Matt Seneca
![Charles Forsman On Minicomics & Being Compared To Charles Schulz For His Work On ‘TEOTFW’ [Interview]](http://townsquare.media/site/622/files/2013/07/TEOTFW-.jpg?w=980&q=75)
Charles Forsman On Minicomics & Being Compared To Charles Schulz For His Work On ‘TEOTFW’ [Interview]
Charles Forsman’s recently concluded 16-part miniseries The End of the F**king World (or TEOTFW in Fantagraphics’s upcoming bookstore-friendly collection) is a rare bird, especially in today’s near-completely Balkanized comic book market; a genuine crowd pleaser. I’ve worked in comic book shops since before I started high school, and what pains me the most consistently about the otherwise deligh

Duet On ‘Solo’, Part Twelve: Brendan McCarthy
Published between 2004 and 2006, Solo was a DC Comics anthology series with an innovative twist: each issue was created from the ground up by a single cartoonist and collaborators of his own choosing. Edited by DC's head art director Mark Chiarello (Wednesday Comics, DC: The New Frontier), the series offered artists a platform to control their visions completely in the form of original stories, un

Duet On ‘Solo’, Part Eleven: Sergio Aragones
Published between 2004 and 2006, Solo was a DC Comics anthology series with an innovative twist: each issue was created from the ground up by a single cartoonist and collaborators of his own choosing. Edited by DC's head art director Mark Chiarello (Wednesday Comics, DC: The New Frontier), the series offered artists a platform to control their visions completely in the form of original stories, un

Duet On ‘Solo’, Part Ten: Damion Scott
Published between 2004 and 2006, Solo was a DC Comics anthology series with an innovative twist: each issue was created from the ground up by a single cartoonist and collaborators of his own choosing. Edited by DC's head art director Mark Chiarello (Wednesday Comics, DC: The New Frontier), the series offered artists a platform to control their visions completely in the form of original stories, un

Duet On ‘Solo’, Part Six: Jordi Bernet
Published between 2004 and 2006, Solo was a DC Comics anthology series with an innovative twist: each issue was created from the ground up by a single cartoonist and collaborators of his own choosing. Edited by DC's head art director Mark Chiarello (Wednesday Comics, DC: The New Frontier), the series offered artists a platform to control their visions completely in the form of original stories, un

Duet On ‘Solo’, Part Five: Darwyn Cooke
Published between 2004 and 2006, Solo was a DC Comics anthology series with an innovative twist: each issue was created from the ground up by a single cartoonist and collaborators of his own choosing. Edited by DC's head art director Mark Chiarello (Wednesday Comics, DC: The New Frontier), the series offered artists a platform to control their visions completely in the form of original stories, un

Duet On Solo, Part Four: Howard Chaykin
Published between 2004 and 2006, Solo was a DC Comics anthology series with an innovative twist: each issue was created from the ground up by a single cartoonist and collaborators of his own choosing. Edited by DC's head art director Mark Chiarello (Wednesday Comics, DC: The New Frontier), the series offered artists a platform to control their visions completely in the form of original stories, un
![The Uncommon Excellence of ‘Untold Tales Of The Punisher Max’ #2 [Review]](http://townsquare.media/site/622/files/2012/07/img083.jpg?w=980&q=75)
The Uncommon Excellence of ‘Untold Tales Of The Punisher Max’ #2 [Review]
It's always a pleasure when a comic like this one comes along, and it's been a while, too. With the two big superhero comics publishers doubling down on their attempts to transform the ramshackle issue-by-issue chronicles of costumed mystery men and their bizarre adventures into slick franchise-ready "IP," it's becoming harder and harder to invest oneself as a reader in the Marvel and DC

Guido Crepax’s ‘Valentina': The High Water Mark of Pornographic Comics
There's a fundamental problem underlying all erotic work done in the comics medium, one even more difficult to get past than the lack of audible sound and visible motion bedeviling the action-oriented material that dominates the form's American market...

Report from the Brooklyn Comics + Graphics Festival 2011 and a Look at ‘Kramers Ergot 8′
I took a plane from Hollywood across the country to the third annual Brooklyn Comics and Graphics Festival. One weekend. A lot of hassle, a lot of money, a lot of time that could be spent doing much more responsible things. I didn't even have a zine out...