The comic book, animation, illustration, pinup, mashup, fan art and design communities are generating amazing artwork of myriad styles and tastes, all of which ends up on the Internet and filtered into ComicsAlliance’s Best Art Ever (This Week). These images convey senses of mood and character — not to mention artistic skill — but comic books are specifically a medium of sequential narratives, and great sequential art has to be both beautiful (totally subjective!) and clear in its storytelling (not so subjective!). The words and the pictures need to work together to tell the story and create whatever tone, emotion and indeed world the story requires. The contributions of every person on a creative team, from the writer to the artist(s) to the letterers, are necessary to achieving a great page of sequential storytelling.
It is this special nature of comic books that we’re celebrating in the recurring feature: Best Sequential Art Ever (This Week).
Much like their (rightly) acclaimed Judge Dredd comics, IDW's handling of the Star Trek license has managed to exceed reader expectations with high production values and an uncanny ability to tell engaging comics stories within the limitations of a tie-in book. Over the last three years, IDW has shifted the comics focus to tell stories from within the world of J.J. Abrams and his Bad Robot team's cinematic Star Trek reboot. With the new status quo firmly established, writer Mike Johnson and a team of artists are going to be taking the Enterprise and her crew into all-new directions, starting with a gender-flipped parallel universe. The two-part "Parallel Lives" debuted last week with Star Trek #29 and gives new readers a chance to take a tour with the finest crew in the fleet while seeing them in an all-new light.
We talked to Johnson and artist Yasmin Liang for more information about their two-part Trek adventure, and got an inside look at the ins-and-outs of how they approach working on a license with such heavy fan expectations.
Since you're reading this on the Internet, I'm going to go ahead and assume that there's a significant chance you've wondered what Star Trek would be like if the Enterprise was crewed by Rainbow Dash and Twilight Sparkle instead of Captain Kirk and Mr. Spock. Well wonder no longer, friends and neighbors! In this week's My Little Pony: Friendship is Magic #16, Heather Nuhfer and Amy Mebberson are answering your crossover queries once and for all.
Trapped in a storybook with the actual stories devoured by the magical Bookworm, the Ponies are forced to make up their own stories, and so naturally, they turn to recreating Star Trek and Lord of the Rings. Apparently fanfic is magic, too. Check 'em out below!
When you think about ancient Egyptian superheroes, there aren't a whole lot that come to mind. Apocalypse was around back then, right? And presumably there was some version of Moon Knight running around before the Fist of Khonshu was a dude who hung out with a French helicopter pilot, but really, that's all that comes to mind off the top of my head. But what if... what if... there were more?
That is the question that artist Josh Ln has answered in a series of prints called "Hero-Glyphics" that he "excavated and restored," presumably from a pyramid that was just full of pitfalls and tripwires connected to poison arrows. Check 'em bout below to see hieroglyphic-style reimaginings of some of our favorite characters! And also Kick Ass.
There are so many artistic tributes to the Star Trek franchise that at this point it's a bit of a challenge to do anything that immediately stands out, but artist Juan Ortiz has produced something that caught our attention. Similar to Francesco Francavilla's Breaking Bad project, Ortiz -- a longtime illustrator/designer for Disney and Warner Bros. who has also provided cover art for DC Comics' Looney Tunes series -- has produced a faux movie poster for all 80 episodes of the original Star Trek series, collected in a coffee table book titled Star Trek: The Art Of Juan Ortiz. Some of the posters have an obvious Saul Bass influence, and others are inspired by various comic book, movie poster, and pulp novel cover art from the '60s.
The hit film Star Trek Into Darkness is now available (as a digital download; the disc gets released in a couple of weeks), and you can stream the entirety of The Original Series, The Next Generation and more on Netflix and through other services. But what if you want more; what if you want the adventures of Captain James T. Kirk, Mister Spock, Doctor Leonard McCoy and that one redshirt who’s probably going to die before the cold open is over in your favorite four-color format?
The core storytelling element of Star Trek -- a group of heroes in brightly-colored costumes battle thinly-veiled analogues of Russia, China and other places while exploring the cosmos and teaching everyone lessons -- seems like it would be perfect for comics. And it is, and there are some good ones out there. Unfortunately, digging through the back-issue bins and the spotty collections that are available can be challenging, and that’s why I’m here to help you out with this navigation guide to 45 years of Star Trek comics.
Other than Burt Reynolds himself, it's possible the only man who'd make a better ISIS agent than Sterling Archer is Captain James T. Kirk of the USS Enterprise. That said, Archer would also make a damn good animated Kirk, as evidenced by these Starcher Trek videos, featuring the voices of Sterling, Lana, and the rest of the crew from Archer dubbed over clips from Star Trek: The Animated Series. I'd describe them further, but they're pretty much exactly what you'd expect, so I suggest just checking out the first installment below.
His identity was a matter of speculation for months, but now that the release of Star Trek: Into Darkness is safely a couple months behind us, IDW is releasing a brand-new, six-issue miniseries to offer up the details of big bad Khan Noonien Singh's origin. Writer Mike Johnson and artist Claudia Balboni will work with Roberto Orci, one of the screenwriters of the movie, to tie the series into the film.
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