Sometimes a writer and an artist bring out the best in each other. Greg Rucka would probably tell you how fortunate he's been to work with several especially fantastic artists throughout his career: JH Williams III, Yoshitaka Amano, and Steve Lieber, just to name a few. Likewise, Michael Lark has been paired with some excellent writers like Ed Brubaker and Dean Motter. But Rucka and Lark may be at their best when working together, as they did on the neo-classic Gotham Central, so it was no surprise that last year's announcement of Lazarus, their new series from Image Comics, was met with significant praise from readers, critics, and other creators alike.
Like Brian K. Vaughan and Fiona Staples' Saga, Lazarus was the kind of comic book that seemed destined to be critically lauded even before anyone read it. Image Comics, knowing what it had on its hands, marketed the book at every opportunity, releasing artwork well in advance as well as a short story set in the Lazarus universe. But all the early praise did give me some pause. I love what both creators have accomplished together, but sometimes reality can't live up to the hype, even when everything looks good on paper (so-to-speak). But I can confirm Lazarus #1 is a success. Let's take a look at why.
I'm a simple man with simple tastes. I'm also a critic, and that means that I obsess over my simple tastes in an attempt to both quantify them and convince myself that they aren't simple. But at the same time
Greg Rucka joined the Image Comics panel on Sunday to discuss his and artist Michael Lark's upcoming Lazarus, first announced by Image Comics Editor-in-Chief Eric Stephenson at last year's San Diego Comic Con. Previously, only a a teaser image had been shown, but at yesterday's panel the publisher revealed
Here's something that's never been said before: it's an interesting week for reprints. On Wednesday, Image Comics released new editions of two books which used to have homes with other publishers - a hardcover edition of Rock Bottom, the OGN by Joe Casey and Charlie Adlard that used to be with AiT/PlanetLar, and a deluxe hardcover collection of Scene of the Crime by Ed Brubaker, Michael Lark, and Sean Phillips, which was originally with Vertigo. And even though you're probably already selling blood, s
With the release of Captain America #19, drawn and colored by his former partners-in-crime Steve Epting and Frank D'Armata, Ed Brubaker wrapped up an eight year run on Captain America, having shepherded the character and series through a small fistful of different incarnations and titles. His run saw the return
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Whenever music cognoscenti talk about sixties art-rockers The Velvet Underground, there's a saying they like to throw around: "The Velvet Underground didn't sell that many records, but everyone who bought a record started their own band
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Marvel is pleased to announce that the highly-anticipated Daredevil #100 has sold out at Diamond (though copies may be available at the retail level). Featuring the multiple Eisner-Award and Harvey-Award winning creative team of writer Ed Brubake
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