Agents of SHIELD came back from a one-week hiatus last night to drop its one and only December episode on us before heading out to the hills until January. TV executives call this a "mid-season finale", but that is a nonsensical concept, so let's call it "the Christmas hiccup" instead.
'The Bridge' marks an important point in the pacing of the season. The show's creators have used this episode to tie much of the first half together and propel us into the second half. In theory it should feel momentous. In practice, I was sadly underwhelmed.
Everyone get back on the plane, it's time for another budget-saving Agents of SHIELD bottle episode! After last week's Asgardian hijinx, we're once again bouncing around between the IKEA bunks of the boring SHIELD wingycarrier.
That's the bad news. The good news is that this was the first episode to give any real time or attention to Ming-Na Wen's Agent May. But did it tell us anything we didn't already know?
What is it about former Star Trek actors that brings out the best in Marvel's Agents of SHIELD? Until this week I'd say the series' strongest episode was 1.05, "Eye-Spy," directed by Star Trek: Voyager's Roxann Biggs, aka B'Elanna Torres.
This week's episode was directed by Jonathan Frakes -- Star Trek: The Next Generation's William Riker -- and it was the new best episode of the series so far. More than that; it was the first episode I'd actually feel comfortable recommending to friends who gave up on the show after the lackluster pilot. (Or the lackluster second episode, or the lackluster third episode.)
The return of Agent Sitwell. The arrival of Agent Hand. These are the little things that make me happy, Agents of SHIELD. Was it really so hard to get to this place?
The seventh episode of Agents of SHIELD gave us our first real taste of SHIELD as a government agency since the pilot, and it was a better show because of it. It also developed the characters and pushed a couple of plots forward. Good job, Agents of SHIELD. We knew you had it in you.
Agents of SHIELD returned from a week off last night with a new episode that finally put the focus on one of its least developed characters. Obviously we're grading on a curve, there.
This being the sixth episode, I feel like I ought to now have a decent grasp on what drives all six of the show's main characters. Even with this episode, which puts the spotlight on Gemma Simmons (Elizabeth Henstridge), I still feel like I'm in the company of strangers. Spoilers follow.
Episode five of Agents of SHIELD, "Girl in the Flower Dress." brings us almost a quarter of the way through the first season, and for the first time I didn't think the episode was better than last week's -- but I didn't think it was worse either. Has Agents of SHIELD found its plateau?
The main story this week wasn't as strong as last, but it compensated; this was the first episode since the pilot to really push any elements of the greater arc. For that reason, it was maybe the most satisfying episode yet.
This past weekend I was fortunate enough to get a preview of this week's episode of Agents of SHIELD at New York Comic Con, alongside several hundred passionate fans of the show. My impression at the time was that episode 4, 'Eye-Spy', was easily the best episode yet.
However, I had to wonder if seeing the show on the big screen, surrounded by a cheering, hollering crowd, made me more forgiving than I would usually be. I was curious to see how the episode would hold up on a second viewing.
Week three, and what started as a recap/review series is turning into an inquest. Why isn't this show working, and can the cast and creators turn it around?
This was the first episode to introduce an established comics character to the Marvel movieverse, and it felt like a slight improvement, but I said that last week as well. The show is improving by such tiny increments that (a) it'll take forever to get to where it needs to be to sustain interest, and (b) it may not be improving at all -- I may just be acclimating.
Agents of SHIELD made a big splash last week. Indeed, it was the biggest network drama debut in four years. This was no doubt in large part thanks to the good will generated by Marvel's blockbuster movies like Iron man and Thor. Unfortunately, despite the presence of Avengers writer/director Joss Whedon on the pilot, the episode could not match the confidence, charm or quality of the movies. We're now two episodes in and forced to ask; can a show set in a superhero universe work without superheroes?
Marvel's Agents of SHIELD has finally arrived. It's one of the most anticipated new shows of the fall TV season for superhero fans, and thanks to the success of Marvel's movies that category now includes a lot more people than it used to.
Co-created and executive produced by Avengers auteur Joss Whedon, Agents of SHIELD is set in the same universe as the Marvel movies, but it's the first live action Marvel TV show to reach the airwaves since the studio formed its television division in 2010, and Marvel already has plans to expand its TV presence further. Can the studio strike gold on the small screen as convincingly as it has on the big screen? ComicsAlliance will recap the show every episode to see how it's performing and offer what insights we can.
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