preacher maam

Preacher Ma'am: How Does 'Alamo' Hold Up Today?
Preacher Ma'am: How Does 'Alamo' Hold Up Today?
Preacher Ma'am: How Does 'Alamo' Hold Up Today?
As someone who thought she was a dude in the late 1990s, Preacher was the comic I looked forward to every month more than any other. As someone who knows she isn’t a dude in the mid-2010s, I’m looking back on this series and examining what still works, what doesn’t work, and what its lasting legacy is. This week: it's all over. Garth Ennis and Steve Dillon --- with Pamela Rambo on colors, Clem Robbins doing the lettering, and Alex Alonso editing the whole deal --- set their pencils down with "Alamo," and their final word on the series asks us: who deserves salvation, who has earned damnation, and does it even make a difference in the end?
Preacher Ma'am: How Does 'All Hell's A-Coming' Hold Up Today?
Preacher Ma'am: How Does 'All Hell's A-Coming' Hold Up Today?
Preacher Ma'am: How Does 'All Hell's A-Coming' Hold Up Today?
In the eighth Preacher collection, All Hell's A-Coming, Garth Ennis and Steve Dillon --- with colors by Pamela Rambo and Patricia Mulvilhill, and letters by Clem Robbins --- start gathering their plot threads together; we finally get some backstory that helps illuminate a divisive major character, and we explore the dark side of the American dream of the second chance.
Preacher Ma'am: How Does 'Salvation' Hold Up Today?
Preacher Ma'am: How Does 'Salvation' Hold Up Today?
Preacher Ma'am: How Does 'Salvation' Hold Up Today?
In this installment, Preacher faces controversy, and not for the usual reasons – but rather, because everyone argues over whether this arc truly serves the story. Salvation, by Garth Ennis and Steve Dillon, with colors by Pamela Rambo and letters by Clem Robbins, is often considered the runt of the Preacher litter of trade paperbacks. Is it a misstep for the series, a needed divergence, or something else entirely?
Preacher Ma'am: How does 'War in the Sun' Hold Up Today?
Preacher Ma'am: How does 'War in the Sun' Hold Up Today?
Preacher Ma'am: How does 'War in the Sun' Hold Up Today?
In War In The Sun, written by Garth Ennis and illustrated by Steve Dillon and Peter Snejbjerg, everything changes forever. It's a promise that means nothing in most comics, but when Preacher says it, it follows all the way through. While Preacher is a lot like a superhero comic, it has one key difference: things change, and change greatly, and stay changed.
Preacher Ma'am: How Does 'Dixie Fried' Hold Up Today?
Preacher Ma'am: How Does 'Dixie Fried' Hold Up Today?
Preacher Ma'am: How Does 'Dixie Fried' Hold Up Today?
As someone who thought she was a dude in the late 1990s, Preacher was the comic I looked forward to every month more than any other. As someone who knows she isn’t a dude in the mid-2010s, I’m looking back on this series and examining what still works, what doesn’t work, and what its lasting legacy is. In Dixie Fried the cast starts to settle into a routine, and one of the greatest strengths of the series comes to the fore, even as characters turn out to be not what they seem and the series’ perspective on religion turns out to be more nuanced than expected. Dixie Fried was written by Garth Ennis, drawn by Steve Dillon, and features colors by Matt Hollingsworth, Pamela Rambo, and James Sinclair, letters by Clem Robbins, and was edited by Axel Alonso.
Preacher Ma'am: How Does 'Ancient History' Hold Up Today?
Preacher Ma'am: How Does 'Ancient History' Hold Up Today?
Preacher Ma'am: How Does 'Ancient History' Hold Up Today?
As someone who thought she was a dude in the late 1990s, Preacher was the comic I looked forward to every month more than any other. As someone who knows she isn’t a dude in the mid-2010s, I’m looking back on this series and examining what still works, what doesn’t work, and what its lasting legacy is. This week, it's a break from the regular series as writer Garth Ennis and editor Julie Rottenberg assemble a series of one-shots set in the Preacher expanded universe. What will different artistic styles bring to the table, and what can the tone of each one --- from frivolous to a serious as a tombstone --- tell us about how well fiction ages?
Preacher Ma'am: How Does 'Proud Americans' Hold Up Today?
Preacher Ma'am: How Does 'Proud Americans' Hold Up Today?
Preacher Ma'am: How Does 'Proud Americans' Hold Up Today?
As someone who thought she was a dude in the late 1990s, Preacher was the comic I looked forward to every month more than any other. As someone who knows she isn’t a dude in the mid-2010s, I’m looking back on this series and examining what still works, what doesn’t work, and what its lasting legacy is. This week, we look at the stories collected in the third volume, Proud Americans, courtesy of writer Garth Ennis and artist Steve Dillon, colorist Matt Hollingsworth, letterer Clem Robbins, and editor Axel Alonso, with covers by Glenn Fabry. These stories are all thematically tied together by reconciling what seems to be with the way things are --- the myth versus the reality --- although in one case, we may not know it yet…
Preacher Ma'am: Does 'Until the End of the World' Hold Up?
Preacher Ma'am: Does 'Until the End of the World' Hold Up?
Preacher Ma'am: Does 'Until the End of the World' Hold Up?
As someone who thought she was a dude in the late 1990s, Preacher was the comic I looked forward to every month more than any other. As someone who knows she isn’t a dude in the mid-2010s, I’m looking back on this series and examining what still works, what doesn’t work, and what its lasting legacy is. If Gone to Texas was the fizzle, Until the End of the World is the bang. The second collection, by Garth Ennis and Steve Dillon, with colors by Matt Hollingsworth, letters by Clem Robbins, and covers by Glenn Fabry, includes issues #8 through #17, and it's where Preacher truly takes off for me, all because of the lead-in story, which gives the collection its title.
Preacher Ma'am: How Does 'Gone to Texas' Hold Up Today?
Preacher Ma'am: How Does 'Gone to Texas' Hold Up Today?
Preacher Ma'am: How Does 'Gone to Texas' Hold Up Today?
As someone who thought she was a dude in the late 1990s, Preacher was the comic I looked forward to every month more than any other. As someone who knows she isn’t a dude in the mid-2010s, I’m looking back on this series and examining what still works, what doesn’t work, and what its lasting legacy is. Created by Garth Ennis and Steve Dillon, with colors by Matt Hollingsworth, letters by Clem Robbins, and covers by Glenn Fabry, Preacher launched in 1995 from Vertigo. The first trade paperback, Gone To Texas, was published in 1996. The series is now being adapted for the screen as a TV series on AMC, and it was the moment that Jesse Custer pulled out a cellphone in the Preacher pilot that I realized that the mid-'90s were a long time ago.