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The Fade Out

Brilliant Art, Tremendous Stories and Daring Creators: The 2016 Eisner Award Winners [SDCC 2016]

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The 28th annual Will Eisner Comic Industry Awards took place this Friday at San Diego Comic-Con, where the creators, editors and publishers of your favorite comics were honored for their accomplishments. While many will be nominated, only a select few will take home the top honors in one of comic's most respected awards. It was a particularly good night for publishers Drawn and Quaterly and Fantagraphics, with fan and critical favorites like Over the Garden Wall, Cliff Chiang and Bandette being recognized as well.

Check out the complete list of winners and nominees below.

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On The Cheap: Catch Up With ‘Criminal’, ‘The Fade Out’ And ‘Velvet’ As Part Of Image Comics’ Eisner Sale

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Yesterday saw the announcement of this year's Eisner Award nominees, and Image Comics came away from it with a huge portion of the nominations, highlighting comics such as Sexcastle, Bitch Planet and Southern Bastards. To celebrate, Image is putting on a huge digital sale that features all of its nominated titles, reduced in both their single issue format and collected editions.

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They Work For The Machine: Ed Brubaker On ‘The Fade Out,’ Part Two

The Fade Out, Ed Brubaker, Sean Phillips, and Elizabeth Breitweiser

Ed Brubaker and Sean Phillips have been making comics together for over fifteen years, and this week marks the end of their latest collaboration, alongside colorist Elizabeth Breitweiser. The Fade Out tells the story of the Golden Age of Hollywood and a murder that drags a pair of writers through some of the seediest criminal elements of the movie industry in 1948, and how far the film studios were willing to go to cover things up.

With the 12th and final issue now in stores, Brubaker has joined us for a two-part interview about the series. Today, in the second half, we talk about the relationships between Charlie and the rest of the cast, designs for the characters, and the upcoming Criminal one-shot with Sean Phillips that introduces the sensational character find of 2016.

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The Real Tragedy Is That He’ll Never Leave: Ed Brubaker On ‘The Fade Out,’ Part One

The Fade Out, Ed Brubaker and Sean Phillips

Ed Brubaker and Sean Phillips have been making comics together for over fifteen years, and this week marks the end of their latest collaboration, alongside colorist Elizabeth Breitweiser. The Fade Out tells the story of the Golden Age of Hollywood and a murder that drags a pair of writers through some of the seediest criminal elements of the movie industry in 1948, and how far the film studios were willing to go to cover things up.

With the 12th and final issue now in stores, Brubaker has joined us for a two-part interview about the series. Today, we talk about his family connections to film noir, the real-life stories of crime and excess that provided the framework for what he and Phillips created, and the relationship between the two characters who find themselves at the center of a plot to make an actress's murder quietly go away.

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Brubaker & Phillips’ Hollywood Noir ‘The Fade Out’ Is Their Most Ambitious Collaboration Yet [Review]

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We can all agree that Ed Brubaker and Sean Phillips form one of the most successful comics collaborations of all time, right? Over the last fifteen years the pair have routinely produced some of the best comics of the present age -- Sleeper, Incognito, about a thousand pages of Criminal, and the just-completed Fatale. They're the Stan Lee and Jack Kirby of smart, stylish, noir-tinged genre comics. Whenever their names appear together on a cover, it's practically a guarantee of excellence.

Now, after years of telling stories influenced by classic film noir, Brubaker and Phillips head directly to the source with The Fade Out, a dark and enthralling mystery about the dark truths behind the myth of old Hollywood.

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Ed Brubaker and Sean Phillips Go Hollywood Noir With ‘The Fade Out’ [Preview]

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Writer Ed Brubaker and artist Sean Phillips have collaborated on a number of different spins of the noir variety over the years: hard-luck stories (Criminal), supervillain parables (Incognito), even mixing in Lovecraftian on occasion  (Fatale). Now, the creative team is taking on another aspect of noir: old Hollywood's seedy underbelly.

The first project announced since the two inked their five-year carte blanche deal with Image Comics, The Fade Out will kick off August 20 with a 40-page first issue which will include exclusive back-matter articles not to be collected in later editions. Readers can also buy an oversized "movie magazine replica" edition of The Fade Out #1, with eight extra pages of art.

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