Joelle Jones

There aren't many decades that brought as much change for women as the 1960s. The roles and rights of women changed and the world met second wave feminism --- and yet, especially at the beginning of the decade, women were still often expected to fill only the role of a housewife and mother. This is where Joëlle Jones and Jamie S. Rich's Lady Killer comes in, set in 1962. Lady Killer's heroine Josie is exactly the housewife and mother that the times demanded she be, and a focused career woman who happens to make a career out of assassination. It's a book that carries a lot of weight as a story about a woman in a time of great change. It's also a book that's easy on the eyes.

Joëlle Jones and Jamie S. Rich are taking readers back to the mid-century lifestyle in their series Lady Killer, but with a twist. Loving, sweet, capable housewife Josie is actually also a ruthless, trained assassin. Jones and Rich have crafted a complex, fascinating story with a particularly great lead character. The creators' attention to detail regarding the 1960s timeframe and the various gender roles and attitudes of the time give the comic a solid foundation --- which leads to some great friction in the heroine's work/life balance. Plus, she murders some people with grace and violence. ComicsAlliance talked to Rich and Jones about their inspirations, and their plans for the lethal Josie.

We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, as well as the special qualities of comic book storytelling, but because cartoonists, illustrators and their fans share countless numbers of great pinups, fan art and other illustrations on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, awnd some of it’s endearingly silly. All of it is awesome.

We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, as well as the special qualities of comic book storytelling, but because cartoonists, illustrators and their fans share countless numbers of great pinups, fan art and other illustrations on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, awnd some of it’s endearingly silly. All of it is awesome.

Josie is a young housewife living post-war America. She sells makeup door-to-door, she takes care of her twin kids and the family dog, she makes dinner for her husband, and she suffers her endlessly disapproving mother-in-law. That is, when she's not murdering people in astonishingly violent ways. Josie's a highly trained assassin, and the paradox that is her life comes courtesy of cartoonist Joélle Jones and co-writer Jamie S. Rich, whose new Dark Horse series Lady Killer invites readers into a weirdly alluring story that follows a grand tradition of subverting Americana, but with a uniquely wicked, black comedy twist and what Josie might even say is a woman's touch.

We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, as well as the special qualities of comic book storytelling, but because cartoonists, illustrators and their fans share countless numbers of great pinups, fan art and other illustrations on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, awnd some of it’s endearingly silly. All of it is awesome.

Over the past few years, I've been toting around themed sketchbooks to conventions to get pieces of art from some of my favorite comic book creators, based on Jack Kirby's creations and tokusatsu heroes. This summer, however, I decided to switch things up a little and go with a much broader theme, since some people are not as familiar with the past 40 years of Kamen Rider as I'd like them to be. The result: A sketchbook full of my favorite characters. Now that I've been through HeroesCon and San Diego, I've gathered up a pretty solid bunch to start out with, and they're pretty amazing. Check below for this summer's crop of sketches from artists like Chris Burnham, Tom Fowler, Joëlle Jones, Ben Dewey and more!

Over the last twelve days, Dark Horse has thrown a spotlight on twelve new creator-owned titles that they plan to promote at this year's San Diego Comic-Con. The series include the Fight Club sequel from Chuck Palahniuk and Cameron Stewart, a new Hellboy series from Mike Mignola and John Arcudi, and Joëlle Jones and Jamie S. Rich's Lady Killer. Also in the mix; new series from Jeff Lemire, Matt Kindt, Rafael Albuquerque, and Cullen Bunn, and sequels to Colder, from Paul Tobin and Juan Ferreyra, and Alabaster, from Caitlin R. Kiernan and Joëlle Jones.

Some of the stories Americans love most are those that put the lie to our prevailing visions of ourselves. The work of David Lynch, who peels back the the saccharine layers of suburbia to reveal unspeakable horrors within; Mad Men, with its systematic deconstruction of everything we think we believe about success in this country; and Breaking Bad, which shows us how even the most seemingly wholesome members of society can be monsters waiting to break free. If you think all that sounds well and good but probably a little too stuffy, Josie Schuller would probably agree with you. Josie is a young housewife living post-war America. She sells makeup door-to-door, she takes care of her twin kids and the family dog, she makes dinner for her husband, and she suffers her endlessly disapproving mother-in-law. That is, when she's not murdering people in astonishingly violent ways. Josie's a highly trained assassin, and the paradox that is her life comes courtesy of cartoonist Joélle Jones and co-writer Jamie S. Rich, whose new Dark Horse series Lady Killer invites readers into a weirdly alluring story that follows a grand tradition of subverting Americana, but with a uniquely wicked, black comedy twist and what Josie might even say is a woman's touch.

With the wrap-up of writer Joe Keatinge's multi-artist "Strange Visitor" epic in Adventures of Superman last week, the series is nearing a full year of weekly, digital Superman stories. It's easily been the best, most daring Superman title DC Comics has been publishing in 2013 and 2014 (and not just because Superman gets to wear his real costume in it). Edited by Alex Antone,  Adventures