Is she a being of love adrift in darkness, as portrayed by Brian Azzarello and Cliff Chiang in their recently ended run? A dowdy wallflower, eternally at war with her own glamorous alter ego for Steve Trevor’s affection? George Pérez’s goddess of truth? Robert Kanigher’s wannabe wife? Greg Rucka’s diplomat? Gail Simone’s savior? Robert Valley's hot rod heroine? The Justice League’s secretary? Superman’s girlfriend? Batman’s girlfriend? Lynda Carter in satin tights? William Moulton Marston’s herald of benevolent matriarchy or the sexed-up uberbabe I met as a comics-curious child? Or, in the most macro sense—the one that most of the public operates on, when it comes to Wonder Woman—is she merely the century’s most generic t-shirt symbol of girl power?
This week's creative team is comprised of longtime Warner Bros. Animation talent Michael Jelenic, best known for his work on Teen Titans Go!, Thundercats, and, of course, the animated Wonder Woman feature film. He's joined by veteran comics artists Drew Johnson and Ray Snyder, alumni of the famous Jolly Roger Studio, and colorist Lizzy John, whose work we've seen before in Archaia's line of Jim Henson Company comics and graphic novels. The cover comes courtesy of illustrator Paul Davey, whose contribution here represents his first comic book work, as far as I know.
As you can see in this exclusive preview, the team's story falls along the lines of the traditional adventure story with the kind of mythological, majestical scale to which Wonder Woman lends herself so well.
For anyone who remembers the days when just one Spider-Man movie seemed an impossible dream, the above infographic is an astonishing representation of how comic book superheroes now dominate popular entertainment. ComicsAlliance’s own graphics maestro Dylan Todd put together this timeline that reveals what the next six years of superhero movies look like, with some dates and titles still to be announced. The graphic will be updated as new information is released.
Comic readers are often annoyed by the outdated assertion, “but comic books are for kids!” As those of us within this culture know, comics today are usually made for and marketed to adults, especially single issues and superhero comics. However, comics, as a medium, should and can serve a vast variety of demographics. Publishers simply need to be ready to create the books that readers will read.
Most comic readers can point to some great comics for kids, including Smile, Bone, My Little Pony: Friendship is Magic, and Adventure Time -- but for many parents and young readers, there is a huge void in the comics that exist today. There are very few high-quality, positive, superhero comics for kids.
The Warner Bros. announcement on Wednesday of ten upcoming movies based on DC Comics properties neatly fills in a calendar of dates that the studio previously provided -- and help flesh out an extraordinary timetable of DC and Marvel superhero movies over the next six years from Warner Bros, Marvel Studios, Fox, and Sony Columbia.
ComicsAlliance's own graphics maestro Dylan Todd put together a timeline that reveals what those six years look like, including 29 confirmed release dates between now and the end of 2020, with several dates and titles still to be announced. For anyone who remembers the days when just one Spider-Man movie seemed an impossible dream, it's an astonishing representation of how comic book superheroes now dominate popular entertainment.
At a presentation to investors on Wednesday morning, Warner Bros CEO Kevin Tsujihara unveiled his studio's blockbuster movie slate for the next few years through to 2020, finally confirming the titles for an ambitious number of movies based on DC Comics superhero properties.
The announcement confirms that we will finally see a long-awaited Wonder Woman movie in 2017. Gal Gadot will reprise the role after 2016's Batman Vs. Superman: Dawn Of Justice. The announcement also includes the expected Justice League movie -- and a sequel -- the previously announced Suicide Squad movie, and pictures starring Justice League members Aquaman, Flash, Green Lantern, and Cyborg. This means DC now has one superhero movie in the works with a female lead, and three with non-white leads.
We really don't know much about how Wonder Woman will fit into the plot of 'Batman v Superman: Dawn of Justice.' We do know that she's being played by Gal Gadot and that she will, somehow, get some screen time alongside Henry Cavill's Superman, Ben Affleck's Batman and Jesse Eisenberg's Lex Luthor. But that's about it ... until now! Thanks to a tiny snippet (caught on Vine, no less) we now know that DC's Amazon warrior will forego her classic origin story in favor of her modern beginning.
DC Digital's Sensation Comics Featuring Wonder Woman must be doing decent business, as the publisher announced a second digital Wonder Woman title at the Download This panel at New York Comic-Con on Sunday; Wonder Woman '77, inspired by the hit 1970s Wonder Woman TV show starring Lynda Carter. The series follows the digital-first format of the Batman '66 comic, which is based on the 1960s Batman TV show.
Written by Marc Andreyko and illustrated by various artists, Wonder Woman '77 will launch in December with a six weekly installments that will later be released in print. Further Wonder Woman '77 stories are expected to follow in the future.
For the most part, mainstream comics don’t care about fashion. But sometimes, something sneaks through and reminds us all of why this matters. Sensation Comics #7, illustrated by Marguerite Sauvage from a script by Sean E. Williams, is that rare, trembling shaft of light into the dank, Dragon Ball Z-print-button-downed basement that is the state of fashion in comics.
By now, you've probably heard all about the genuinely awful licensed t-shirt featuring Superman planting a seemingly unwelcome smooch on Wonder Woman and proclaiming "SCORE!" and that he's "done it again." It's bad for a lot of reasons -- blatant sexism, the awful lettering of the caption box -- but, as an optimist, I've always taken the position that nothing is so bad that it can't be improved in some way. And apparently, that's Bill Sienkiewicz's position as well.
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