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Sean Murphy

Best Art Ever (This Week) – 09.13.13

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We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, but because cartoonists, illustrators and their fans share countless numbers of great images on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, and some of it’s endearingly silly. All of it’s awesome.

 

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Best Art Ever (This Week) – 09.06.13

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We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, but because cartoonists, illustrators and their fans share countless numbers of great images on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, and some of it’s endearingly silly. All of it’s awesome.

 

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Link Ink: Inafune’s New Fighting Robot, Murphy’s Rejected Batman Pitch And Jodorowsky’s Asteroid

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Wednesday's links are all yours, after the cut.

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So That New ‘Batman: Black & White’ #1 Looks Pretty, Pretty, Pretty Cool [Preview]

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Originally launched in 1997, Batman: Black & White was an anthology in which DC Comics editor and art director Mark Chiarello got the best people he could find to draw and write new Batman stories with an emphasis on creative vision -- particularly that of the artists, whose contributions were enhanced both by the Dark Knight's compelling visual presence and the book's colorless format. The first run proved to be an award-winning and influential hit, bringing readers the first Batman work of Jim Lee, inspiring DC Collectibles' most popular line of statues, and leading to similarly tasteful, aesthetically sophisticated and critically acclaimed Chiarello-edited books like DC: The New Frontier, Solo, Wednesday Comics and Catwoman: Selina's Big Score.

Then after the last Black & White short story was published as a backup in Batman: Gotham Knights, Chiarello readied an all-new volume of Batman: Black & White that's basically the same deal but with different creators. As with the original, the new roster is a mix of the top artists of today and accomplished masters, including ComicsAlliance favorites like Joe Quinones, Sean Murphy, Neal Adams, Chris Samnee and Michael Cho, with covers by Marc Silvestri and Phil Noto. The book goes on sale this week but courtesy of DC, you can take an early look at some preview pages below.

 

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Win A ‘Batman: Black And White’ Statue Designed By Sean Murphy

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Earlier this week, in celebration of the 50th statue in the ​Batman: Black & White ​line, we spoke with DC Collectibles VP -- Creative Services Kevin Kiniry and Design Director Jim Fletcher about the past, present and future of this enduringly popular line. Started in 2005 and based on the Eisner-winning ​Batman: Black & White anthology edited by Mark Chiarello, the statues have become favorites among collectors, due in large part to the various artists who have contributed designs for their three dimensional takes on The Dark Knight. Now, ComicsAlliance is teaming up with ScreenCrush and Arcade Sushi to give away a copy of the 50th statue in the series, designed by Sean Murphy.

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DC Collectibles Execs Talk Past, Present And Future Of ‘Batman: Black & White’ Statues [Interview]

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Launched in 2005 by what was then called DC Direct, the Batman: Black & White statue series is DC Collectibles’ three-dimensional spinoff of the hugely acclaimed, Eisner-winning 1990s comic book anthology edited by Mark Chiarello that invited some of the world’s best and most idiosyncratic artists to express their own uninhibited visions of the enduringly popular and graphically compelling Dark Knight. Like the original book, the Black & White statue line has become a favorite among collectors and illustration enthusiasts for its high quality craftsmanship and impeccable taste in collaborators. Some of the artists who’ve designed for the Black & White series include Paul Pope, Simon Bisley, Eduardo Risso, Mike Mignola, Steve Rude, Alex Ross, Frank Miller, Matt Wagner, Neal Adams, Bruce Timm, Cliff Chiang, Darwyn Cooke, Frank Quietly... the list is very long and almost embarrassingly auspicious.

Having collected numerous DC and Warner Bros. Animation-related statues from the days when they were still licensed out to sculptors like Randy Bowen, the artists of Graffiti Designs and the talents at the much missed Warner Bros. Studio Store, I’m obviously a great admirer of the work of DC Collectibles. There’s something very hard to describe about how a great statue or other three-dimensional representation of your favorite hero can express their true, well, awesomeness in a way that’s utterly distinct from line art or even film or animation. It’s arguable that no collectibles line possesses this power in greater quantities than Batman: Black & White, as the line’s success with fans and creative professionals continues to demonstrate as it releases its fiftieth statue this week, designed by longtime ComicsAlliance favorite Sean Murphy (Punk Rock Jesus, The Wake).

To celebrate the occasion (which also syncs up nicely with the long-awaited return of Chiarello’s beloved anthology, for which a photograph of Murphy’s statue will serve as a variant cover), we connected with DC Collectibles VP - Creative Services Kevin Kiniry and Design Director Jim Fletcher to talk about the history of Batman: Black & White, the possibility of a Black & White villains spinoff, and why so many comic book artists consider working on the line a “badge of honor.”

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Best Art Ever (This Week) – 08.09.13

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We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, but because cartoonists, illustrators and their fans share countless numbers of great images on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, and some of it’s endearingly silly. All of it’s awesome.

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Snyder And Murphy’s Tale Of Ocean Horror Continues In ‘The Wake’ #3 [Preview]

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After just two issues, The Wake is a success. The new 10-issue miniseries from the creative team of Scott Snyder and Sean Murphy has had strong reviews coupled with impressive sales numbers -- issue #1 of the series is the highest-selling Vertigo book in a decade. A mix of horror and mythology spanning three different time periods, The Wake features a group of scientists, led by Dr. Lee Archer, attempting to uncover the secrets of a vicious Merman-like creature captured by the U.S. government. As Dr. Archer and her team do their best to discover the truth, the creature -- with the ability to invade their thoughts, granting them each what they believe to be their heart's desires -- has other plans.

Vertigo has provided ComicsAlliance with a preview of The Wake #3, including a variant cover from Dustin Nguyen, and you can check it out after the cut.

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Filed Under: , , Category: Previews, Vertigo

Best Art Ever (This Week) – 07.19.13

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We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, but because cartoonists, illustrators and their fans share countless numbers of great images on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, and some of it’s endearingly silly. All of it’s awesome.

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‘The Wake’ #1 Highest Selling Vertigo Issue In More Than A Decade

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ICv2 has released its estimates for comics sales by Diamond Comic Distributors to direct market comic shops in May 2013. Based on Diamond indexes and publisher data, the numbers provided by ICv2 aren't exact, but they provide a barometer for measuring how print sales of various titles compare to each other. There are a few interesting numbers on this month's list, but one really stood out: The Wake #1, by creators Scott Snyder and Sean Murphy, sold approximately 45,000 copies, making it possibly the best selling Vertigo single issue in over ten years.

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Filed Under: , , , Category: News, Vertigo

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