In this episode of The Arkham Sessions, we revisit the relationship between Bruce and Dick. Once again, resentment is exhibited by Dick as he tries to deal with Bruce's perfectionistic and strict mentoring style. Dick may be on to something -- Bruce appears to be closed off when it comes to the expression of his emotions. In fact, he may have deficits in the area ofemotional intelligence, which is one's ability to perceive, understand, and manage emotions.
Dr. Andrea Letamendi
When Gotham Bay is plagued by a mysterious toxin, boatloads of fish are turning up with a grotesque disfigurement: The trademarked Joker perma-smile. Batman -- working alone again -- is energized to be back on the Joker's trail, and soon learns that a binary compound of the toxin can affect humans, too. Written by Paul Dini and based on comic book stories by Dennis O'Neil and Steve Englehart, this episode of Batman: The Animated Series packs the kind of action and adventure the show is known for. How can you not love a shark wrestling scene?
September 8--14 is National Suicide Prevention Week, an annual campaign sponsored by the American Association of Suicidology that recognizes suicide as a major public health concern and promotes the message that suicide deaths can be preventable. In the U.S. alone, nearly 40,000 people take their own lives each year. That's an average of 105 deaths per day. Yet, unlike the campaigns focused on the 9 other leading causes of death, suicide prevention isn't just about raising funds and improving treatment. Suicide is associated with stigma and misconceptions that often close the dialogue and prevent us from learning how we can overcome this epidemic. We don't talk about it. We are scared to ask about it. We simply don't know what to do.
It is undeniable that all of us are thinking about suicide. We thought about it when Hank Pym (Ant-Man) contemplated ending his life after years of stress on his constantly-morphing body. We thought about it when Roy Harper (Red Arrow) was tormented by his phantom limb pain and overdosed on painkillers. We thought about it when Bruce Banner confessed that he could no longer withstand the internal destruction caused by the Hulk, but when he put a bullet in his mouth, "the other guy spit it out." Everyone who's read Neil Gaiman's The Sandman can stand up. You've thought about it, too. Constantine. Deadshot. Mr. Terrific. Rorschach. Nearly every character in The Walking Dead. The list of narratives goes on, some more explicit than others.
Fiction is one of the most common ways we openly explore suicidality and connect with feelings of hopelessness, despair, and depression. Comics allow us to participate in the subversive in a way that is culturally acceptable. We break that rule and seem to enter a place of insecurity and isolation when we begin admitting our own feelings of anguish and thoughts of self-harm.
This installment of The Arkham Sessions covers the final acts of "Robin's Reckoning," the highly-acclaimed two-part episode of Batman: The Animated Series, which explores the story of how Dick Grayson becomes Batman's sidekick. As we learned from Part 1, Bruce refuses to allow Dick to become involved in the case of Tony Zucco, the man who murdered Dick's family. For reasons unstated, Batman is determined to be the one to take Zucco down, causing a rift between Robin and himself. Despite Batman's efforts, it is Robin who captures Zucco. In the emotional conclusion, Robin is faced with a decision that could change his life forever.
The Arkham Sessions, hosted by clinical psychologist Dr. Andrea Letamendi and Brian Ward, is a weekly podcast dedicated to the psychological analysis of Batman: The Animated Series. Nostalgic, humorous, and even a little educational, each episode promises to lend some insight into the heroes, villains, and classic stories of the Dark Knight.
As a special exclusive for ComicsAlliance visitors, new episodes of The Arkham Sessions will stream on CA several days in advance of their syndication to iTunes.
This week, we discuss the highly acclaimed, Emmy-winning episode of Batman: The Animated Series, "Robin's Reckoning." We cover Part 1, in which we're shown Robin's origin story. We discover who killed Robin's family and how he joined forces with Batman.
The Arkham Sessions is dedicated to the psychology of Batman, so it seems almost like an ethical duty to cover a movie about Arkham Asylum, Gotham City's mental health facility for the "criminally insane." In the newly released direct-to-video animated film Batman: Assault on Arkham, a highly-skilled group of assassins and outlaws are called together by Amanda Waller to take part in a risky -- possibly life-threatening -- mission to infiltrate Arkham Asylum.
Does it help or hurt that members have a history of incarceration, criminal activity, and psychiatric treatment related to lack of moral sense? Perhaps Waller is brilliant to devise a plan that can only succeed via the knowledge and insight of persons who have been through the system.
In this episode of The Arkham Sessions, we gently put aside the VHS and screen a contemporary work from DC Universe Animated. Use the player above to listen to our spoiler-free analysis of Harley Quinn, Deadshot, Captain Boomerang, King Shark, Black Spider, Killer Frost, KB Beast, and, of course the Joker.
What if you woke up one day and your life was completely different? What if all the things you wished for were suddenly a reality -- you have the job you always wanted, the person you want to be with loves you back, and the people you thought were lost forever are alive again?
One of the most remembered episodes of Batman: The Animated Series is "Perchance to Dream," a powerfully dark story in which Bruce Wayne essentially wakes up to a "perfect" life. His parents, Martha and Thomas Wayne, are alive and well; he is engaged to Selina Kyle; and he is no longer burdened with the job of being the Batman. In fact, Bruce learns that someone else, some other disguised vigilante, is effectively ridding the streets of criminals. No need for him to be Batman anymore. Bruce is initially ecstatic, grateful, almost relieved to learn he can live a normal life. "The nightmare is over," he tells himself.
Only it's not.
We discuss the fascinating neuroscience of dreams and the growing research supporting our ability to control our actions in dreams. Furthermore, by raising the scenario of being "plugged into a dream machine," this episode dares us to contemplate the importance of an existence in which we have free will, motivation, and actual contact with an unfiltered reality. Before The Matrix, The Nexus, and Inception, there was Batman: The Animated Series.
Does Poison Ivy's strong dedication and ideology differ much from the Caped Crusader's mission to rid the city of criminals? (Crusader is his nickname, after all.)
In this episode of The Arkham Sessions, we delve deeper into Poison Ivy's psychology with her second appearance in Batman: The Animated Series by exploring her predilection for plants and her fanatic, destructive level of devotion to protect them.
Despite all the big publishing news to come out around or during last month's San Diego Comic-Con, the new comic book that remains most anticipated by many superhero fans -- and by others who don't yet know they're waiting for it -- is Batgirl. Perhaps the one DC or Marvel comic that really does deserve a new #1 issue, Batgirl's youthful and stylish revamp at the hands of Cameron Stewart, Babs Tarr and Brenden Fletcher was met with massive electronic response when it was announced just ahead of the San Diego show, generating all but countless pieces of fan-art as well as some criticism from current readers for seemingly abandoning the darker aesthetic values of the three-year-old New 52 title.
There's a lot to unpack about the new Batgirl and we only had a few minutes with her new creative team in which to do it at SDCC. Read on for remarks by series co-writer and layout artist Cameron Stewart, co-writer Brenden Fletcher, and finishing artist (and, perhaps, spiritual guide) Babs Tarr.
Leagues and legions of superheroes are usually effective as a direct result of the union of each member's unique abilities, whether they include super-human strength, lightning-speed, telepathy, or other powers that individually define each of them as a deserved hero and collectively create an unstoppable force.
In Guardians of the Galaxy, we're introduced to a band of outlaws, outsiders and outcasts. With the exception of some sweet dance moves and decent marksmanship, we don't immediately get the traditional introduction to the colorful rainbow of superpowers we're accustomed to with superhero teams. There's no amazing, no fantastic, no spectacular. The Guardians themselves refer to themselves as "losers" and the "biggest idiots" in the galaxy. They underperform or fall below normative expectations. In fact, these space misfits offer something rarely seen in superhero films: the Guardians show emotional, neurological, developmental and communication deficits that 1) are not expected to be resolved or cured at the end of the film and 2) do not make them ineffective as heroes.
The following is a conceptualization of each character's below-average functioning across some psychological dimensions and why these deficits do not create significant limits for them.