Ever since Bloom County became a sensation in the early '80s, Berkeley Breathed has had an incredibly varied career. He followed Bloom County's initial success with two more popular comic strips, Outland and Opus; he won the 1987 Pulitzer Prize for editorial cartooning; he wrote and illustrated best-selling children's books; he adapted his own stories into a pair of animated TV specials, and he provided art for various environmental and animal-wellfare charities.
In recent years he's shifted his primary focus to film (production art and original projects), while also overseeing IDW's comprehensive collected editions of his strips. He recently teamed with IDW again for Berkeleyworks, a retrospective volume collecting a number of his paintings, sketches, and illustrations – and last month, he made a rare convention appearance, playing to a packed room at San Diego Comic-Con. ComicsAlliance spoke with Breathed about his career in cartooning, his work in other media, and his upcoming projects.
Back before the VHS tape made it possible to watch the movies you wanted when you wanted (as long as Blockbuster had a copy in stock), movie novelizations and comic book adaptations of films were some of the only options fans had when it came to reliving a movie they wanted on-demand. While the majority of these were rightly viewed as cash-ins that let comics companies float on someone else's success, there were the occasional pieces of work that proved to be something more. For example, Marvel's off-model, six-part Star Wars adaptation proved to be so popular in the summer of 1977 that many credit it for helping the company pull out of a fiscal free-fall, even as it acted as a bog-standard 1970s Marvel book in a lot of ways.
Now that we can watch Magic Mike on our phones any time we want, comic adaptations can seem like a quaint throwback. However, some of them are legitimate pieces of comic history in their own right, providing an alternate look at our favorite films even as they gave a few comic creators the chance to play with the medium in a new way. In this piece, we take a look at five of them, including long lost work by Jack Kirby, Jim Steranko, Walt Simonson, Kyle Baker and Bill Sienkiewicz and more.
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