Q: In light of your recent discussion of Copra, what's the best comic riffing on another comic? -- @davidwynne
A: Listen, Dave, if we're honest with each other here, the answer is definitely Batman. He might not have been riffing on a comic, but it's hard to get around the fact that those earliest adventures were just Bill Finger and Bob Kane filing the serial numbers off the Shadow and putting him into a slightly more ridiculous outfit. I mean, the guy even has an autogyro, and if that's not a dead giveaway, I don't knoW what is.
But at the same time, Batman only really gets good once he evolves into his own thing. If you're talking about comics that were created with the clear intention of riffing on something else and staying that way for the duration (and I say this knowing there's a whole lot of good riffing in Jack Staff), there's really only one answer: It has to be Supreme.
I'm going to go ahead and assume that you're familiar with Alan Moore, so let's just skip straight to the details. Today, Avatar Press launched a Kickstarter to fund Cinema Purgatorio a new anthology series from Alan Moore and Kevin O'Neill, featuring new stories by Kieron Gillen and Ignacio Calero, Garth Ennis and Raulo Caceres, Christos Gage and Gabriel Andrade, and Max Brooks and Michael DiPascale, all built around the theme of recapturing the strange, violent, and somewhat disturbing world of 1970s cinema.
And they did it by including what might be the single most Alan Moorest sentence that it is possible to write.
Many of comics’ most popular heroes have been around for decades, and in the case of the big names from the publisher now known as DC Comics, some have been around for a sizable chunk of a century. As these characters passed through the different historical eras known in comics as the Golden Age (the late 1930s through the early 1950s), the Silver Age (the mid 1950s through the late 1960s), the Bronze Age (the early 1970s through the mid 1980s) and on into modern times, they have experienced considerable changes in tone and portrayal that reflect the zeitgeist of the time.
With this new feature we’ll help you navigate the very best stories of DC Comics’ most beloved characters decade by decade. This week, we’re taking a look at the Green Lantern.
We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, as well as the special qualities of comic book storytelling, but because cartoonists, illustrators and their fans share countless numbers of great pinups, fan art and other illustrations on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, awnd some of it’s endearingly silly. All of it is awesome.
Among the colorful cosplay, massive booths, interactive displays and walls of merchandise at Comic-Con International in San Diego — colloquially known as SDCC — remains the most important component of the show: comic book creators. ComicsAlliance photographer and Loikiamania podcast host Pat Loika hit the show floor to catch the men and women who tell our favorite stories in sequential art and captured the enthusiasm that comes from fans getting to meet their favorite storytellers at one of the biggest conventions of the year.
Check back with ComicsAlliance throughout the weekend for more of Pat’s great photos from San Diego.
Alan Moore and Kevin O'Neill's 2013 follow-up to their League of Extraordinary Gentlemen: Century series was a bit of a left turn for the series. Nemo: Heart of Ice was a spinoff featuring the new Captain Nemo traveling in the antarctic.
Top Shelf announced today that the team is continuing the spinoff series with a new world-spanning adventure for Janni Dakkar, this time in 1941 Germany (of sorts
There's a downside to being a fictional character in heroic literature, aside from being beholden to the whims of an author or the deadly danger a character is so often subjected to. The role requires a certain remove from the rest of humanity, and warm, reciprocal relationships with others...
I have a minor conceptual obsession with the League of Extraordinary Gentlemen. Specifically, I like imagining how it could be applied to modern copyright-protected culture, especially TV and movies. It's a nerdy parlor game I sometimes play on Twitter...
You knew the end of League of Extraordinary Gentlemen: Century was coming, and as its publication date draws closer we can finally get a pretty good look at the shape it will take. Top Shelf Productions has released the cover, a five-page preview and some info regarding League of Extraordinary Gentleman: Century #3, the concluding chapter of the third volume of writer Alan Moore and artist Kevin