Michael Egan, the former model who filed sexual abuse charges against X-Men: Days Of Future Past director Bryan Singer in civil court, has withdrawn his suit following the recent departure of his former attorney, Jeff Herman. Egan insists that his decision is no reflection on the merits of his case against Singer, and instead reflects his inability to continue without representation.
"My name is Miles Morales, and I'm Spider-Man." With those words, Donald Glover takes his place among the ranks of official on-screen Spider-Men.
It's been known for a while now that Miles Morales, the Ultimate Universe version of Spider-Man, would make his screen debut in an upcoming episode of the Disney XD series Ultimate Spider-Man: Web Warriors, but only now do we know that the part will be voiced by actor and Spidey fan Donald Glover. It's a brilliant casting decision that we choose to interpret as the first step towards more Miles in other media, rather than an end in its own right.
Marvel launches the eighth of its nine solo titles with a female lead in November with Spider-Woman #1, and the book sadly already has a cloud over it. A variant cover by master erotic artist Milo Manara stirred enough controversy last week to garner mainstream attention. The cover featured Spider-Woman with her apple-shaped butt raised high in decidedly unheroic manner. It was exactly what one would expect from Manara, who has created a number of superheroine illustrations for Marvel, but the image suggested a particularly overt tone of sexual objectification that could alienate the sort of readers who attended the Women In Marvel panel at San Diego where the series was announced.
As far as I can recall, Marvel has more female solo titles now than ever before, with a ninth title, Angela: Asgard's Assassin, launching in December. On paper, that suggests a laudable effort to reach out to superhero comics' growing and under-served audience of female readers. Yet the Manara incident serves to remind us that books about women can very easily be targeted to a male audience.
There's currently an unspoken contest between Marvel and DC to see who can produce more comics aimed at a female audience. It's possible the contest only exists in my head, as I've been keeping a tally of solo titles with female leads for the past several months -- but I wouldn't be surprised to learn that editors at the two publishers have also been keeping track.
It's the penultimate edition of Original Spin, our exclusive beside-the-scenes examin-xploratio-tainment of Marvel's big summer crossover event, That One Before Axis, by Jason Aaron and Mike Deodato. Yes, that's right, it's the big crossover event Marvel has kind of already forgotten about because it's so busy hyping up the next crossover event! (Though Marvel hasn't quite got around to telling us what that next event is about. Something something Bizarro Red Skull Onslaught? Buy the book, kids! It has Wolverine in... oh wait no.)
Yes, Marvel has already moved on to the next thing, but we at ComicsAlliance are still here, dutifully and patiently waiting for this event to finish. Sure, this recap is a week late, but I said we're dutiful, not quick. In this issue, we find out once and for all who killed the Watcher! Mmmaybe. Maybe not. I'm not really clear on that. Red Skulls are Onslaughts now; everything is crazy. Spoilers follow!
Late last week it was announced that Eddie Izzard, Noah Taylor, and Olesya Rulin have joined the cast of Sony's Powers TV show as Wolfe, Johnny Royale, and Calista, respectively -- but that left two major roles unaccounted for in the adaptation of Brian Michael Bendis and Michael Avon Oeming's creator-owned superhero detective series.
Now we finally have names for those roles. Sharlto Copley will play the male lead, Detective Christian Walker, while Michelle Forbes will play Retro Girl, the hero whose murder triggers the first Powers storyline in the comics. (The story is called "Who Killed Retro Girl," so we're going to say that's not a spoiler.)
While Captain America is perhaps fictional history's best-known Hitler-puncher, he is far from the only hero to sock old Adolf in the jaw -- and now Canada gets its turn courtesy of Francis Manapul's fundraiser sketch for the Johnny Canuck Kickstarter. The Toronto-based Detective Comics co-writer and artist filmed himself as he sketched, and the video offers a fascinating glimpse of his process.
Like Nelvana of the Northern Lights and Brok Windsor, Johnny Canuck is one of the lost Canadian comic heroes of the 1940s, a time when American comics weren't allowed into Canada because of restrictions on non-essential trade. Long out of print, a new generation may get to enjoy his adventures thanks to this Kickstarter.
It's safe to say that former Vertigo editor Mark Doyle has been blowing our minds since he took over as editor of DC's Batman line, launching and relaunching titles like Batgirl, Grayson, and Gotham Academy that feel exciting, entertaining, and refreshingly different from DC's "house style." Now add another title to the pull-list; the horror series Gotham By Midnight, by Ray Fawkes and Ben Templesmith.
Gotham By Midnight tells the story of the Gotham City Police Department's horror beat, the "midnight shift" that deals with monsters, ghosts, and a creepier class of creep. The book is headlined by a familiar name from the Bat-universe, Detective Jim Corrigan -- who happens to be host to the vengeful divine force The Spectre. It sounds like Gotham By Midnight has the potential to be a very left-of-center Gotham Central.
UDON Entertainment published the first two volumes of its new Manga Classics line last week, adapting great works of literature as full-length manga. Manga Classics: Les Miserables, based on the novel by Victor Hugo, features art by SunNeko Lee, with an adaptation by Crystal Silvermoon and a script by Stacy King, while Manga Classics: Pride & Prejudice is illustrated by Po-Tse and adapted from Jane Austen's great novel by Stacy King.
UDON sent us a preview from Manga Classics: Pride & Prejudice that showcases both Po-Tse's gorgeous art and the wit and romance that makes Pride & Prejudice one of the most celebrated works in the English language.
Constantine is not modelled on the disappointing 2005 Keanu Reeves movie, also called Constantine. Nor is it an adaptation of DC Comics' current superhero comic book, Constantine, set in the rebooted New 52 DC Universe. The TV show very clearly goes back to the source material, the 1980s DC/later-Vertigo comic series Hellblazer, written initially by Jamie Delano and based on the character John Constantine created by Alan Moore, Steve Bissette, and John Ridgway in the pages of Swamp Thing. The leading man looks just as he does in the comics, with his familiar trenchoat and tie, and he acts broadly the same way too. Just as crucially, his backstory draws heavily from Delano's Hellblazer run. This Constantine is riddled with guilt and fearful for his soul because he failed to save a girl named Astra in Newcastle from the demon Nergal.
This means that the the TV adaptation of the comic is actually more faithful to the source material than the current version of the comic -- but only in broad strokes. In actual execution, this TV show is not the mature affair that the Vertigo comic offered. This is not a cable television supernatural show. This is more like... a Supernatural show.
Guardians Of The Galaxy just enjoyed a very successful weekend at movie theaters, taking home around $94m, far in excess of expectations. The movie also stands at 92% positive reviews on aggregator site Rotten Tomatoes, joining all previous Marvel Studios movies in receiving predominantly favorable notices.
Marvel Studios is doing very well. In six years and ten movies, it has avoided both critical and commercial disasters, and frustrated naysayers who hailed the demise of the superhero movie at every step. Marvel's rivals at Fox, Sony Columbia, and Warner Bros, have enjoyed commercial success as well -- but not with the acclaim, consistency, or proliferation of Marvel. So how does Marvel do it, and can they keep doing it?