lee unkrich

Disney’s currently riding a wave of buzz for their latest release Moana, a delightful Polynesian adventure that ticks all the most essential boxes for the Mouse House: precocious princess, lovable animal sidekick, well-placed showtunes, the whole nine yards. With Disney fever at a relative high, there’s no better time for the happiest PR department on Earth to start drumming up enthusiasm for their next original project, a Pixar Animation production that sounds like it’ll be catnip for anyone charmed by the return to form of Moana. And what’s more, this feature will continue its predecessor’s mission to introduce even more diversity to the Disney/Pixar racial palette.

The development and production process for most animated films is often long, leaving us waiting for years between the initial announcement and the finished product. Pixar’s next original film (and the only one on their schedule that isn’t a sequel) is no exception. We first learned about Coco back in 2012, and now, four years later, with a fall 2017 release on the horizon, Pixar’s new film is officially on a roll — Gael Garcia Bernal and Benjamin Bratt have joined the voice cast, and the studio has revealed some intriguing plot details, along with a new piece of concept art.

The third Toy Story movie went to some dark places, but it didn't go all the way to the alcoholic murder hotel. Artist Kyle Lambert rectifies that obvious oversight with his digital paintings, which cast Pixar's talking toys as characters from Stanley Kubrick's horror classic The Shining...