If you read our interview with Steven Universe comics creators Jeremy Sorese and Coleman Engle, then you saw them talking about the story that would become Steven Universe #2. Originally set to be the first issue of the series, it revolves around the annual Beach City Bike Race, with Steven dead set on entering, despite complaints from the Crystal Gems, because they're afraid that the danger would result in his death and they're uncomfortable and unfamiliar with ideas about mortality among humans. Really.
A few weeks ago, we covered the announcement of Eternal Warrior: Days of Steel, the new miniseries from Valiant by Peter Milligan and Cary Nord, and showed off some of Nord's absolutely stunning art. If, however, you are one of our more sharp-eyed readers, you may have thought "hey, these pages don't have the color or lettering that I usually see in my superhero comics! I wonder what they'd look like if they were finished?"
Wonder no more, dear reader! Today, you can have a look at the first six pages of the story in beautiful color, complete with Milligan's dialogue. The story focuses on an adventure from the early days of Gilad Anni-Pada, one of a trio of immortal brothers that also includes Armstrong (of Archer & Armstrong), and it gives Nord's artwork an amazing opportunity to shine.
Over the past 40 years, Tom Batiuk’s Funky Winkerbean has transitioned from a gag-a-day comic strip about a high school to an ongoing chronicle of pure, abject misery. Thanks to the ongoing commentary on Josh Fruhlinger’s Comics Curmudgeon, I am now completely obsessed with it, which is why I spend a little time every month rounding up its finest examples of crushing despair.
This month... oh brother, this month. Tom Batiuk's offerings over the past few weeks have made August 2014, without question, the single worst and most mind-bogglingly bizarre month on record. If you haven't been reading my recaps of the strip over the past few years, this is the one you're going to want to start with, if only to see how completely irate one man can get over a newspaper comic strip about a man trying to write a made-for-cable movie about his dead wife.
You know, I think it's high time that we get some new saints around here. I mean, no offense to Lucy of Syracuse or any of her devotees, but as impressive as carrying one's eyes around on a golden plate might be, it just doesn't have a lot of relevance to my life. I don't even know where I'd find a golden plate, especially if I didn't have any eyes to look for it with.
Fortunately, artist Heymonster (also known as Spencer) has offered up a set of suitable replacements. In a series of prints called "Strong Female Characters," Spencer has taken some of the most prominent women of pop culture and boiled them down into downright saintly inspirational images.
The early ’90s were spoiled for choice when it came to comic book adaptations. Not only was Batman: The Animated Series on the air, but X-Men led Marvel’s push to get on the small screen, diving right into the often convoluted continuity of everyone’s favorite mutants, luring in a generation of fans, and paving the way for cartoons to follow. That’s why we’ve set out to review every single episode of the ’90s X-Men animated series.
This week: Omega Red goes nuclear and Wolverine does one of the stupidest things I've ever seen!
Q: Cassandra Cain: WTF happened? -- @IamMedellin
A: Here's the least shocking thing you're going to read this week: I love Cassandra Cain. That probably goes without saying, given that she's a relatively obscure member of the Batman family that made her debut when I was a teenager, but really, it goes deeper than that. She came out of the gate with a compelling edge, some phenomenally solid storytelling, and a hook for drama that put her in contrast to the rest of Gotham's assorted heroes and hangers-on, while still feeling like a natural compliment to the other characters. And then, less than a decade later, she'd gone from being a new character with an incredible amount of potential to an also-ran who only really shows up to fill space in crossovers -- something that almost never happens to characters in the Batman family, especially when they've got 70+ solo issues under their utility belts.
So what happened? Man, I can't even tell you, I just read the darn things. But folks, it got really weird there at the end.
This week the world was rocked by the reveal that Hello Kitty, global icon of cuteness, was not a cat. After being revealed during Sanrio's corrections of a museum exhibit celebrating Kitty's 40th anniversary, the news quickly went global, shocking the world and causing people to question everything they had ever been taught, abandoning the laws of God and man in order to tear down a society built entirely on lies.
Well, it turns out that the hours we spent laying on the floor questioning our own existence might've been a little premature. Following up on that initial correction, Kotaku got in touch with Sanrio's Tokyo headquarters, whereupon they were informed that "It's going too far to say that Hello Kitty is not a cat. Hello Kitty is the personification of a cat."
So.. that should clear everything up. Except for the part where Kitty definitely still owns a cat of her own, I mean. That's still weird as all heck.
One of the best things about digital comics is that you can read them online pretty much anywhere, but sometimes, every now and then, you want to read them in print. Whether it's the extra features that inevitably come with a printed collection, the texture of paper or just the comforting reminder that physical objects exist and you are therefore not alone and isolated in a formless void, printed webcomics have a lot to offer today's discerning reader, and Dark Horse is stepping up to give you three of the most exciting collections of the year.
Set for release next spring, Eisner winning digital comic Bandette and the webcomic Polar: Eye For An Eye are returning to Dark Horse for the book trade customers, but the third, Murder Book is a newcomer, and it looks awesome.
Traditionally speaking, TV tie-in comics have been a pretty mixed bag. The ones that are bad tend to fall flat pretty hard, ranging from forgettable to outright terrible. Occasionally, it's because they feel like cheap cash-ins, but more often, it's just a simple case of the tie-in not being able to capture the same spirit and feeling of the source material. But sometimes, every once in a while, you get something like the Bill and Ted's Excellent Comic Book series that Evan Dorkin did for Marvel back in the '90s, where he took the Wyld Stallyns on a full year of increasingly bizarre adventures and ended up making something that's actually amazing, or the recent Eisner-winning Adventure Time comics.
This week marked the launch of Dynamite's Bob's Burgers comic, and while it's only one issue in, I'm already going to go ahead and say that it goes far beyond capturing the spirit of the show, to the point where it feels like it could be a lost episode. It's not just a great translation of Bob's Burgers to comics, it's great Bob's Burgers, period.
Mostly because it starts with Erotic Friend Fiction about Tina being a horse.
Since you are reading this on the Internet, I'm going to go ahead and assume that you're already familiar with the Ice Bucket Challenge, wherein folks are being nominated by friends, fans and colleagues to dump buckets of freezing cold water on their heads on camera to raise awareness of (and money to combat) ALS, a neurodegenerative disease that attacks the brain and spinal cord -- or Lou Gehrig's Disease, as it is popularly known. Over the past few weeks, we've seen plenty of famous folks taking the challenge, but now, it has busted right through the Fourth Wal, and all the way to Gotham City's Burnside neighborhood.
This particular challenge was issued by Brenden Fletcher, Cameron Stewart and Babs Tarr, the creative team for the revamp of Batgirl, and the challengee is Barbara Gordon herself, who seems set on finding out just how helpful that new jacket is going to be in fighting off the cold.