David Brothers

Comics as we know it is wide and fractured. There's Direct Market comics, bookstore comics, webcomics, indie comics, manga, Eurocomics, and several more subcultures. I'm curious about what working under the broad umbrella of "comics" is like for creators, publishers, critics, academics, and more. Over the course of this month, I'm going to interview several people whose work, position, o

Comics as we know it is wide and fractured. There's Direct Market comics, bookstore comics, webcomics, indie comics, manga, Eurocomics, and several more subcultures. I'm curious about what working under the broad umbrella of "comics" is like for creators, publishers, critics, academics, and more. Over the course of this month, I'm going to interview several people whose work, position,

Comics as we know it is wide and fractured. There's Direct Market comics, bookstore comics, webcomics, indie comics, manga, Eurocomics, and several more subcultures. I'm curious about what working under the broad umbrella of "comics" is like for creators, publishers, critics, academics, and more. Over the course of this month, I'm going to interview several people whose work, position, o

Comics as we know it is wide and fractured. There's Direct Market comics, bookstore comics, webcomics, indie comics, manga, Eurocomics, and several more subcultures. I'm curious about what working under the broad umbrella of "comics" is like for creators, publishers, critics, academics, and more. Over the course of this month, I'm going to interview several people whose work, position, o

Comics as we know it is wide and fractured. There's Direct Market comics, bookstore comics, webcomics, indie comics, manga, Eurocomics, and several more subcultures. I'm curious about what working under the broad umbrella of "comics" is like for creators, publishers, critics, academics, and more. Over the course of this month, I'm going to interview several people whose work, position, o

  Comics as we know it is wide and fractured. There's Direct Market comics, bookstore comics, webcomics, indie comics, manga, Eurocomics, and several more subcultures. I'm curious about what working under the broad umbrella of "comics" is like for creators, publishers, critics, academics, and more. Over the course of this month, I'm going to interview several people whose work, position,

I have a love/hate relationship with Mark Millar's work. When I was getting back into comics as an adult, his work with Frank Quitely and Bryan Hitch on The Authority and The Ultimates were fairly instrumental in keeping me reading. As time went on, though, and his books descended deeper into pandering to the lowest common denominator, I began losing interest...

Like most of you, I've got a to-read stack that kills me every time I look at it. Friends laugh at it, small children cry at it, and the police keep giving me the stink eye. I've also got a to-read list for those things that I want to read in digital form, but haven't yet...

When I was a kid, there were two comics franchises that meant everything. The first was Spider-Man. He was my entryway into comic books, courtesy of Todd McFarlane and David Michelinie, and he made an indelible impression. The second franchise was the X-Men, especially the comics drawn by Jim Lee...

Don't ask me why -- I'm just a writer -- but humans are programmed to see patterns. It's why we see faces on Mars, religious figures in food, and conspiracies where there are none. Something in our brains wants to make that connection for us, no matter how insane it may seem to an outsider...