Review: Sergio Toppi's 'The Collector'
One of the lesser explored stanchions of the Western genre is the fairly consistent notion of the dominant invading culture moving into indigenous lands and, over time, brutally removing said peoples from that land. Usually our focus is so narrow within the genre that we rarely realize that this is exactly what is happening. The dreaded “Indian raids” of many a John Ford classic are lensed so thoroughly through the perspective of the white-faced hero or anti-hero that an audience can’t help but miss the absurdity of maligning sovereign nations responding to mass invasions by another sovereign nation. Go try and start a mass migration into Putin’s Russia and see how that goes for you. I bring this up because Sergio Toppi’s The Collector is acutely focused on this precise issue. The collection of stories which make up this stunning tome from Archaia all occur on the knife’s edge of colonialism and western expansion -- and almost without fail, Toppi’s Collector sides with the invaded side rather than with colonizers the way his forebears -- and, really, antecedents -- might.