Davide Gianfelice

What Do We Lose When A Comic Doesn't Have Its Own Artist?
Recently, the subject of rotating art teams in superhero comics reached a tipping point, and people have started to wonder if the concept does more harm than good in the long run. With double-shipping in superhero comics becoming more prevalent and artists’ contributions are becoming seen as interchangeable, it’s important to stop and ask: Are rotating artistic creative teams good for comics in the long-run, or does it start us down a path of recognizing the writer’s contributions as inherently more important to the finished product?