The fight over whether Spider-Man should have organic or mechanical web shooters in film / TV adaptations has been ongoing — Sam Raimi went against canon by making Spidey’s web-slinging abilities the result of a mutation, while one of the only thing Marc Webb’s films did right was give the hero mechanical web shooters. But what will Marvel and Sony’s newly rebooted Spider-Man have when he makes his debut in Captain America: Civil War?
Everyone loves superhero movies…at least right now. But, if there’s one thing 2015 has shown us is that there is success to be had, and lots of it, without them. Universal Pictures is having a record-setting year without a single superhero movie on their roster. It’s true that superhero movies have been incredibly successful, but is that sustainable? Steven Spielberg doesn’t think so.
In the tradition of ScreenCrush series like You Think You Know Movies, You Think You Know TV, and Post Credits comes a brand new YouTube series: Top Five! Each week (or so; we’ve got a lot of other stuff going on), ScreenCrush editor and critic Matt Singer will count down a particular topic from the world of movies (and probably write these introductory posts in the third person).
A few weeks ago Michael Shannon got the internet buzzing when he made comments during an interview about his involvement in Batman v Superman: Dawn of Justice. It involved General Zod (whose corpse appears briefly in the trailers), flipper-hands and a hilarious story about a port-a-potty. Michael Shannon would now like you to know that he was joking.
Although cosplay has been present for decades within the comics, anime, and sci-fi/fantasy fandoms, social media has played an integral role in the thriving communities of costuming that exist, such as Cosplay.com and the Superhero Costuming Forum. Over the years, the cosplay community has evolved into a creative outlet for many fans to establish and showcase some impressive feats of homemade disguise, craftsmanship, and sartorial superheroics at conventions.
In honor of the caped crusaders of the convention scene, ComicsAlliance has created Best Cosplay Ever (This Week), an ongoing collection of some of the most impeccable, creative, and clever costumes that we’ve discovered and assembled into a super-showcase of pure fan-devoted talent.
Every time you see a logo for anything, whether it be on a soda can or a movie poster, you are looking at the result of a lot of hard work. Specifically, you’re looking at a design that was reached over time, with a designer and a company going back and forth until they reach a final goal. Any official movie logo is only one of dozens that was created. For those who like to see how this particular portion of the movie sausage is made, a new interview with artist Fede Ponce should prove enlightening … especially when you see how many of his ideas for the Iron Man logo didn’t make the final cut.
Ever since Sony and Marvel finally reached an agreement to combine forces for the future good of Spider-Man (thus allowing the web-slinger to crossover into the MCU), the studios have been at the receiving end of a lot of questions from fans. But they’re not the only ones — now that he’s no longer playing Spider-Man, everyone wants to know what Andrew Garfield thinks about all of this. Not only is he thrilled, but as it turns out, he was a big advocate for a Marvel crossover.
Captain America: Civil War isn’t the only major superhero film that wrapped principal production this week — Bryan Singer completed his primary work on X-Men: Apocalypse, and David Ayer also finished the principal work on Suicide Squad. To celebrate, Ayer grabbed (almost) the entire cast along with much of the crew for one big photo.
It’s been a few months since the release of Avengers: Age of Ultron, but Marvel isn’t done providing us with new materials from the film. The blockbuster sequel is hitting DVD and Blu-ray in a little over a month, but you can check out a clips from one of the bonus features right now — as well as a little Black Panther easter egg you might have missed the first time around.
Goddess. Windrider. Queen. Leader. Storm has worn multiple hats during her existence; roles that have aided in her evolution as one of comics’ most significant and abiding heroes. Yet although Storm’s pop cultural significance is great, her characterization has seen glaring inconsistencies from comic book to screen. Fans of the '90s cartoons remember a majestic leader whose long winded monologues became part of her appeal, but fans of the films were subjected to an unimposing and rather useless version of the character.
But what was lost in translation? What is it about Storm that the movies' writers and producers failed to understand?