This week, the Legends are caught up in the week-long "Invasion" crossover with Supergirl, The Flash, and Arrow. This climactic episode sees the heroes from all four shows developing a plan to defeat the alien invaders, the Dominators. The episode was directed by Gregory Smith. Phil Klemmer and Marc Guggenheim wrote the script from a story by Greg Berlanti.
Matt D. Wilson
This week's episode, "Compromised," finds our team going to the neon and shoulder-pad styled 1980s to prevent a disaster from hitting nuclear weapons negotiations at the White House. David Geddes directed the episode, which was written by Keto Shimizu and Grainne Godfree.
AMC’s Preacher follows small-town Texas pastor Jesse Custer, his former partner-in-crime Tulip, and a foul-mouthed Irish vampire named Cassidy as they attempt to find God in a godless world. Matt Wilson, a devotee of the Vertigo comic series by Garth Ennis and Steve Dillon, and Elle Collins, a returning parishioner with a dose of skepticism, are checking in to see what they find on the dusty trail in ComicsAlliance’s new recap series, Gospel Truth.
This week finds Jesse holding court in a local diner, Tulip aiming once again to reverse Jesse’s turn to the Lord, some forgiveness for Eugene, and a surprising turn for Quincannon. "South Will Rise Again" was directed by Michael Slovis and written by Craig Rosenberg.
Humberto Ramos has been a consistent presence on the Spider-Man titles for the past 14 years or so, but he actually came to the character nearly a decade into his career.
Before tackling Spidey, Ramos worked on Milestone books, including Hardware, and numerous books for DC Comics, most notably a two-year run on Impulse with writer Mark Waid. Then he moved onto Wildstorm and helped found the Cliffhanger publishing imprint, where he produced 24 issues of his creator-owned comic Crimson with writer Brian Augustyn. It wasn't until 2002 that Ramos worked on a Spider-book.
Though the story that brought it about was among the most controversial Spider-Man stories ever published, the soft reboot that came with 2008's "Brand New Day" branding infused the Spidey titles with a massive influx of energy and talent. In addition to the rotating Spider-Man "Brain Trust" concocting some of the most exciting stories in years, the books were gorgeous, with art from the likes of Steve McNiven, Chris Bachalo, Paolo Rivera, Phil Jimenez, and Salvador Larroca, among others.
Yet one artist really stood out among that incredible pool of talent: Marcos Martin, who penciled and inked five arcs of Amazing Spider-Man between 2008 and 2011. Though all the artists who worked on the series during that period turned in gorgeous work, Martin truly put his stamp on the character.
Comics writer and editor Marv Wolfman's name will forever be associated with one pivotal work: 1985's Crisis on Infinite Earths. And that makes sense. It's the series that changed the face of the DC Universe for a quarter century, and remains the template for how that company carries out big events to this day.
But there's a lot more to Wolfman's career. Not only did Wolfman, born on this day in 1946, launch New Teen Titans; write a defining run on Tomb of Dracula; co-create characters including Bullseye, Tim Drake and Nova; and guide numerous comics-related projects in other media, Wolfman also played a major role in several creators' rights battles over the past 40 years.
The CW’s latest super-show, Legends of Tomorrow, follows Rip Hunter on his adventures through time, with a team of misfits that includes Arrow’s Atom and White Canary, both halves of Firestorm, Hawkwoman, and Flash rogues Captain Cold and Heat Wave. Arrow and Flash recappers Matt Wilson and Dylan Todd are on hand to deliver our Legends of Tomorrow post-show analysis, Stuff of Legends.
This week's episode, Destiny, includes the reveal of the Time Masters' grand plan, a noble sacrifice, a some major setup for a massive fight in the finale. The episode was directed by Olatunde Osunsanmi, with a story by Marc Guggenheim and teleplay by Phil Klemmer and Chris Fedak.
Among Spider-Man fans, Mark Bagley is largely known as the artist of Ultimate Spider-Man, and with good reason. The Ultimate line was a shot in the arm for a character who had taken a downward turn in the mid-90s, with an overlong and largely panned story, The Clone Saga. He hadn't fully returned to the spotlight, despite some good follow-up stories.
But to peg Bagley as just the artist of an astonishing run on Ultimate Spidey is to undercut his accomplishments on the regular Marvel U version of the character a full decade earlier. And it's all pretty good.
Lois Lane, who debuted alongside Superman in May 1938's Action Comics #1, wasn't just the first superhero love interest. At her best, Lois serves as proof that people who don't wear spandex and don't have superpowers can be heroes by doing their jobs well.
Of course, she has also had superpowers on multiple occasions. Over the last eight decades or so, Lois has done just about everything a comic book character can do. And yet she's never gone stale. Quite the opposite. Lois has proven as adaptable and eternally relevant as any superhero.
With the exception of his father, who still occasionally picks up a pencil or inking brush, nobody has been drawing Spider-Man longer than John Romita Jr.
Over the course of nearly 40 years with the character (longer if you count that he came up with the idea for The Prowler for 1969's Amazing Spider-Man #78), Romita has penciled somewhere in the range of 140 Spider-Man comics. Of course, longevity and productivity aren't the only hallmarks of a great artist, and Romita Jr. has done far more than simply pump out issues. He has changed with the times, adapted his style, and co-created some cornerstone Spider-Man characters.