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Here at ComicsAlliance we’ve noticed a huge overlap between superhero comics fans and wrestling fans; wrestling is basically superhero theater. This Week in Spandex is a new weekly feature, in which longtime wrestling fan Kieran Shiach and enthusiastic recent convert Elle Collins summarize the week that was in WWE. This week we've got energetic and likable babyfaces, dastardly and hateable heels, tag-team wrestling galore and a genuine narrative structure to everything that's happening. It's beginning to look a lot like pro wrestling!

Here at ComicsAlliance we’ve noticed over the years that there’s a huge overlap between superhero comics fans and wrestling fans, almost as if people who are drawn to the violent over-the-top adventures of cartoonish, brightly costumed, outlandishly gimmicky heroes and villains might also enjoy superhero stories. In fact, if we’re honest, wrestling is basically superhero theater. It's WrestleMania week! Or rather, it was WrestleMania week and we're all on that post 'Mania comedown. This week (in spandex) we've got a jam-packed edition including NXT Takeover Dallas, WrestleMania itself and that always memorable post-Mania RAW. We've got debuts, surprise returns and some of the best matches of the year, all over the course of one blockbuster week.

Here at ComicsAlliance we’ve noticed a huge overlap between superhero comics fans and wrestling fans; wrestling is basically superhero theater. This Week in Spandex is a new weekly feature, in which longtime wrestling fan Kieran Shiach and enthusiastic recent convert Elle Collins summarize the week that was in WWE. This week, Roman beats up Triple H, Brock Lesnar beats up Dean Ambrose, Emma and Asuka beat up each other, and half the roster beats up Kevin Owens.

Here at ComicsAlliance we’ve noticed a huge overlap between superhero comics fans and wrestling fans; wrestling is basically superhero theater. This Week in Spandex is a new weekly feature, in which longtime wrestling fan Kieran Shiach and enthusiastic recent convert Elle Collins summarize the week that was in WWE. This week, we're all about tag-team wrestling, Kevin Owens and AJ Styles square off one-on-one, and Triple H is still one of the best wrestlers on the planet in the year 2016.

Many comics creators can be applauded for garnering the art form a more popular legitimacy, but it can be argued that nobody has done more than Art Spiegelman. Born to Holocaust survivors on February 15, 1948, Spiegelman has acted as comics' ambassador for decades, working to reduce the gap between the perceived high art of the galleries and the perceived low art of the comics page. And it wasn't entirely because of Maus...

Any look back over Alan Moore's career is likely to overlook a lot of really great comics. Beyond the usual works that are typically rattled off as the highlights of his career are British works that never got big in America, independent comics that never got wide distribution, and reams of short stories that have fallen between the cracks. You might have read a few of them, but they're all worth a look. Alan Moore's greatest hits include Watchmen, Saga of the Swamp Thing, From Hell, Marvelman, The Killing Joke, V for Vendetta, Tom Strong, Supreme, Top Ten, Promethea, the hundreds of pages of The League of Extraordinary Gentlemen, and a couple of the best Superman stories of all time, but as this list proves, there's a lot more to Moore.