After decades of waiting, fans of the beloved Batman television show of the 1960s -- or Batman '66 as it is known -- will finally be able to own all 120 episodes on home video, and in high definition. After protracted litigation with series owner Fox, DC Comics' parent company Warner Bros. has set November 11 as the on-sale date for the completely remastered Batman '66, which will be available on Blu-ray, DVD, digital, and, of course, a super expensive collector's edition that comes with all sorts of groovy stuff, including a selection of photos from star Adam West's personal archives (when you're as mature and sophisticated as West, you get to have "personal archives").
The hits keep coming out of DC Comics' west coast digital comics division, whose senior editor Jim Chadwick announced at Comic-Con International that the next release from his Batman '66 line will be The Lost Episode. What makes this a big is twofold: the lost episode is indeed a lost episode of the classic 1960s television series starring Adam West and Burt Ward, and it was written by none other than Harlan Ellison; award-winning television, writer, novelist, comics scribe, and notorious litigant. Secondly, the special issue will be drawn by José Luis García-López, one of the best comic book artists of all time. Adapting the script for comics will be Len Wein, a legendary comics figure in his own right.
DC hasn't released clean images from the project yet, but we know that Ellison's unproduced script would have introduced Harvey "Two-Face" Dent into the television series.
Well, that was unexpected. I mean, we knew Pixar and ABC were working on a followup to last year's exceptionally great Toy Story Of Terror! Halloween special, this one called Toy Story That Time Forgot, but we really didn't anticipate Mike Mignola to be the one selected to make it official in an inescapably cool Comic-Con exclusive poster.
Universal Cable Productions, the cable and digital arm of NBCUniversal, announced three new projects rooted in the comic book realm, including what will be Planetary and Transmetropolitan writer Warren Ellis' first original series developed especially for television. Additionally, UCP optioned Night Mary, a 2005 IDW drama by Rick Remender and Kieron Dwyer about a young woman trained to enter the dreams of serial killers; and Five Ghosts, the recent critical hit from Image Comics/Black Mask Studios and creators Frank Barbiere and Chris Mooneyham, who tell the story of Fabian Gray, a 1930s adventurer possessed by the spirits of five literary ghosts — Merlin, Robin Hood, Sherlock Holmes, Miyamoto Musashi, and Dracula. Five Ghosts began as a miniseries but its success resulted in an upgrade to ongoing, and now, it seems, an "upgrade" (because comics are the best, obviously) to television.
Purveyors of extremely fine illustrated film posters and other cinematic and pop cultural celebrations, Mondo has been increasing its exquisitely curated presence in the comic book world. The boutique merchandise arm of the celebrated Austin movie theater the Alamo Drafhouse, Mondo has in the last several months hosted a 20th anniversary screening of Batman: Mask of the Phantasm (with limited edition poster), presented a gallery show of Marvel Comics artwork by Mike MItchell, offered a gorgeous Elektra poster by Craig Drake, a Harley Quinn poster by Phantom City Creative, launched new convention, MondoCon, announced with new artwork by Mike Mignola, and announced a series of vinyl records celebrating music from Batman: The Animated Series.
It comes as only the best kind of surprise that Mondo will expand its operations into the realm of collectible toys, and the company has some auspicious products to announce its arrival in the new space. In addition to a vinyl figure based directly off of Kevin Eastman's very first drawing of a Teenage Mutant Ninja Turtle, Mondo will release what's perhaps the most handsome collectible ever for The Iron Giant; a 16" figure with numerous accessories that's a fitting tribute to Brad Bird's excellent film about a killer robot inspired to heroism by Superman comic books.
The ComicsAlliance staff is a diverse lineup writers, editors, artists, photographers and designers, but before we’re any of those things we’re simply fans. Appreciators. Collectors. Almost every day we share with each other via Instagram all the great books, toys, artwork, apparel, and other beautiful and/or inescapably cool objects we collect almost ceaselessly in comics stores, at conventions, and from all kinds of sources all over North America (and sometimes beyond). Displaying (i.e. showing off) some rad swag typically inspires everyone to one-up their pop-archeologist game in the never ending quest to find awesome stuff, and simply posting the week’s new comics usually causes someone to discover a new title or artist, which in turn inspires a whole new line of excavation.
In the past we’ve published photos of our “con hauls” here on CA and the resulting discussion with readers — i.e. collector kudos — has always been fun, so with the ComicsAlliance Collection we’re going to do it every week. But more importantly, we want to see your collection too. Show us new additions to your collections by using the hashtag #CAcollection on Instagram and we’ll embed the best stuff alongside our own recent acquisitions. And please do follow us @ComicsAlliance.
Just about one year to the day since Disney Television Animation's Phineas and Ferb enjoyed a visit from the heroes of Marvel Comics -- or an epic crossover event, if you like -- Dan Povenmire and Jeff "Swampy" Marsh' critically acclaimed and very popular musical comedy series will be the first to mashup with Star Wars since creator George Lucas' company was acquired by Disney last year.
Premiering next Saturday, July 26, on Disney XD, Phineas and Ferb: Star Wars takes place in what the studio actually terms "an alternate universe" in which the title characters and their supporting players inhabit the iconic roles of Star Wars Episode IV: A New Hope.
We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, as well as the special qualities of comic book storytelling, but because cartoonists, illustrators and their fans share countless numbers of great pinups, fan art and other illustrations on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, awnd some of it’s endearingly silly. All of it is awesome.
The boutique merchandise arm of the celebrated Austin movie theater the Alamo Drafhouse, Mondo's about to level up with its most ambitious music plan yet: a series of vinyl-only releases of Danny Elfman's music from Batman: The Animated Series.
Some of the stories Americans love most are those that put the lie to our prevailing visions of ourselves. The work of David Lynch, who peels back the the saccharine layers of suburbia to reveal unspeakable horrors within; Mad Men, with its systematic deconstruction of everything we think we believe about success in this country; and Breaking Bad, which shows us how even the most seemingly wholesome members of society can be monsters waiting to break free.
If you think all that sounds well and good but probably a little too stuffy, Josie Schuller would probably agree with you. Josie is a young housewife living post-war America. She sells makeup door-to-door, she takes care of her twin kids and the family dog, she makes dinner for her husband, and she suffers her endlessly disapproving mother-in-law. That is, when she's not murdering people in astonishingly violent ways.
Josie's a highly trained assassin, and the paradox that is her life comes courtesy of cartoonist Joélle Jones and co-writer Jamie S. Rich, whose new Dark Horse series Lady Killer invites readers into a weirdly alluring story that follows a grand tradition of subverting Americana, but with a uniquely wicked, black comedy twist and what Josie might even say is a woman's touch.