When it was first announced that Disney was purchasing Marvel, the minds of many fans leapt immediately to the possibility of a Disney-Pixar animated Marvel movie. We're sorta getting that in November with 'Big Hero 6' but as that movie approaches, it's become very clear that it's not really much of Marvel movie at all, other than being loosely based on the obscure 90s comic. What fans really want to know is if we'll ever see a Disney or Pixar animated movie in the Marvel Cinematic Universe. John Lasseter, who runs both Disney Animation and Pixar, has your answer: no.
In a new interview in Total Film magazine, actor Jesse Eisenberg, who will portray Lex Luthor in Batman V Superman: Dawn of Justice, gives the movie and its writers more than just a ringing endorsement. He says he'd do the movie for no money at all if it was some low-budget flick. "I really liked it on its own terms. I would do it if it was for free and it was tiny."
That seems like quite a stamp of approval. Sure, actors have to talk up their movies for promotion, but saying, "I'd do this for no pay" is a fairly extreme endorsement. And it turns out from the rest of the interview that Eisenberg isn't exactly a fan of the superhero genre -- but he may be coming around.
Michael Egan, the former model who filed sexual abuse charges against X-Men: Days Of Future Past director Bryan Singer in civil court, has withdrawn his suit following the recent departure of his former attorney, Jeff Herman. Egan insists that his decision is no reflection on the merits of his case against Singer, and instead reflects his inability to continue without representation.
Comics fans have become well acquainted with the notion that sometimes, creative people learn the wrong things from successes. It's why certain comics have been dominated for going on 30 years by a "dark" and "mature" sensibility that often comes off as grim, self-serious and overcooked.
Well, get ready for that way of thinking to make its way to movie theaters very soon. According to a report at Hitfix, Warner Bros. has a strict rule for its upcoming DC Comics movies: "No jokes."
When you're trying to spotlight an artist like Ale Giorgini, it's difficult to figure out what to focus on. He's done so much great stuff built on so many themes, from minimalist portraits of celebrities (a roster that includes both Charlie Brown and David Lynch) to pairing off some of cinema's greatest couples in a series called "That's Amore," and it's all worth seeing.
In the end, though, it was the pieces inspired by some of my favorite movies that hooked me, full of sleepy-eyed characters from The Big Lebowski, Ghostbusters, The Goonies and more.
A Twitter user by the name of Ryuuchan spotted something you don't see every day on the roadways of Japan's Chiba Prefecture last weekend: Batman, in broad daylight, riding around on a Batpod similar to the one from The Dark Knight and The Dark Knight Rises.
The Batman costume looks spot-on, and while the Batpod isn't quite the design from the movies (it's got three wheels instead of two), it does look pretty doggone cool.
Welcome to the latest episode of ComicsAlliance Presents “Kate or Die,” a series of exclusive comic strips created by one of our favorite cartoonists, Kate Leth! In this episode, Kate explains why the film adaptation of Archie Comics' Josie And The Pussycats is the best movie ever.
Back in March, I spoke with Kelly Sue DeConnick about the unorthodox creative process behind Dark Horse's new Prometheus/Alien/Predator comics. Essentially, DeConnick and four other writers -- Paul Tobin, Chris Roberson, Christopher Sebela and Joshua Williamson -- got in a room together and hammered out one big story that will be told in a collection of miniseries. DeConnick had a huge notebook in which she collected a sort of series bible.
Now, those comics are about to be released into the world, starting with Prometheus: Fire and Stone by Tobin and artist Juan Ferreyra on Sept. 10. Dark Horse has released a trailer that digs into the process a bit and reveals a little about one of the characters who will appear throughout the series, Angela Foster.
When Mondo, the merchandising arm of the celebrated Alamo Drafthouse theater known for selling super-cool movie posters, announced that it would host a convention in Austin, Texas, September 20-21, it wasn't entirely clear what the focus would be. Movies? Artists? Movies about artists?
As it turns out, it's all of the above. In addition to hosting the world-premiere screening of the new documentary about the British comics anthology 2000AD, Future Shock!, the weekend event will also host an array of comic artists, many of which have contributed their talents to film. Some of those artists, including Alex Ross have contributed art to celebrate the 15th anniversary of The Iron Giant.
For anyone who still had a little doubt in his or her mind about whether Frank Miller -- the man who wrote and drew Sin City, which is basically all about tough guys fightin' over dames (and also lady ninjas hanging out with prostitutes) -- is nostalgic for a perceived golden age of dudeliness, look no further than his new 20Q interview in Playboy.
One of the interview's wrap-up questions is about whether Miller prefers an old-fashioned ideal of masculinity, and Miller answers that he'd like to see "the 1940s-style gentleman" make a comeback.