Comic book publishing is a difficult world to survive in, particularly for small and independent publishers. C. Spike Trotman and her Iron Circus Comics, however, has found a way to thrive. When we spoke with Trotman earlier this year for Hire This Woman, we spoke primarily about her role as a creator. Today, this is only a small part of the role Trotman plays in comics, as the slate of books from Iron Circus continues to increase.
As a publisher, Iron Circus places a high value on inclusivity and publishing books that are too often ignored in mainstream comics. To wit, the publisher has a currently-running Kickstarter for Poorcraft: Wish You Were Here written by Ryan Estrada and drawn by Diana Nock. The 130-page black and white book is the the followup to Trotmans original Poorcraft, and is available in a variety of formats at eminently sensible price/reward tiers.
With less than one week left to pledge to the Kickstarter, we reconnected with Trotman to talk about webcomics, publishing, smut, and paying the bills.
Spike Trotman is a visionary. She sees possibility where others throw their hands up in defeat. She sees innovation where others see stagnation. She is fundamentally optimistic about the future of comics — and why shouldn't she be? Trotman has conducted massively successful Kickstarters — plural — organized some of the best talent in comics into anthologies like Smut Peddler and The Sleep of Reason, made money-producing Poorcraft (a comic about not having money), and, all the while, maintained Templar, Arizona, her long-running and beloved webcomic.
Comics have been good to Spike Trotman, but her success is very much the result of hard work and fresh thinking rather than chance—hard work that has left her one of the most interesting people in the industry. So, naturally, ComicsAlliance tracked down her booth at San Diego Comic-Con to talk Kickstarter foibles, “porn for chicks,” and a new golden age for comics.
As soon as I finished reading Poorcraft, Spike Trotman and Diana Nock's comic book guide to living well on a tight budget, I knew I would be getting a copy for my sister. And her boyfriend, who's planning a move to a more expensive city. And my partner's sister, a young actress who's about
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