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John Parker

A Boy Named Sue: Father-Son Relationships in the Comics of Jason Aaron

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You don't have to look too hard to see the prevalence of difficult father-son relationships in the work of Jason Aaron. In Scalped with R.M. Guera, Dashiell Bad Horse was adrift in a sea of father figures, unable to choose his own path and incapable of avoiding the same fates that befell the father who left him. In 2014, Aaron launched Southern Bastards with Jason Latour, about a conflicted man who returns to the home of his dead father, a legendary lawman; and Men of Wrath with Ron Garney, is about a father-to-be on the run from his own dad, a hired killer.

Despite the prevalence of the topic in comics, Aaron has carved out his own niche when it comes to father-son relationships, with an unflinching perspective that rings truer than most.

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Rafael Albuquerque and the Time-Bending Colors of ‘Ei8ht’

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In Rafael Albuquerque and Mike Johnson's Ei8ht, a time-traveler named Joshua crash-lands in the Meld, an illogical place where past, present, and future seem to collide. With frequent jumps back and forth, messages from the past, and flashbacks to the future, it could be very difficult for readers to know when they are, if not for Albuquerque's ingenious use of color.

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Ferrier and Neogi’s ‘Curb Stomp’ Transcends its Exploitation Roots

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In Ryan Ferrier and Devaki Neogi's Curb Stomp, a gang of five women called the Fever protect their home turf from outside crews, stemming the flow of guns and drugs into Old Beach. When two rival gangs make a deal to push them out of their home, leader Machete Betty makes a decision that she regrets, pushing the Fever into a war they wanted nothing to do with. Comparisons with The Warriors are inevitable, but Curb Stomp stands on its own as a story that transcends the exploitation genre.

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Thumbnail: A Celebration of the Cars of Sean Phillips

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'Thumbnail' is a new recurring feature on ComicsAlliance in which we invite our writers to reflect on comic book details that deserve a little extra attention, whether it's a favorite character, and artistic choice, or a striking page. For this installment, John Parker looks at Criminal artist Sean Phillips' unusual affinity for beautiful and realistically rendered cars.

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Filed Under: , Category: Art, Image, Opinion, Thumbnail

Ten More Of The Best ‘Batman: Black & White’ Stories (So Far)

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If you're getting a sense of deja vu right now, that's because you actually have read this article before. Right before the latest volume of Batman: Black & White began back in 2013, ComicsAlliance published a list of the ten best stories in the celebrated anthology series. But the fourth volume was really, really good, and included some stories strong enough to be considered among the very best.

Making a new version of that same list with just a few replacements would be cheating you, and require me to read my own writing (ecch). So instead, we're just going to stick with the 'ten best' thing. Here are the highlights from the latest volume of Black & White, and a few that were barely edged out of the first list. Will there be another version of this article after the next volume? You bet your ass. We're gonna stay here until we get this right, people.

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Jeff Lemire and Dustin Nguyen’s ‘Descender’ Totally Worth Sony’s Crazy Money

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Hollywood just can't keep its grubby little hands off of our stuff. Last week it was announced that Sony Pictures snapped up the rights to Jeff Lemire and Dustin Nguyen's Descender well before the book's March publication, a practice becoming more common. This type of announcement may cause consternation among some, but you have to take it on a case-by-case basis: If anything Mark Millar writes gets a deal before publication, please, be offended; in all other circumstances, reserve judgment until a "professional" receives an advance copy and dictates your opinion to you. (This is my new persona: hated.)

Descender, on its way from Image in March, is epic, intelligent, and full of heart, and it looks like Sony was right on the money for once.

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Brian K. Vaughan And The Ongoing Story Of Post-9/11 America

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In common with a fairly significant chunk of the comics community, Brian K. Vaughan was in New York on September 11th, 2001, and witnessed the events of that day first-hand. Sublimating his experiences into his art, Vaughan penned Ex Machina, a modern masterpiece that used an alternate version of 9/11 to explore America's relationships with its heroes. But just as the long-term effects of September 11th are still palpable, Vaughan has continued to explore the anxieties of post-9/11 American throughout his work.

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Bodies: An Autopsy Of Vertigo’s Cutting Edge Murder Mystery Across Time

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Who doesn't love a good postmodern murder mystery? Boring people, that's who. Dull, uninspired, abandoned buildings pretending to be human beings who prefer their detective stories to be streamlined and logical, with a series of clues that can be interpreted to lead to a definite answer, and no funny business with fragmentation, parallel narratives, or the sudden appearance of the author in their own story.

If, however, you're an interesting, exciting, attractive person with an undeniable elan, Vertigo's Bodies might be more your style. Written by Si Spencer and drawn by a team of four artists, Bodies takes place in four distinct time periods ranging from the 19th century to the far future, where four detectives investigate four identical murder cases. Not just identical in that it's the same M.O., with the exact same injuries and found in the exact same spot throughout time; identical in that, over a span of 160 years, it's the same body.

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The Finality Of Death: Busiek & Dewey Defy Anthropomorphic Expectations With ‘Tooth & Claw’ #1

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Having been one of the creators who saved superhero comics in the 1990s, it can be difficult to think of Kurt Busiek as anything other than a superhero comic writer. But between all of his high-profile runs on big Marvel and DC books and undisputed classics Marvels and Astro City, Busiek has frequently played in the fantasy genre with great results. If you've never read The Wizard's Tale, Arrowsmith, or his run on Conan, you've been missing out on an aspect of Busiek's all-world talent that shouldn't be overlooked, and it's time to getcha life right.

Created by Busiek and Benjamin Dewey (I Was The Cat), Tooth & Claw is a fantasy about the end of magic, a mythical hero, and a dog-boy named Dunstan. And somehow, given all those words I just typed, it's also a dark Mature Readers comic about the suddenness and finality of death.

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‘Alias’ Jessica Jones: A Critical Look Back At Marvel’s Mature Readers Hero And New Netflix Star

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With a new hardcover omnibus of Alias by Brian Michael Bendis and Michael Gaydos, Marvel re-releases one of the most critically successful comics of the early 2000s. Apart from its various awards nominations and wins, it was one of just a few comics that everybody seemed to love, during an era when Marvel was equal parts creatively daring and ridiculously misguided. The first comic published under the mature readers MAX imprint, Alias officially broke ground on Marvel's R-rated label with an emphatic F-word, which immediately strikes one as both obvious and necessary. Unlike many other titles that sprung from the MAX imprint, though, Alias went far beyond than the gimmick of sex and cuss words in the Marvel Universe, and was easily one of the most readable comics on the stands for its entire twenty-eight-issue run.

That's just my memory, though, and I wouldn't exactly describe it as sharp. So how good is it on a re-read? Particularly as Marvel prepares a new live-action Netflix series based on the book, and has hinted as recently as last week that Jessica might be "getting back to work".

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