Carmine Di Giandomenico

Recently, the subject of rotating art teams in superhero comics reached a tipping point, and people have started to wonder if the concept does more harm than good in the long run. With double-shipping in superhero comics becoming more prevalent and artists’ contributions are becoming seen as interchangeable, it’s important to stop and ask: Are rotating artistic creative teams good for comics in the long-run, or does it start us down a path of recognizing the writer’s contributions as inherently more important to the finished product?

In January, DC Rebirth will have officially passed its six-month milestone, but it shows no sign of slowing down. Ahead of the full solicitation release next week, DC has provided us with a first look at the covers and solicitations for Joshua Williamson & Carmine Di Giadomenico's The Flash #14, Simon Oliver & Pia Guerra's The Hellblazer #6 and Hope Larson and Christian Wildgoose's Batgirl #7.

DC Comics hosted a special livestream event at WonderCon in Los Angeles on Saturday afternoon to unveil the creative teams behind its DC Rebirth event, which relaunches the entire DC Universe line with new issue #1s and multiple double-shipping titles. The relaunch will set the future course of DC Comics at a time when fans are wondering whether the company will embrace a new and diversifying audience or double down on serving a shrinking core audience. The event was introduced by DC All Access host Tiffany Smith, with DC co-publishers Jim Lee and Dan DiDio and chief creative officer and Rebirth chief architect Geoff Johns introducing and interviewing the creative teams as they joined them on stage at the Los Angeles Convention Center.

In case you haven't heard yet, I'm afraid I've got some bad news. With DC's impending Rebirth event slouching fearfully over the horizon, it seems that the era of Dick Grayson, Agent 37 is coming to an end. On one level, that's certainly a letdown, but it's also pretty exciting to see what the next two issues bring. With the book on the way out, it seems that there are no limits to what might happen - which is how you get to an issue where Grayson and Tiger are on the run, fighting both TAO, from Alan Moore and Travis Charest's Wildcats, and Grant Morrison and Doug Mahnke's Frankenstein: Agent of SHADE, at the same time. Check out an exclusive preview of next week's Grayson #17, by Tim Seeley, Tom King, Carmine Di Giancomenico, and Jeromy Cox, and get stoked!

  Besides the obvious one, it’s hard to think of a writer more connected to an X-book than Peter David and X-Factor. (Chris Claremont and Uncanny X-Men being the obvious one, obviously.) After a two-year stint in the early nineties that remains a fan favorite, David relaunched ­X-Factor in 2005 and made it the most consistent X-book on the racks for his entire run. For eight years, X-Factor was r

Marvel announced Exiled, its upcoming five-part, weekly-shipping crossover story spanning Asgard and Earth during a live-blog PR event on Monday. Following the Exiled #1 in May, two issues apiece of New Mutants and Journey Into Mystery will be devoted to the multi-realm storyline...

This week saw the release of Jonathan Hickman and Steve Epting's Fantastic Four #600, celebrating not only six hundred issues of the seminal title but also more than fifty years since the book's debut. Hickman's run on Fantastic Four has been a definite highlight of the past few years of superhero comics, embracing the cosmic scope and incorporating elements of almost every era of Fantastic Four h

In typically cryptic fashion, Marvel Comics released Monday morning a couple of teaser images designed to make us talk about future publishing events -- and it worked! The first image reveals a new logo for Uncanny X-Men, the venerable mutant series that relaunches in November with a new issue #1 by writer Kieron Gillen and artist Carlos Pacheco ...

Iron Man recently celebrated its 500th issue with an extra-length story that serves as a great single story, a remarkable character study of Tony Stark that returns to a common theme of Iron Man's adventures: Stark's fear of the technology he creates falling into the wrong hands and doing more harm than good...

We've tried to be strong, dispassionate fanboys-and-girls in the face of Marvel's incredible onslaught of tantalizing hype for Invincible Iron Man #500, which began in earnest during October's New York Comic Con. It was at the convention that Marvel confirmed that Matt Fraction and Salvador Larroca's series would continue the original numbering of the classic Iron Man series, and that the anniver