It goes without saying that there are a lot of great superhero comics out there, but it's always fun (and a little bit of a bummer) to see the great comics that didn't come out. Not every pitch is accepted, after all, and while a lot of them never leave the planning stages, there a few that make it all the way to being drawn, and sometimes, they are truly fantastic.
Case in point: A ten-apage story that animation artist Louie del Carmen and illustrator Bobby Chiu created a few years back for "a proposed Superman anthology" that never saw print. It did, however, make it all the way to roughs, and this week, del Carmen posted them on his website, telling the full story of Superman and Krypto teaming up to bust an illegal interstellar zoo. And it is pretty great.
While director Zack Snyder did share a look at the 'Batman vs. Superman' version of the Batmobile, it was parked in a warehouse and half-covered in smoke. In short, you couldn't really get a good sense of what it would look like in action. Today, we get a much better look at what Batfleck's Batmobile will look like in 'Batman vs. Superman' as Bruce Wayne's whip has rolled onto the film's set for the first time.
Last year, the Royal Canadian Mint issued seven collector's coins to celebrate Superman's 75th anniversary. Looks like it's a hard habit to break, because at this year's Fan Expo in Toronto, the mint announced it was issuing four more coins with images from covers dating back to Superman's debut in 1938.
Though he's widely considered a U.S. hero, Superman has Canadian roots. Joe Shuster, who co-created Superman with Jerry Siegel, was born in Toronto.
Comics fans have become well acquainted with the notion that sometimes, creative people learn the wrong things from successes. It's why certain comics have been dominated for going on 30 years by a "dark" and "mature" sensibility that often comes off as grim, self-serious and overcooked.
Well, get ready for that way of thinking to make its way to movie theaters very soon. According to a report at Hitfix, Warner Bros. has a strict rule for its upcoming DC Comics movies: "No jokes."
An eBay auction for a so-called "pristine" copy of 1938's Action Comics #1 -- the 1938 issue in which Superman made his very first appearance -- ended Sunday afternoon, and the winning bidder snagged the issue for a cool $3.2 million. That's the most anyone has ever paid for a comic book, by a pretty wide margin. The previous record was $2.16 million, for a different copy of Action #1.
Each weekday, ComicsAlliance brings you a carefully selected variety of links from around the web about comics and comics-related media, including movies, video games, toys, and whatever else might be worth noting. Quite frankly, these are items you may just need to know about to have a productive day. Take a look at today's hand-picked links after the jump.
Teased for years and finally launched this week, The Multiversity is a universe-jumping series of DC Comics one-shots tracking the cosmic monitor Nix Uotan and an assemblage of star-crossed heroes as they attempt to save 52 universes and beyond from a trippy cosmic existential threat that, like much of Morrison’s best work, represents something far more mundane and relatable. Tying back into the very first Multiverse story in DC’s history, the heroes of these universes become aware of this threat by reading about it in comic books… comic books that, it turns out, take place in neighboring universes. Indeed, writer Grant Morrison continues his streak of highly metatextual DC cosmic epics with this eight-issue mega-series (plus one Tolkienesque guidebook).
Described by Morrison as "the ultimate statement of what DC is", The Multiversity naturally offers the reader much beyond the surface level adventure, and that means annotations. Rather than merely filling out checklists of references, my hope with this feature is to slowly unearth and extrapolate a narrative model for Morrison and his collaborators' work on The Multiversity; an interconnecting web of themes and cause and effect that works both on literal and symbolic levels.
Three pages into the preview for The Multiversity #1, I knew I was going to have a lot to work with.
With no further ado, go get your erasers and your textbooks, close your laptops, sharpen your pencils, and get ready for some course notes. Let's go to school.
If our weekly Ask Chris column isn't enough of definitive comic book (and pro wrestling) opinions for you, good news: ComicsAlliance is proud to present Here's The Thing, a series of videos where you can join our own extremely opinionated senior writer, Chris Sims, as he dives into comics history to explain why you're wrong and he's right.
This week, Chris has a very serious discussion about Superman's hair. No, really: You will believe a man's coif can provide a strong visual signifier of his character and can make another, slightly more volatile man hate a movie six months before it comes out.
With hundreds of panels to choose from at San Diego Comic-Con, the show can be an overwhelming experience — and it’s far too easy to miss a panel you think you might have loved, or to find yourself on the wrong side of the con floor five minutes before a great panel is about to start!
Take heart, brave reader. ComicsAlliance has sifted through the schedule to offer up our pick of the best programming at the con. Today we offer our suggested highlights for day three, Saturday July 26, 2014 — with an emphasis on comics programming. We’ll also let you know where and when you can find ComicsAlliance contributors at the San Diego show.
If you were hoping to see Arrow's Stephen Amell make an appearance as the emerald archer in Batman V Superman: Dawn of Justice or in the upcoming Justice League movie, DC Comics Chief Creative Officer Geoff Johns has some bad news for you.
"We will not be integrating the film and television universes," he said at the Television Critics Association press tour for The Flash. Seems pretty cut and dried.
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