When ComicsAlliance first heard that Gilbert Hernandez would write and draw a Wonder Woman story for DC's digital first Sensation Comics series, we were excited to see what the master Love & Rockets illustrator would would do with the character. We also assumed he'd be the author of the story about Wonder Woman as a rock star.
Anyone following Sensation Comics now knows that the rock star story was Margeurite Sauvage's excellent work, while Hernandez spun a tale about a brainwashed Diana going toe-to-toe with fellow heroes Supergirl and Mary Marvel. The first half of his two-parter, "No Chains Can Hold Her," is already available. DC sent us this exclusive preview of part two, available this Thursday.
Readers demand a lot from superhero comics: consistency, continuity, adherence to the rules of the universe, compelling heroes, magnetic villains, satisfying endings, and the list goes on.
But those of us who have been reading for years (if not decades) are chiefly looking for one big thing above all else: novelty. We want to see something we’ve never seen before; characters we recognize as the heroes and villains we love being put into scenarios and settings wholly unlike what’s come in nearly 80 years of superhero comics.
That’s notoriously hard to do. Many times, stories end up being very similar to what’s come before, and when creators do try something new, they elicit complaints from readers who don’t like particular changes or decisions. But what if you could strip away those pressures and build a superhero comic that’s so strange and unique that it’s a must-read?
That’s what Jiro Kuwata’s 1960s Batman comics, currently being republished as the DC Digital Series Batman: The Jiro Kuwata Batmanga, are. A strange combination of classic Batman comics, the 1960s Batman TV-show, Marvel-Age science-based storytelling, mysticism, cartoon physics, Tokusatsu, and of all things, Scooby-Doo, it isn’t like any comic I’ve ever read. It’s endlessly surprising, and I love it.
The whole Marvel Cinematic Universe is based around the fact that the strongest power in the universe are these magical Infinity Stones, gems of incredible power over time and space. When Ronan the Accuser combines an Infinity Stone with his hammer in ‘Guardians of the Galaxy,’ he becomes nigh-invulnerable and almost unbeatable. The only things left to stop him from destroying the universe are the Guardians… and dance moves. Sweet hot funky dance moves.
In the overwhelmingly male comic book industry, it has been a challenge for some editors and readers to see the ever growing number of talented women currently trying to make a name for themselves. With that in mind, ComicsAlliance offers Hire This Woman, a recurring feature designed for comics readers as well as editors and other professionals, where we shine the spotlight on a female comics pro on the ascendance. Some of these women will be at the very beginning of their careers, while others will be more experienced but not yet “household names.”
Cartoonist Corin Howell attended the Savannah College of Art and Design and graduated with a degree in Sequential Art. Also one of the first students of the Murphy Apprenticeship with the great Sean Murphy, she writes, draws, and colors her projects, which so far have included work for Viz and Oni, as well as work she's self-publishing.
Welcome back to Up To Speed, home of the the Flashest Recaps Alive. Here we’ll recap the episodes, dispense some Flash Facts and talk about what works, what doesn’t and where the series might be headed, as we try and keep up with the adventures of Central City’s finest hero, Barry Allen: The Flash dundundundundundun–AH-AAAAAH!–Defender of the Universe!
This week, we’re looking at the sixth episode episode of the first season, “The Flash Is Born,” which features a greasy hunk in muscle shirts, guys being dudes, and a karate robot. On your marks, get set, GOOOOO!
We’ve seen Batman envisioned time and again on screens big and small, and yet it took a tiny LEGO version of the character to take us by surprise with Phil Lord and Chris Miller’s hilarious take on the character in this year’s ‘The LEGO Movie.’ Voiced by Will Arnett, this version of Batman lovingly satirized the Caped Crusader. The character was such a hit that we’re getting a spinoff in 2017 ahead of the ‘LEGO Movie’ sequel, and the writers have dropped some details about what we can expect.
I've been a fan of Fred Van Lente's comics work for almost ten years now, and the one thing that I love more than anything else about his work is that every time he starts up a new series, it almost always feels like something completely different. You can draw parallels between books like Incredible Hercules and Archer & Armstrong, of course, but neither one of those feels quite the same as G.I. Joe or Taskmaster. The one thing that really unites them, and the one thing that comes through pretty clearly if you ever interview that that guy about his work, is that there's a lot of research that goes into everything he writes, and it's research that comes through in very strange ways.
Case in point: Resurrectionists, a new ongoing Dark Horse series from Van Lente, Maurizio Rosenzweig and Moreno Dinisio that provides a pretty amazing vehicle for delivering that research directly to the reader, and does it with one of the biggest, weirdest high concepts I've seen in a long time.
Last week's Agents of SHIELD was a mixed bag, presenting the second season at its weakest as it revisited those malingering season one plot threads, but with the promise of something a lot stronger in our first (holographic) look at the Inhuman city of Attilan (maybe). This week, we find out if the show intends to grab hold of that exciting new 'secret city' storyline with both hands, or if it's just going stick it in a drawer for the rest of the season while Skye moans about her dad.
'The Things We Bury' is directed by Milan Cheylov and written by DJ Doyle, and it features at least one welcome return cameo, and a villainpalooza thanks to Reed Diamond, Kyle MacLachlan, and Tim DeKay. So let's break it all down in our unique 'SHLEID' recap format.
Over the past couple of weeks, DC Comics' Convergence event has resulted in some of the most exciting and most bizarre announcements since the company threw out their previous shared universe canon in favor of the "New 52" reboot -- especially since the core idea of next April's big crossover is that they're bringing back a bunch of the versions of characters that they got rid of for a big battle against the new batch. Last week was particularly enticing for long-time fans, teasing us with Greg Rucka's return to writing Renee Montoya in The Question and Gail Simone going back to the fan-favorite pairing of Nightwing/Oracle.
This week, they've attempted to top that with a whole new roster of books, and this time they're set in a pre-Flashpoint Metropolis. The second week's launches will see the return of characters from 1996's Kingdom Come and the landmark Justice League International, plus Louise Simonson writing Steel. Of course, we're also getting Azrael and the return of Larry Hama to writing Batman, so someone out there needs to stop wishing on the Monkey's Paw already.
A few years back, when there was first talk about a TV show based on The Flash, I remember hearing people say that the character could get a stronger foothold with the American public in a time when shows like CSI were so popular. The argument was that people would have an easier time getting their heads around the idea that Barry Allen was a police scientist, and that blew my mind. I mean, is the day job really the thing that people should be interested in when they're watching The Flash? Isn't the part where he can run super-fast and fight guys with ice guns the more important part of that whole franchise?
Besides, I think we can all agree that it was way better back in 1991, when the Flash worked for the IRS as the world's first superhero taxman.
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