There are many ships in fandom, but Transformers is all but unique in that Transformers ships can feature people who turn into ships. A ship-based ship is therefore provably superior, and what is also provable is this: Nautica and Velocity, from Lost Light (formerly known as More Than Meets the Eye) are 100% in love.
Many ships are based on unfounded speculation, but not this one: this is based on hard, provable facts, with every assertion true because it’s backed up by the weight of cold, steely logic.
IDW's Revolution crossover might be coming to a close, but that doesn't mean that things are slowing down for the Hasbro properties that have all been thrown into the same universe. In March, the Revolutionaries are faced with Cobra Commander, the secrets behind the Mobile Armored Strike Kommand will finally be revealed, the crew of the Lost Light are trapped with no choice but to save the universe (again), and --- perhaps most importantly --- we're finally getting to see Art Baltazar and Franco do a story with Storm Shadow and Snake Eyes.
That's right, y'all: Revolution is getting the Aw Yeah! treatment with a story where Micronauts foe Baron Karza reads a bunch of GI Joe comics and then finds out that Snake Eyes is very real. Check out all the IDW/Hasbro solicits for more information!
For those of us who have been waiting thirty years for MASK, Transformers, GI Joe and a handful of other Hasbro properties to be thrown into the same universe, but it raises a lot of questions about what it's going to mean for the books that have been around for a while once the big Revolution event happens. For the Transformers especially, the franchise at the center of the action, there are a lot of questions about how it all ties together.
Now, with IDW revealing their post-Revolution plans at San Diego Comic-Con, we've got some answers from Optimus Prime writer John Barber, Transformers: Lost Light writer James Roberts, and Transformers: Til All Are One writer Mairghread Scott. Read on for their thoughts on integrating their complicated history into a new universe, the metaphors behind Cybertronian politics, and whether Roberts feels bad for making me cry about Chromedome and Rewind.
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