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Familiar Crimes In A Strange New World In Johnston And Greenwood’s ‘The Fuse: The Russia Shift’ [Review]

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On its own, the police procedural doesn't have that much traction within modern comics. In the early days of the medium -- especially in newspaper strips -- it was a different story, and straight-up police tales were among some of the most popular of the day. A little over a decade ago, though, everybody seemed to realize the potential to mix police procedurals with other genres, frequently to fantastic and award-winning results: Alan Moore and Gene Ha's Top Ten; Gotham Central, by Ed Brubaker, Greg Rucka, Michael Lark and others; and Powers by Brian Michael Bendis and Michael Avon Oeming. Those books realized the natural fit that cop stories had within superhero stories, and thus a sub-genre was born.

But there's still plenty of room left for cop shows in comics, and over the last few years, the sci-fi procedural has definitely been in its ascendance. With Antony Johnston and Justin Greenwood's The Fuse, we have a new standard by which to judge all others.

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Let David Hine and Doug Braithwaite’s ‘Storm Dogs’ Take You For A Ride

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The factors that make a comic appealing are an entirely subjective and strange thing. Sometimes the thrill of the unknown is what does it, and at other times, it's seeing something familiar performed in a new or particularly efficient way

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