The American version of Thanksgiving is this week, and whether you celebrate the holiday as a gathering of family or a get-together for friends, the day can always be a mixed bag in terms of the quality of people who show up. Sometimes they're family members you're obligated to invite, sometimes they're friends of friends, but somehow there's always someone who makes the day memorable, but not necessarily in a good way. Here are ten characters who might rain on your Thanksgiving Day Parade.
The Tangent universe is a recurring feature in the third week of titles for DC's spring 2015 Convergence event, cropping up by name in the solcitations for the Flash, Justice League of America, and New Teen Titans two-part minis -- and "tangent" seems like an apt term to describe DC's impenetrable two-month event that offers all the confusion and frustration of a reboot with none of the narrative consequence.
Besides the Tangent universe, the other unifying theme of the third wave of books is that dig into DC's pre-Crisis On Infinite Earths past, with writer Marv Wolfman returning to the New Teen Titans, Len Wein taking another swing at his own creation, Swamp Thing, Diana Prince back in her modish 1968 white jumpsuit, and the return of the mid-80s Detroit Justice League.
For those of you who prefer to see Batman driving around in a car with a gigantic gun sticking out at the top, blowing up tanks, shooting people and also shoving crooks' heads into electrified fuse boxes, we have some good news! For those of you who don't, well, maybe just close this window and go for a walk for a few minutes or something. See, this week brought us some new footage from Rocksteady's upcoming Batman: Arkham Knight video game, in which Batman takes on a small army of soldiers and (presumably unmanned) tanks led by the title villain to rescue a few NPCs in an all-out assault on Ace Chemical.
And just so you don't think it's all just things designed to make me grumpy, you also get to see Batman doing a straight-up Street Fighter-style shoryuken, and that's pretty awesome.
A few weeks ago we reported that ‘Breaking Bad’ director and producer Michelle MacLaren was in talks to take the helm on WB’s ‘Wonder Woman’ film, which was incredibly exciting news on its own. Today brings word that MacLaren has officially signed on to not only direct, but also formally develop the film, working with the writers to bring the iconic superhero to the big screen in her own solo movie.
I'm not excited for Sam Wilson as Captain America, and I'm not excited for a female Thor.
Now, I don't think these are totally wrongheaded things to do. I admire the impulse behind these changes, and I believe they come from a good place. In the abstract sense, I love the idea of Marvel featuring, in big, bold style, the adventures of a black man and a woman against the hordes of iniquity. I believe at least part of the motivation behind these changes is genuine in its altruism, and that it is not entirely invalidated by profit-seeking impulses. I want to believe in this initiative. I want to be excited. I do not want to be the curmudgeon in the corner, needlessly nitpicking everyone else's good time to pieces.
But it feels like a gimmick, and functions like a gimmick, and that’s because it is a gimmick. I give it perhaps two years — two years that only the most hard-core aficionados will end up able to recall, alongside their recollections of the foil covers era and that one time Doc Ock was Spider-Man.
The 1966 Batman television show was one of the most successful and influential adaptations of comic books to mass media of all time. Over the course of three seasons and 120 episodes, the series became a cultural force with its unique combination of tongue-in-cheek humor, thrilling superhero adventure and celebrity guest stars, and shaped the way the public would view the Caped Crusader for the next five decades. Now, in the midst of a well-deserved renaissance of the show, ComicsAlliance is proud to present The Batman '66 Episode Guide, an in-depth examination of every single adventure, arch-criminal and deathtrap cliffhanger of the series.
This week, the guide begins with the pilot episode, "Hi Diddle Riddle," in which the Prince of Puzzles has given up his life of crime... or has he?
On November 26th, DC releases the first issue of Gotham By Midnight, a new series by Ray Fawkes and Ben Templesmith that blends black magic and police procedurals, and exposes the supernatural shenanigans that go on below the surface of Batman's hometown. Along with recent successes Gotham Academy, Arkham Manor, and the newly-revamped Batgirl, the book is part of a substantial overhaul and expansion of DC's Bat-family of titles under editor Mark Doyle.
ComicsAlliance sat down with writer Ray Fawkes to get some insight on what he and Templesmith have planned for Detective Jim Corrigan -- who longtime DC fans know is the original host of the vengeance of God, the Spectre -- and his shadowy squad of GCPD operatives.
Originally published by DC Comics in 1988, Cinder and Ashe is a comic by Gerry Conway, José Luis García-López, and Joe Orlando about two mercenary/detective friends who are unable to escape and reconcile with the horrors of their shared past in Vietnam -- a past which has become actualized with the returning of a mad killer who they both thought was long dead. The story takes place in New Orleans with flashbacks to Vietnam, and some stops in Washington, DC and Iowa.
Now available in a collected edition, the book is a well preserved testament to the artistry of one of comics' best storytellers.
Q: What's your favorite example of a comic having an effect on the real world? -- @jamesdeleech
A: You know, a lot of the questions I get for this column, at least the ones I tend to like answering, are the ones that are open to interpretation, and it's fun to pick and choose stories to talk about that back up a particular idea that I have about how something works. This one, though, is one of those questions that's about as close to having one definitive answer as is possible. When you talk about those great times when comics changed the real world, there's really only one choice.
It's when Stetson Kennedy teamed up with Superman to bring down the Ku Klux Klan.
I'm sure more than one comic came out this week, but you wouldn't know that form my Twitter feed, where all anyone is talking about is Pax Americana, the latest chapter of Multiversity by Grant Morrison, Frank Quitely and Nathan Fairbairn. Using the old Charlton Comics characters that inspired Dave Gibbons and Alan "The Original Writer" Moore's classic graphic novel Watchmen, Pax Americana tells a story that is in turn inspired by Watchmen, creating a meticulously structured comic with layers so dense that it's blowing minds all across the comics scene.
And one of the most important parts about the comic is color. That's true of any comic printed in color, of course, but in this particular issue, color becomes a major theme, creating a backdrop for the story that's tied into ideas about spiral dynamics, something that's verbosely explained by the Question about three quarters of the way through the book.
If that sounds complicated, well, it is, and our own David Uzumeri is hard at work on annotations explaining it all. Until then, we're fortunate enough that Fairbairn has taken to his Tumblr to break down his coloring process and how he worked with Quitely to create the incredible visuals of Pax Americana.