Tim Seeley, Scott Godlewski, and Patricia Mulvihill Bring ‘The Lost Boys’ to Comics
"Sleep all day. Party all night. Never grow old. Never die." The Lost Boys made vampirism seem pretty cool back in 1987, and like so many other things that were cool in the '80s, they've now made their way to comics, thanks to Vertigo and Warner Bros. The Lost Boys is a direct sequel to the film, following the Emerson brothers and the Frog brothers into a new adventure when a gang of female vampires emerges to fill the power vacuum left by the defeat of Max, David, and their boys.
The Lost Boys is written by Tim Seeley, of Hack/Slash, Grayson, and Nightwing. Art duties are shared by Scott Godlewski, of The Dark & Bloody and Copperhead, and Patricia Mulvihill, of The Dark & Bloody and Hellblazer. The series also features covers by Tony Harris, of Starman and Ex Machina fame. The first issue goes on sale October 12, just in time for Halloween.
Here's the official word from Vertigo:
Santa Carla, California, is on edge. The eccentric coastal town and haven for the undead was finally returning to “normal” after its last supernatural scuffle left the local vampire coven’s leader dead and gave newcomers Michael and Sam Emerson a housewarming both violent and bizarre. Now the brothers must once again team up with militant vampire hunters Edgar and Allan Frog as a new gang of ruthless, stunning, life-sucking nightcrawlers known as the Blood Belles emerges from the aftermath to collect Michael’s love interest and their lost sister, Star.
"I saw The Lost Boys at a formative time in my life, when a VHS, a VCR and a summer afternoon were a perfect escape into a crazy world of biker vampires with mullets and monster-fighting hippy grandpas,” explains writer Tim Seeley.“The Lost Boys was one of my entry points into the horror genre, and I've been fascinated ever since. Getting the chance to write a sequel to the film, featuring the original characters, and getting to work with Scott, Patricia and Tony is truly a high point in my comic book-making career."
"I hadn’t revisited the film until after becoming involved with this project and totally understood the fascination and the reason for the devoted cult following," explains artist Scott Godlewski. "My artistic approach to the series is all about keeping the lighter moments light so that when the blood and guts show up they hit you like a hammer."