Very few artists are as strongly identified with a particular time in a character's history as Norm Breyfogle is with the Batman of the late '80s and early '90s. In a lot of ways, it was a look that defined the era, full of heavy shadows, high drama, and even a little bit of comedy.
Last week, DC released a hardcover collection of Breyfogle's earliest work on Batman with Legends of the Dark Knight: Norm Breyfogle, and to mark the occasion, I went through it for the very difficult task of picking out five of my favorite images from over 500 pages of comics, highlighting some of his best work.
Today marks the birthday of Dave Stevens, who is, without question, one of the greatest artists in the history of comic books. Best known for creating the Rocketeer --- and for the sexy, pinup-inspired art that made him a fan favorite and helped spark the revival of interest in Bettie Page --- Stevens had a career that was marked by amazing projects, including work doing storyboards for Raiders of the Lost Ark and the music video for Michael Jackson's "Thriller," two of the biggest pop culture phenomena of the '80s. It's in comics, though, that he made his biggest mark.
Tragically, Stevens died in 2008, but he left behind an amazing legacy of stories of high adventure, romance, and action, which holds up over thirty years later as innovative, compelling, and absolutely beautiful.
There’s an anecdote told in a trade for DC’s weekly series 52. In an issue halfway through the run, Phil Jimenez was given a page breakdown from Keith Giffen that asked him to draw seven statues of fallen members of the JLA as part of the background, as a visual reminder of all that the team had lost over the years.
Jimenez, taking a look at this breakdown, presumably nodded to himself that this was a good idea, and included every single deceased member of the JLA who had ever existed in the scene instead.
Sometimes, amazing things can come out of casual conversations. That's what happened this weekend when Luke Herr was plotting out an RPG campaign based around the idea of retelling Jack Kirby's classic Fourth World saga as a western, full of gun-slinging cowboys and steam-powered parademons battling it out in a town called Hope, and artist Kyle Latino stepped up to do some redesigns for what they began calling "The 4th West."
In August of 1993, the immortal words “It’s Morphin’ Time!” were first broadcast to an unsuspecting public on the Fox network. More than twenty years later, it is apparently still time to morph, because the Power Rangers are poised on the precipice of another pop-culture explosion thanks to the upcoming comic series and third major movie.
To celebrate this enduring pop culture phenomenon, we've compiled a gallery of art inspired by the show’s earliest incarnation, along with some great ideas for redesigns and updates of the classic characters.
Convention season is well under way, offering fans the chance to come face to face with their favorite artists, and offering artists a chance to meet the people their art has inspired. Conventions are also a chance for fans to show their appreciation by commissioning original pieces featuring some of their favorite characters, and every convention produces a feast of amazing works that deserve to be shared with a wider audience. With Sketchbook Spotlight, we’re picking out some of the best.
Evan 'Doc' Shaner is probably best known to fans as an artist who loves to celebrate the two-fisted pulp joy and derring-do of superheroes --- a love exemplified in his work on Flash Gordon at Dynamite, and his too-brief turn drawing the Big Red Cheese in Convergence: Shazam. It also comes through in his sketches, and we've collected a few favorites here, including commissions, warm-ups, and personal pieces. We also asked Shaner to participate in our short Sketchbook Spotlight Q&A.
Steven Universe is a show about a lot of things, including sharing donuts with friends and learning to dance and falling in love with someone you were never supposed to fall in love with. It’s warm and wonderful and it is a joy to watch unfold. To celebrate the show, we've compiled this gallery — a small, but significant sample of the fan community’s passion for the silly little hero who, with the help of his friends and a cheeseburger backpack, might just save the universe.
Comic covers are meant to get their message across in a single striking image, with the implication of movement provided only by the reader's imagination. We see the single frozen moment; our brain tells the story. Yet some talented digital artists have discovered that there's some fun to be had in animating these images and providing just a little more movement to the moment. We've collected some of our favorite examples of animated comic covers from the past few years, from an endlessly recursive Batman to a lolling Hobbes; from a struggling Spider-Man to a spinning Justice League.
Odds are you enjoy, or are at least familiar with, the Star Wars series of films. And there's a good chance you read Little Golden Books (or had them read to you) when you were a youngster. You know the ones: The colorfully illustrated books with a signature golden spin, that retell classic stories.
Since you almost definitely know both of those things, someone put them together, and the final presentation is pretty cool. That's right: The classic (and also the newer) Star Wars films are being adapted into Little Golden Books so even the smallest of kids can get up to speed with Luke, Leia, Han, Chewie, Darth Vader and the Death Star.
Created by Marv Wolfman and George Perez, Cyborg has slowly moved up the ranks in the DC Universe, growing from Teen Titan into a fully-fledged member of the Justice League. To mark the launch of his new solo series from David F. Walker, Ivan Reis, Joe Prado and Adriano Lucas, we've collected some of the best Cyborg art ever.
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