It's Star Trek's 50th anniversary and between the well-received Star Trek Beyond, the fact that all of Trek is available streaming basically everywhere, a new TV show coming next year, and the continued release of new novels and comics, it's a good time to be a fan of the USS Enterprise and its brethren.
Comics have been a part of Trek lore from almost the very start. Beginning in 1967, when the original Trek was wrapping up its first season on NBC, Gold Key published a series that only had two consistent features: an irregular publishing schedule, and an almost total disregard for how the characters actually looked.
Now that Supergirl's a big hit on TV, it's only a matter of time before they start riffing on some of the classic Supergirl stories of the comics, right? I mean, Flash had Jay Garrick showing up in a pie-tin helmet to re-enact the cover of "The Flash of Two Worlds," and Arrow had... well, I'm sure there was some Green Arrow story they did a TV version of between fighting Batman villains and having the best match at SummerSlam.
Point being, it's all but inevitable that they'll turn their attention to some specific moments from the source material. And when they do, I hope it's the story where someone actually says the phrase "What use could we possibly have for 12-inch Supergirls?!"
This week, Chris and Matt talk about how Robin Rises Omega #1 by Peter Tomasi and Andy Kubert should be great, but falls short, possibly because it's a victim of its own marketing. Then, we talk about how Life With Archie #36 by Paul Kupperberg and Pat & Tim Kennedy is really enjoyable despite some weird tics. Then, we discuss the cool new sci-fi anthology, 2299, edited by Dylan Todd.
It's been very interesting to watch Archie Comics transform from a company built on eternally unchanging teenage shenanigans in a peaceful, small town to the culturally progressive company that grabs headlines at every turn with how it's rebuilding Riverdale for the modern comics reader. But besides the stories that strike chords within contemporary political conversations, it's been fun seeing just how Archie tackles these "Big Event" elements that we've seen in other American comics. I mean, in the world of superheroes, a character's death (or "death") has been a rite of passage since the '70s, but for Archie, it's entirely new territory. In waiting so long to use these elements, the events not only feel fresh, they're also built in a much more interesting way than their cape-and-tights counterparts.
Or at least, that's the case with Archie's death at the hands of a gunman in the pages of this week's Life With Archie #36, which isn't just an evocative and moving story, it's also one of the most fascinatingly structured comics I've ever read.
We've known for a few months now that Archie Comics' Life With Archie series, about the possible adult lives of the Riverdale teens, will end with lead character Archie Andrews' death. Life With Archie #36 hits stands this week, and thanks to an interview with Archie publisher Jon Goldwater for the AP, we now know that this is where Archie meets his end -- and we know how it will happen.
Readers who don't want to know too many specifics before the issue goes on sale should avoid reading any further, and perhaps also avoid the comics sections of the internet entirely for a couple of days.
What is assuredly the weirdest sentence I'll have written in all my years at this website: Archie Andrews will heroically sacrifice his life to save that of a deae friend in the penultimate issue of Life With Archie in July.
Archie Comics continues its impressive confrontation of relevant social and political topics in this month's new issue of Life With Archie, in which one of Riverdale's citizens goes through treatment for breast cancer...
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