Hassan Otsmane-Elhaou

Ray Fawkes is back, bringing his staple watercolour art to the first issue of The Underwinter. The majority of the book is rendered in a particular style, but Fawkes changes his approach fairly dramatically for a single sequence near the end of the book. It's a similar technique to a few differ…

Alan Moore is known as one of the most famous and inventive comics writers of all time. His major works are often cited not just as the best comics, but as some of the best moments of storytelling in literature. In fact, Watchmen was one of the few comics listed on Time's 100 Best Novels in 200…

I'm a firm believer that comics aren't a medium that favor page after page of dialogue, so you need interesting ways to present that information. This month's Kill or be Killed, by Ed Brubaker, Sean Phillips, and Elizabeth Breitweiser, presents a perfect example.

There's a really famous set of panels that Wally Wood curated over the years, traditionally referred to as "Wally Wood's 22 Panels That Always Work!!". It's a set of panels that will always work when, as an artist, you're stuck in a situation of characters speaking to e…

I'm not a major superhero kinda guy. I came to comics fairly late, and never managed to dive that much into the superhero realm. I think I always thought it was too big, with too much to catch up on, and a lot of the superhero books I read when I was younger always seemed like they knew somethi…

I've been a fan of Jeff Lemire ever since I first read The Essex Country Trilogy five or so years ago. Through a lot of the stories where he's been writer and artist, there's a very direct approach to framing that he rarely deviates from, particularly in work such as the current Image…

Superheroes are usually all about flying around, big fights, and being larger than life. In Old Man Logan, the outgoing creative team of Andrea Sorrentino, Jeff Lemire and Marcelo Maiolo mixes that with a slightly different approach.

In this series, Logan remains pretty grounded. His costume become…

There's a really fun set-up in God Country, by Donny Cates, Geoff Shaw, Jason Wordie and John J. Hill, which starts the heavily utilize the idea of scale in the second issue. It becomes a major feature of the work, and one that the team keeps drawing attention to, page after page.

The first time anyone reads a Geof Darrow comic, I can only imagine them having the exact same experience of their head exploding in some over-the-top, ridiculous way that only Darrow could illustrate. His brand of hyper-detailed hyper-violence is hard to replicate, and even just seeing a single pan…

My favourite thing about writing Strip Panel Naked every week is getting the chance to be surprised. A smarter man might have a better plan to tackle this article routinely, but mine is always the same: read comics, be surprised. This week it was the first comic on the pile that caught me off-guard,…