At this point, it's difficult to imagine that you, the discerning ComicsAlliance reader, do not already own Gotham Central in at least one format, but I imagine there are some folks out there who have just been waiting to get the whole series in one go. If that sounds like you --- or if you're just looking to pick up one of the greatest DC Comics ever printed in a third or fourth format --- then we have good news: The solicitations for DC's upcoming paperback and hardcover releases have revealed that it's planning a massive Gotham Central Omnibus for release next May.
Many of comics’ most popular characters have been around for decades, and in the case of the big names from the publisher now known as DC Comics, some have been around for a sizable chunk of a century. As these characters passed through the different historical eras known in comics as the Golden Age (the late 1930s through the early 1950s), the Silver Age (the mid 1950s through the late 1960s), the Bronze Age (the early 1970s through the mid 1980s) and on into modern times, they have experienced considerable changes in tone and portrayal that reflect the zeitgeist of the time.
With this feature we’ll help you navigate the very best stories of DC Comics’ most significant characters decade by decade. This week, we’re taking a look at the best Joker comics.
Back in February, digital book subscription service Scribd made the rather surprising announcement that it would start offering comics from publishers including Marvel, Valiant, IDW, Boom and others in its $8.99 per month subscription, making it a sort of Netflix for comics (as well as books).
Now, Scribd is promoting the actual Netflix's new Daredevil series by recommending some of the comics on its service that can best introduce readers to the character. They've got some pretty good ones. Check out what Scribd is suggesting as a primer after the jump.
It was only just announced that Greg Rucka and Michael Lark’s exceptional comic series Lazarus was being developed for television, but allow us to be bold: if done properly, this thing will be huge. It’s from the same publisher as The Walking Dead, features enough intrigue and deception to make Game of Thrones feel weak in the knees, and takes place in a brutal, science fiction dystopia where the hero is a tough woman capable of kicking all of the asses. It checks all of the right boxes.
We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, as well as the special qualities of comic book storytelling, but because cartoonists, illustrators and their fans share countless numbers of great pinups, fan art and other illustrations on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, and some of it’s endearingly silly. All of it is awesome.
With long runs on hit titles like Captain America, Daredevil, Sleeper, Fatale, Criminal and more, writer Ed Brubaker has cemented his position as one of the most prominent writers in American comics, and he got his start with superheroes with Batman. After being brought in from the world of crime comics to write the Batman comics in 2000, Brubaker rose to prominence with his work on Gotham City's heroes, including cowriting the seminal Gotham Central, relaunching Catwoman with a critically acclaimed and influential new direction, and retelling the first encounter between Batman and the Joker.
This week, ComicsAlliance is taking a look back at Brubaker's tenure on the Dark Knight with an in-depth interview, and today, we continue our discussion of his work on Detective Comics and focus on two of his most well-known projects: Batman: The Man Who Laughs and Gotham Central.
With long runs on hit titles like Captain America, Daredevil, Sleeper, Fatale, Criminal and more, writer Ed Brubaker has cemented his position as one of the most prominent writers in American comics, and he got his start with superheroes with Batman. After being brought in from the world of crime comics to write the Batman comics in 2001, Brubaker rose to prominence with his work on Gotham City's heroes, including cowriting the seminal Gotham Central, relaunching Catwoman with a critically acclaimed and influential new direction, and retelling the first encounter between Batman and the Joker.
This week, ComicsAlliance is taking a look back at Brubaker's tenure on the Dark Knight with an in-depth interview, and today, we start off with a look back at the writer's work on Batman and Detective Comics, discussing how he got the jobs, how Batman got him back into reading superhero comics, and the surprising character he picks out as a favorite.
If you've been wondering why people have been asking you "a/s/l?" all day and then following it up with a friendly "haha nice," it's because it's Cyber Monday! Today, we all set aside a little time for the tradition of shopping as our ancestors did so many snowy winters ago: on the internet in pajamas. Truly, it is the most wonderful time of the year.
To that end, a lot of your favorite online retailers are having sales today, including the digital comics retailers at Comixology! In fact, there's so much on there that we have decided to take it upon ourselves to guide you to the best of Comixology's Cyber Monday Sale!
This week marks the premiere of Gotham, the new Fox television show focusing on Jim Gordon's first year as a cop in Batman's hometown, and the origins of young Bruce Wayne and the people who will one day become the greatest enemies of his war on crime. That the show exists at all is a testament to how strong Jim Gordon and the rest of the Gotham city Police Department are as heroes in their own rights.
So if Gotham has you in the mood to read about Gordon, Harvey Bullock and the rest of the GCPD -- or if you just want to dive into some solid Batman comics where the spotlight isn't entirely on the Dark Knight -- then I've got some suggestions for great comics about Gotham's top cops!
To say that Greg Rucka had a profound impact on DC Comics in the 21st Century is underselling things quite a bit. After arriving on the scene in the late '90s, he became one of the few writers to have written all three of DC's biggest characters, with critically acclaimed runs on Action Comics and Wonder Woman. It was on Batman, however, where he made his biggest impact, as one of the writers for the year-long No Man's Land crossover, the relaunched "New Gotham" era of Detective Comics, and cowriter of the enduringly influential Gotham Central.
In part one of our in-depth interview, Rucka discussed his arrival in Gotham with the popular "No Man's Land" megaseries. In part two, the writer detailed his involvement in the "New Gotham" revamp of 2000, including the Bruce Wayne: Fugitive saga, the introduction of Sasha Bordeaux, and the difficult transition from longtime Batman group editor Dennis O'Neil to Bob Schreck. Today we finish our three-part interview series with a look at Gotham Central, the book that focused on the non-superhero police detectives of Gotham City. Rucka speaks at length about how looking at Batman from the outside changes how the character works, the nature of collaboration with series co-writer Ed Brubaker and artist Michael Lark, and how the book produced one of the greatest Joker stories of all time.