Sure, artist/writer Johnny Ryan's Prison Pit is a series of graphic novels that escalates its depictions of violence and all-around immorality to such a level that readers assume that there's no possible way Ryan can top himself, and then he does. But do the drawings move?
Well, they didn't, until now. If you're in the Los Angeles area, you can go see what promises to be an X-rated animated version of the books, now five volumes deep into the grotesque, occasionally genitals-based brutality of the inhabitants of the hellish titular pit. It'll be at Cine Family on August 30.
Listen: I love Robin Hood. Outside of Dracula, who I think we can all agree is pretty great, he's probably my favorite public domain character in the history of fiction, and between the sidekicks, the secret headquarters, the recognizeable costume and the uneasy relationship with local law enforcement, he's pretty much a direct ancestor to the kind of superheroes that we have today. So really, if there was anything that was going to get me back to being excited about the hardcovers reprinting Floyd Gottfredson's Mickey Mouse strips after the last volume left such a bad taste in my mouth, Mickey going on an adventure with Robin Hood was going to be the thing that did it.
Which, as it turns out, is exactly what they did. The latest Mickey volume from Fantagraphics is a collection of Gottfredson's full-color Sunday strips from 1936 to 1938 -- plus a whole bunch of bonus features from his later career -- that includes "The Robin Hood Adventure." And folks, this one isn't just a great story from a great creator, it's the kind of story where I want to just start grabbing people on the street and telling them they have to read it, because it's one of the weirdest things I have ever read.
Comic-Con attendees who kept their eyes peeled may have been lucky enough to snag a copy of the first volume in Fantagraphics Books' series of reprints of Don Rosa's Uncle Scrooge and Donald Duck comics, The Son of the Sun. (Some even got signed copies!)
Everyone else will have to wait until the book is available next month to get their hands on it, but Fantagraphics has at least given readers a taste of what they'll be getting. Check out a 17-page preview of the crisp, colorful, chronological reprints of Rosa's comics, which date back to 1987, after the jump.
A great comic book cover is an advertisement, a work of art, a statement, and an invitation. A great comic book cover is a glimpse of another world through a canvas no bigger than a window pane. In Best Comic Book Covers Ever (This Month), we look back over some of the most eye-catching, original and exceptional covers of the past month.
July's comic book covers bring some gorgeous high contrast images and striking character portraits. There's a moment of grief; a moment of action; a moment of reflection; and a moment of revelation. Check out amazing work from Christian Ward, Eleanor Davis, Tommy Lee Edwards, and Lucy Knisley.
With hundreds of panels to choose from at San Diego Comic-Con, the show can be an overwhelming experience — and it’s far too easy to miss a panel you think you might have loved, or to find yourself on the wrong side of the con floor five minutes before a great panel is about to start!
Take heart, brave reader. ComicsAlliance has sifted through the schedule to offer up our pick of the best programming at the con. Today we offer our suggested highlights for day three, Saturday July 26, 2014 — with an emphasis on comics programming. We’ll also let you know where and when you can find ComicsAlliance contributors at the San Diego show.
A nomination for a Harvey Award, named for legendary MAD Magazine cartoonist and editor Harvey Kurtzman, is unquestionably the most prestigious honor that has ever been bestowed on a comic book about NASCAR. Seriously. It happened in 2009 with NASCAR Heroes.
The Harvey Awards have released the list of this year's nominees. As you might expect, the usual suspects like Hawkeye and Daredevil were honored, along with other nomination leaders Saga and Quantum and Woody. Archie, Valiant and Image all received a good amount of nominations, but it's BOOM! Studios, along with its Archaia imprint, that earned the most recognition with 26 nominations; well more than any other publisher.
Even if you don't know Jim Woodring's name, there's a decent chance you've seen his work somewhere in the past 30 years or so of comics. His character Frank was one of the pivotal indie comics characters of the mid-to-late '90s, and Woodring has written Star Wars and Aliens comics for Dark Horse.
Woodring's most personal work, however, has been in the series simply titled Jim, which ran in the late '80s and mid '90s, and which took a surreal look at the day-to-day life of Woodring (or at least a fictionalized version of him). Fantagraphics will be releasing the first-ever collection of Jim's 10 issues next month, and has released a 21-page preview, which you can check out below.
With comics being the visual medium that they are, there's no shortage of pictures of the characters. With the exception of media darling Stan Lee or commercial star Rob Liefeld, however, most comic book creators exist behind a much deeper veil of obscurity -- especially in the Golden Age, when their names were rarely attached to the comics they worked on. When you hear names like Jerry Siegel, Joe Shuster or Jack Kirby, you think of the creations rather than the people.
Now, artist Drew Friedman is attempting to change that, at least a little, with Heroes of the Comics, a Fantagraphics hardcover book of portraits of the pioneers of the golden age, from the creators we all love like Siegel and Shuster, above, down to the villains like Bob Kane and Frederic Wertham.
Ever since Fantagraphics started up their collection of Floyd Gottfredson's Mickey Mouse strips, I've been looking forward to finally getting to read "Mickey Outwits The Phantom Blot." This was the story that I'd heard of even when I wasn't paying attention to Disney comics from the '30s, the influential saga that provided Mickey with his most intriguing villain, and one that returned again and again over the years and inspired creators like Osamu Tezuka. It came with a pretty solid reputation, and when I finally got to it in the latest hardcover, I've got to admit that it lived up to it. It's every bit as exciting as I'd hoped it would be.
Unfortunately, it's collected in a book alongside some of the most grotesquely offensive stories that I've ever read. That's the sort of thing that spoils the experience a bit, even when you're making allowances for the time.
With his first two English language releases, What A Wonderful World and Solanin (both published by Viz), Inio Asano had gained a reputation for creating thoughtful slice-of-life stories that earned him the reputation as being the voice of a generation. March saw the debut of the Fantagraphics' edition of Nijigahara Holograph, a book that's as difficult to read as it is stunning to look at. Ostensibly about the repeated sacrifices of a young woman to save the world from apocalypse, the introduction of alternating timelines (with no clear delineation) and mature elements elevates it beyond exploitation, even as it forces the reader into uncomfortable territory that's reminiscent of the work of David Lynch.
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