When Warner Bros. announced their big slate of upcoming DC superhero films a few months ago, we all pretty much assumed that these movies and characters would operate in a shared universe. Given the ‘Justice League’ connection, how could they not? What we haven’t been clear on is whether some of the other DC heroes, like Shazam and Guillermo del Toro’s ‘Dark Universe’ characters, would also inhabit the same universe. As if sensing the little question marks over our heads, DC Comics has confirmed what we all assumed: Yes, their WB superhero movies will operate in a shared universe.
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Christmas has once again come and gone, but before the holidays are over, there's one last celebration we all have to get through before New Year's rolls around and puts a cap on it: Boxing Day! The only problem is that the True Meaning of Boxing Day has been explored in roughly zero movies (as opposed to the True Meaning of Christmas, which has been pretty thoroughly dealt with in about 4,926), so I always just tend to think of it as a wintry celebration of people punching each other in the face.
I always try to celebrate with the most pugilistic comic I can find, and this year, that led me to 1944's Captain Marvel Adventures #35, which promised a boxing match between Billy Batson's alter ego and a soldier, and then went on to become one of the all-time craziest comic books I have ever read.
The fourth issue of Multiversity, Thunderworld Adventures, with art by Cameron Stewart, colors by Nathan Fairbairn and letters by Steve Wands, was initially described by Morrison as taking the All Star Superman approach to Captain Marvel. Set on Earth-5 — previously Earth-S in the pre-Crisis on Infinite Earths DC Multiverse — it's far more evocative of the original Fawcett Comics incarnations of these characters than any versions that have been in the DC Universe since.
Lighthearted and fun, with gorgeous art by Stewart and Fairbairn and a lettering style from Wands evocative of the neo-C.C. Beck take Jeff Smith took in his recent Monster Society of Evil prestige miniseries, it's the anti-Pax Americana in tone, subject matter and symbolism, while maintaining a consistency of message and intent.
Since the first issue hit stands earlier this year, Joe Keatinge and Leila del Duca's Shutter has established itself as one of Image's most popular new titles. The tale of Kate Kristopher, a world-famous ex-explorer who gets embroiled in all manner of mystery and adventure, it's been winning over readers with its idiosyncratic blend of science fiction, urban fantasy, and good old-fashioned derring do.
With the first paperback collection released this week, ComicsAlliance sat down with the series' creators to talk about developing the world's characters, the story so far, and pushing the limits of their self-created reality.
Dwayne 'The Rock' Johnson -- actor, wrestler, guy with quote marks in his name -- has tweeted what appears to be confirmation that he will play the role of Black Adam -- presumably in a Shazam movie from Warner Bros. -- by telling his followers, "My honor to become.. #BlackAdam".
Rumors about Johnson joining the DC Cinematic Universe have circulated for a while, with initial speculation that he might appear in Batman V Superman -- perhaps as Lex Luthor. In August, Johnson confirmed that he was in talks to take on a DC role, and tweeted a picture of Shazam, Black Adam, and Superman. He didn't specify which role he was up for, but many fans noted his resemblance to the villain Black Adam.
For years now, DC Comics fans have been hearing about writer Grant Morrison's The Multiversity -- a universe-jumping series of one-shot stories tied together by an introductory and concluding issue that tracks the cosmic monitor Nix Woton as he tries to save multiple universes from an existential threat. Universes that become aware of this threat by reading about it in comic books... comic books that, it turns out, take place in neighboring universes. We first saw artwork from Frank Quitely's installment all the way back in 2012, but the project has been in the works since even before the advent of DC's line-wide 2011 reboot, the New 52 (a name that has proven confusing in the past, but, we promise, never more so than in this interview).
Now it's finally starting next month, featuring auspicious collaborations with artists including Cameron Stewart, Ben Oliver, Chris Sprouse, Ivan Reis, Frank Quitely, and even more besides, introducing readers to a Vampire Batman, a Nazi Superman, a dinosaur cop, "Sister Miracle," an evil comic book called Ultra Comics, and tons of other ideas inspired by the deep history of DC Comics lore.
Dwayne Johnson, better known to wrestling fans from his time in WWE as The Rock, has long been rumored to be up for a starring role in a DC Comics superhero movie, and now it looks like it's actually going to happen. In an interview with Total Film, Johnson confirmed that he has been in talks with DC Entertainment for years and that an agreement is in place and an announcement is coming soon.
As for just what that announcement will be, well, based on what Johnson says in the interview, there's a pretty good chance he might be playing Shazam in an upcoming film.
C.C. Beck was born on June 8, 1910, attended art school in Chicago, and started his career in pulp magazines with Fawcett Publications in the early 1930s. When the popularity of pulps began to fade, he moved over work on Fawcett's line of comics – and in 1939 he co-created a character that originally bore the name "Captain Thunder", but was re-dubbed Captain Marvel shortly before the release of his first adventure. In that initial story, young newsboy Billy Batson meets a great wizard, and is given the power to transform into "The World's Mightiest Mortal" when he says one magic word...Shazam!
Today, one day after what would have been his 104th birthday, w've reached out to a few of today's best comics creators to ask for their thoughts and impressions on Beck and his creations.
If you've been reading ComicsAlliance for a while, then you've probably noticed that when it comes to back issues, I tend to gravitate towards the ones where really weird stuff happens. Power Man and Iron Fist battling the Daleks, Godzilla traveling through time to battle dinosaurs, an entire robot Smallville being constructed specifically to fool aliens into nuking the wrong city -- that's all stuff that's just inherently bizarre, and I love them. But sometimes, it's not the events that are strange, it's how they're presented.
Take, for instance, what the fine folks at Fawcett did back in 1946, when they took a story that, by itself, was nothing special, and then skewed it just far enough that it's one of the most mind-boggling comics I've ever read.