Beginning May 1st, writer Dave Roman and artist John Green will be serializing their next graphic novel, Teen Boat The Race for Boatlantis as a webcomic. The Race for Boatlantis is a sequel to the creators' 2012 graphic novel, Teen Boat, about a teen who can turn into a boat (yes, really) and his many teen/boat adventures. Readers can give the new story a try via the webcomic, and Roman and Green will interact with their audience as they experience it, with new pages going up every Monday, Wednesday, and Friday until the print book debuts in the fall.
ComicsAlliance spoke with Roman and Green about the decision to offer their graphic novel as a webcomic and what readers can expect from this new story of everyone's favorite boaty teen!
Brian Hibbs has put up his great yearly analysis of the Bookscan numbers over at Comic Book Resources, and they reflect a change that's slowly dawning on many people in comics right now: books for women and children are where the money is. Nine of the top twenty books sold and tracked by Bookscan last year were by women, and twelve of the top twenty were books for kids.
The American Library Association (ALA) announced their yearly awards today in conjunction with the ALA Midwinter Conference in Chicago. In a groundbreaking move, a Newbery Honor has been awarded to cartoonist Cece Bell for her graphic novel El Deafo. This is the first time a Newbery Honor has ever been awarded to a comic. At the same awards, Jillian and Mariko Tamaki won a Caldecott Honor and a Printz Honor for their graphic novel This One Summer.
Just as this year's comics-centric Banned Books Week was coming to a close, an Illinois school board has unanimously voted to keep Marjane Satrapi's graphic novel Persepolis on the reading list of a local high school.
According to the State Journal-Register, a Glenwood High School parent complained to Principal Jim Lee (yes, that's his name) about the book, questioning why a teacher would ask students to read a book about Muslims on September 11. The parent also complained about a scene that shows a dismembered body and a man being tortured. Thankfully Lee just plain wasn't having it.
Graphic novelist Ed Piskor grew up in Pittsburgh at the intersection of hip-hop and comics.
That's one of the takeaways from the mini-documentary that accompanied a recent profile of the Hip-Hop Family Tree creator in Pittsburgh Magazine. In it, Piskor visits his childhood home -- now totally dilapidated and overgrown -- and finds his old sketches on the walls. He talks about the playgrounds nearby where hip-hop found a footing in Pittsburgh, and visits the comic shop that helped launch his career.
It is a truth, universally acknowledged, that Fabien Vehlmann and Kerascoët's Beautiful Darkness has been one of the undisputed standouts in the not unglorious year of comics 2014. Originating from the mind and sketch/notebooks of Marie Pommepuy (she, and partner Sébastien Cosset collaborate under the pen-name Kerascoët), the story of a group of tiny people springing from the body of a dead girl in the woods and the vicious lengths and efforts they go to to survive is appreciable on several, complex levels. One of the facets of great art is that it lingers in the mind, burrows and shifts, dredging up thought and questions, analyses, re-evaluation, and Beautiful Darkness is no different. And so, to accompany my original review, I've compiled a deconstruction of sorts presented here as various questions (answered and unanswered) and theories that dig further into the text and its potential readings.
Koyama Press announced its spring 2015 lineup of graphic novels this week, and the books coming down the pipeline range from personal, diary-format comics to a weird, Teenage Mutant Ninja Turtles pastiche. There's also a surreal deconstruction of superheroes and an effusive celebration of color. Creators include Dustin Harbin, A. Degen, Alex Schubert and Ginette Lapalme.
Though hugely influential on characters including Vampirella, Jean-Claude Forest's Barbarella graphic novels haven't really made a huge dent in American comics culture. Many fans are likely familiar with the 1968 movie starring Jane Fonda, but Forest's French comics haven't been printed in English since appearing in Heavy Metal back in 1978.
That's about to change thanks to Humanoids Publishing and writer Kelly Sue DeConnick. A new translation of Forest's Barbarella, scripted by DeConnick, is set for release September 24, with the first-ever English reprint of the second book, The Wrath of the Minute-Eater, coming in January.
While at Comic Con, Grant Morrison dropped several enigmatic hints and subliminal messages to ComicsAlliance about his next mega-event, Multiversity, broke down the divisions between fictional universes, and even proclaimed that he thinks that he's made the world's first real superhero. He says things like that. Some people like him, many love him, and some people straight up hate him. With Multiversity starting up in August, you can be sure that there will soon be legions of detractors proclaiming that Morrison is the most overrated writer in comics, and nothing he's ever done has ever made any sense.
The release of DC's Doom Patrol Omnibus finally equips us to give these people the bludgeoning they deserve. (Metaphorical bludgeoning. ComicsAlliance does not condone actual bludgeoning.)
When discussing the oeuvre of David Lapham, the comic that comes up again and again is obviously Stray Bullets. As great as Stray Bullets is, though, it tends to overshadow the rest of Lapham's body of work rather unfairly in some cases. Despite the several very good comics that Lapham has produced besides his most famous title – including the incomplete Young Liars, the raucous Juice Squeezers, and of course WWF Battlemania – none can match the near-mythic level of quality and reputation of Stray Bullets, and tend to just get left out of the conversation.
The new trade paperback collection of Murder Me Dead, available July 23 from Image Comics, could help change that trend. A dark, stirring, and emotionally manipulative noir about self-destruction, lies, and guilt, it may be the best “other” Lapham comic in his catalog.
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