this part before I actually read it.) One thing's for certain: it's one-hundred percent going to be finished before Jupiter's Legacy is.
It's been a few months since we heard anything about Chrononauts, Image Comics' forthcoming time travel adventure series from Sean Gordon Murphy and Mark Millar. The pair gave an interview to Entertainment Weekly last November in which they described the series as a buddy time travel comedy, where mankind's exploration of time yields amusingly disastrous results. Since then both creators have had other work land on ComicsAlliance's Best Comics of 2014 -- the startlingly epic The Wake for Murphy, and the return-to-form Starlight for Millar -- so it's quite happily that we received these very appealing first glimpses at the pair's auspicious inaugural collaboration.
Of all the spooky characters that I throw the spotlight on at Halloween, there's one that I've never really written too much about: Vampirella. That seems like a pretty big oversight, too. I mean, I once wrote about the Tomb of Dracula anime for Halloween, you'd think I could muster up a few words for one of the most recognizable horror characters of the '70s, right?
Well, the fact is, Vampirella's not actually that scary. I mean, despite her name, she's not actually a vampire. She's an alien from planet Drakulon, a planet where water has the same composition as blood. Or at least, I think that's how it worked, until 1997, when it was revealed that Drakulon was the product of memory implants and she was actually the daughter of Lilith, mother of all vampires, who sent her to destroy a 2,000 year-old conspiracy organized like a vampire Catholic Church (complete with a Vampire Pope) with the help of a time-traveling nun. Hoo boy. This is going to get complicated.
When Mark Millar and Goran Parlov's Starlight was announced, I had mixed feelings. Goran Parlov may be one of the five best comics artists living today, and it sounded like a good idea: a retired hero in the mold of John Carter returns to the planet he once saved, decades after his prime, to be a hero once again.
But often it seems that no matter how good an idea is, Mark Millar can't help but screw it up. His love of sensationalism and his need to be controversial have sapped the power out of many of his strongest ideas, and I wasn't that surprised when our own Kevin Church ripped the first issue to shreds. I read it anyway, because Goran Parlov exists, and life is much better for it.
I was a little surprised to find out that I totally disagreed with Church's review. And I was shocked that the Mark Millar that I like actually decided to turn up.
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