Next month, the world's most famous fictional Private Dick / Sex Machine / Bad MotherSHUTYOURMOUTH will make his first-ever appearance on comic shop shelves, when Dynamite Entertainment releases the premiere issue of Shaft, by the creative team of David Walker and Bilquis Evely. And while John Shaft is a well known figure to moviegoers and soul music listeners worldwide, this title promises to focus on the rough-and-tumble version of the character that originated in Ernest Tidyman's series of novels. We spoke to series writer Walker about the character's long history in multiple media, and his plans for the comic incarnation.
Patrick A. Reed
While not a household name to most, Mary Blair's star looms large in the fields of animation, illustration, comics, and character/scenic design. She's an "artist's artist", someone whose designs for Walt Disney reached countless millions -- yet she worked in relative anonymity through most of her lifetime.
Blair's first major assignment for Disney was as supervisor and concept artist for Saludos Amigos and The Three Caballeros, and she went on to produce designs, concepts, and color stylings for many of the studio's best-loved films, including Cinderella, Peter Pan, and Alice In Wonderland.
Later this month, BOOM! Studios will release the first issue of Memetic, an oversized-format, three-part limited series by the team of James Tynion IV (Batman Eternal, The Woods) and Eryk Donovan (The House In The Wall) with colorist Adam Guzowski that puts a distinctly modern spin on classic apocalyptic fiction formulas. The title is an adjective referring to memes -- self-replicating ideas or entities that start with an individual before spreading to more people and across various media.
The story of Memetic is kicked into motion by the unleashing of the kind of adorable animal image many of us have seen and shared. In this case, it's "Good Times Sloth," and it becomes the most viral piece of internet content in history. Unfortunately, Good Times Sloth turns out to be weaponized meme that leads straight to the end of the human world as we know it.
It's a fascinating and unique concept, and to get a bit more insight, we spoke to Tynion and Donovan about the project's inception from initial idea to finished product.
On November 19, DC Comics will release Batman '66: The Lost Episode, a bookshelf-format one-shot by writer Len Wein and penciller José Luis Garcia-López -- superhero comics legends, both -- adapting a previously-unknown story that Harlan Ellison wrote for the classic Adam West and Burt Ward TV show: the introduction of Two-Face. The project is a very special companion to DC's popular and critically acclaimed digital-first Batman '66 series. In addition to its prestigious veteran storytellers, the book also features inking by Joe Prado, colors by Alex Sinclair and cover art by Alex Ross, all industry leaders in their disciplines.
At New York Comic Con this past weekend, we had the opportunity to sit down with Wein and discuss the origin of the project, his friendship with Ellison, and the experience of adapting an unfilmed television episode into the comic book format.
This weekend at New York Comic-Con, Marvel unleashed a host of announcements, revealing new series and projects galore. One of the most fascinating bits of news came out of Sunday's 'Axel-In-Charge' panel, where the Marvel editor-in-chief announced a new ongoing Hawkeye series launching in March 2015, from the creative team of Jeff Lemire and Ramón Peréz.
The book follows hard on the heels of the current critically acclaimed run on the title by Matt Fraction, David Aja and Annie Wu, and while the new series will continue to focus on the characters of Clint Barton and Kate Bishop, Lemire and Perez are determined to tell their own story in their own way. We spoke to the creative team to find out more.
Marvel is getting back into the cosmic book business with its next epic crossover event (between the current one and the one after, I mean); The Black Vortex. Announced at New York Comic-Con this past weekend, the event bring together the Guardians Of The Galaxy with all of Marvel's current outer space books -- plus increasingly frequent visitors the All-New X-Men.
The event was devised by Legendary Star-Lord writer Sam Humphries, who also kicks things off with Black Vortex: Alpha in February, with art by Ed McGuinness. ComicsAlliance spoke to Humphries to find out more about the ancient artifact at the heart of the story that will pit heroes against heroes and spark up a different kind of space race.
Ramona Fradon is one of the great living legends of comics, a creator with an instantly recognizable style who has worked on some of DC Comics' best-loved series -- and co-created a few classic characters along the way. Her crisp, lyrical line has elevated every book she's touched over her six-and-a-half decades in the business, and her work continues to influence and inspire creators to this day.
Fradon graduated from Parsons School Of Design in 1950, and began working at DC almost immediately, pencilling the Shining Knight backup story in Adventure Comics #165 – and when that feature was replaced by Aquaman two issues later, Fradon found her first signature character.
In January 2015, Valiant plans to expand its line with a wave of new series, including an ongoing Ivar, Timewalker title from the acclaimed team behind the new Archer & Armstrong book, Fred Van Lente and Clayton Henry.
Ivar was created by Barry Windsor-Smith as a supporting cast member in the 1990s Archer & Armstrong series, the third part of Valiant's "immortal trio" along with Armstrong and The Eternal Warrior. Ivar made his debut in the new Valiant Universe in the opening pages of Van Lente & Henry's Archer & Armstrong #1, as a schemer whose plans gave all three brothers the power of immortality -- and destroyed an entire world in the process. As the new series begins, Ivar has made his way to the present day, hoping to atone for his wrongs and keep the past, present, and future from colliding. We spoke to Fred Van Lente to learn more about his plans for the series.
This week, Laika and Focus Features release their stop-motion animated feature The Boxtrolls in theaters nationwide, and it seems poised to stand alongside Laika’s previous films Coraline and ParaNorman in the ranks of offbeat, slightly spooky, perennial family favorites.
ComicsAlliance got the chance to speak with some of the film’s creative team at this year’s San Diego Comic-Con. Yesterday, we presented our interview with Laika CEO / lead animator Travis Knight, and today we follow up with our conversation with the film's co-directors Anthony Stacchi and Graham Annable.
This week, Laika and Focus Features release their stop-motion animated feature The Boxtrolls in theaters nationwide, and it seems poised to stand alongside Laika's previous films Coraline and ParaNorman in the ranks of offbeat, slightly spooky, perennial family favorites.
ComicsAlliance got the chance to speak with some of the film's creative team at this year's San Diego Comic-Con, and today we present our conversation with acclaimed animator and Laika CEO Travis Knight.