“I think this woman is wrong about something on the Internet. Clearly my best course of action is to threaten her with rape.”
That’s crazy talk, right? So why does it happen all the time?
Honest question, dudes.
That women are harassed online is not news. That women in comics and the broader fandom cultures are harassed online is not news. That these women are routinely transmitted anonymous messages describing graphic sexual violence perpetrated upon them for transgressions as grave as not liking a thing… that is actually news to me, and it’s probably news to a lot of you guys reading this.
In the overwhelmingly male comic book industry, it has been a challenge for some editors and readers to see the ever growing number of talented women currently trying to make a name for themselves. With that in mind, ComicsAlliance offers Hire This Woman, a recurring feature designed for comics readers as well as editors and other professionals, where we shine the spotlight on a female comics pro on the ascendance. Some of these women will be at the very beginning of their careers, while others will be more experienced but not yet “household names.”
Architect and artist Alison Sampson is relatively new to the world of comics, but has done work for both IDW Publishing and Image. In addition to her Image one-shot Genesis with writer Nathan Edmondson (on sale this week), Sampson is also working on the comic Winnebago Graveyard with writer Steve Niles for Black Mask.
Last week's Agents of SHIELD saw some major changes for the characters, and a major change for the viewers -- it was actually a decent episode!
As the ramifications of Captain America: The Winter Soldier continue to unfold on the small screen, the question we have to ask is, can the show keep up the quality? We're all pulling for you, Agents of SHIELD!
Please note that this episode recap once again contains spoilers not only for Agents of SHIELD, but also for the movie Captain America: The Winter Soldier.
Originally serialized in ten issues by Vertigo throughout 2010, Daytripper has since become known as the master work of Brazilian cartoonists and brothers Gabriel Bá and Fábio Moon. The gorgeously illustrated Daytripper employs (and in some cases innovates) the special language of comics to ends that are at once uplifting and devastating, creating a truly emotional journey into the soul of a man whose life, loves and home seem as intimate as your own.
Daytripper's original issues won Eisner, Harvey and Eagle Awards, and its paperback collection became a New York Times bestseller. Soon to be available as a hardcover for the first time in the US, Vertigo's Daytripper: The Deluxe Edition recompiles the story in an oversized edition with improved paper stock, a wraparound cover and a behind-the-scenes section containing sketches, layouts and other artwork by Bá and Moon from throughout the Daytripper creative process. Courtesy of Vertigo, ComicsAlliance is pleased to present an advanced look at that very special material in the gallery below.
A little over a decade ago, when Marvel's Ultimate Universe was really coming into its own, the creative teams behind the Ultimate books established a distinct storytelling style that seemed to serve as a contrast to the mainstream books being published at the time. The pacing was deliberate, with a lot of time spent on character conversations. The art was big, bold and filmic, with an emphasis on realism. Iconic characters had long arcs.
All-New Ultimates #1 by writer Michel Fiffe, artist Amilcar Pinna and colorist Nolan Woodard doesn't do any of that (other than perhaps the art being bold). It's lightning-fast, takes place in a very heightened reality and, Spider-Man aside, revels in its focus on characters you're unlikely to see starring in a movie anytime soon. In many ways, it's a rejection of the established Ultimate style, a very Ultimate idea, indeed.
The big story of the week is the acquisition of leading digital comics retailer ComiXology by Amazon.com. ComiXology has facilitated over 200 million downloads of digital comics, making it the largest provider of American comic books from nearly every major publisher as well as small press and independent creators. Amazon.com is one of if not the biggest retailers of, well, everything in the world, including a leading seller of digital content in the form of music, video and electronic books.
What does this acquisition mean for Comixology and the American comic book industry as a whole? To address these questions and ask even more besides, Senior Editor Andy Khouri is joined tthis week by Heidi MacDonald, Editor-in-Chief of comics news and culture site The Beat; Matt D. Wilson, ComicsAlliance contributor and the writer of the digital comic book Copernicus Jones, Robot Detective; and Alison Baker and Chris Roberson, publishers of Monkeybrain Comics, an imprint with an exclusive digital distribution deal with ComiXology.
Each week, ComicsAlliance’s Chris Sims and Matt Wilson host the War Rocket Ajax podcast, their online audio venue for interviews with comics creators, reviews of the books of the week, and whatever else they want to talk about. ComicsAlliance is offering clips of the comics-specific segments of the show several days before the full podcast goes up at WarRocketAjax.c
The best Superman comic book currently published is about to get even better this coming Monday with the addition ofSteve Rude, arguably one of today’s best living American comic book artists, and Jerry Ordway, one of the key Superman storytellers of the '80s and '90s, and a brilliant and influential artist in his own right. The pair have collaborated on a Superman story starring OMAC, a cult favorite creation of Rude’s own hero, Jack Kirby, for an Adventures of Superman digital short that they describe as " a lost Max Fleischer Superman cartoon."
ComicsAlliance spoke with Ordway and Rude to learn more about the 10-page adventure, their impressions of Superman in this day and age, the digital comics revolution, and how these accomplished but very distinctive creators worked together on the story.
Q: Why is Doctor Doom the gold standard of supervillains? -- @franzferdinand2
A: In case you missed it a few weeks back, I wrote a column about the differences between Lex Luthor and the Joker, and mentioned that while those are two characters I like an awful lot, Dr. Doom is far and away the gold standard of supervillainy. He's compelling, he's sinister, he's got a great design that's lasted, virtually unchanged, for 50 years, and he can be dropped into almost any type of story and work beautifully. In short, he's the single greatest villain in superhero comics history.
Well, unless you count Bob Kane, but that's a whole other thing.
If our weekly Ask Chris column isn't enough of definitive comic book (and pro wrestling) opinions for you, good news: ComicsAlliance is proud to present Here's The Thing, a series of videos where you can join our own extremely opinionated senior writer, Chris Sims, as he sits in his living room under a framed portrait of Destro, drinking a cup of coffee and sharing his opinion on comic books.
This week, he's helping out new fans by taking two comics often listed as being "great for new readers," Batman: Year One and Hawkeye, and making connections to tell you where to go next! Sit tight for plenty of great comics recommendations!
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