We are only a few weeks away from the premiere of Gotham, the Batman-adjacent television show focusing on a young Jim Gordon's early days as a cop in Gotham City, and that means that it's time for Fox and DC Comics parent Warner Bros. to ramp up the PR machine to get viewers interested in seeing what the Riddler was up to before he became the Riddler (he was talking about riddles a lot).
But while I may not have been too thrilled with the actual show, there's one pretty awesome thing to come out of it. For a promo, the producers got comics artist Jock (of Judge Dredd, The Losers and Batman: The Black Mirror fame) to recreate key scenes from the pilot episode to use in advertising -- which is a surprisingly rare thing in media based on comics.
Q: Given all that could have gone wrong, what about the concept and execution makes Batman Beyond work so well? -- @caseyjustice
A: Something must be going around these days, because I've seen a lot of conversations about Batman Beyond popping up recently. I even got into a little discussion with Jordans Gibson and Witt about a few places where -- at least in my opinion -- the flaws in the show, which I otherwise love, became too big to ignore. That's actually one of the things that made me want to answer this question for this week's column. The other was how you phrased it.
See, I've never considered the premise of Batman Beyond to be something that could've easily gone wrong, but you're absolutely right in classifying it as such. To me, it's always been more about how they built that show by taking the two best ideas in superhero comics and putting them together.
The thing is, that should've been a pretty difficult marriage -- and most of those flaws that I was talking about show up for that exact reason.
If there's one thing we've learned from our years on the Internet, it's that there's no aspect of comics that can't be broken down an quantified into a single definitive list, preferably in amounts of ten. And since there's no more definitive authority than ComicsAlliance, we're taking it upon ourselves to compile Top Ten Lists of everything you could ever want to know about comics.
This week, we're kicking it off with The Top Ten Underrated Batman Villains! The Dark Knight has an awful lot of notable foes, but there are plenty of also-rans, C-listers and one-shot villains who deserve better than being punched out and thrown into Blackgate, never to be seen again. So from the obscure to the unappreciated, here they are!
This installment of The Arkham Sessions covers the final acts of "Robin's Reckoning," the highly-acclaimed two-part episode of Batman: The Animated Series, which explores the story of how Dick Grayson becomes Batman's sidekick. As we learned from Part 1, Bruce refuses to allow Dick to become involved in the case of Tony Zucco, the man who murdered Dick's family. For reasons unstated, Batman is determined to be the one to take Zucco down, causing a rift between Robin and himself. Despite Batman's efforts, it is Robin who captures Zucco. In the emotional conclusion, Robin is faced with a decision that could change his life forever.
Each weekday, ComicsAlliance brings you a carefully selected variety of links from around the web about comics and comics-related media, including movies, video games, toys, and whatever else might be worth noting. Quite frankly, these are items you may just need to know about to have a productive day. Take a look at today's hand-picked links after the jump.
The Arkham Sessions, hosted by clinical psychologist Dr. Andrea Letamendi and Brian Ward, is a weekly podcast dedicated to the psychological analysis of Batman: The Animated Series. Nostalgic, humorous, and even a little educational, each episode promises to lend some insight into the heroes, villains, and classic stories of the Dark Knight.
As a special exclusive for ComicsAlliance visitors, new episodes of The Arkham Sessions will stream on CA several days in advance of their syndication to iTunes.
This week, we discuss the highly acclaimed, Emmy-winning episode of Batman: The Animated Series, "Robin's Reckoning." We cover Part 1, in which we're shown Robin's origin story. We discover who killed Robin's family and how he joined forces with Batman.
A Twitter user by the name of Ryuuchan spotted something you don't see every day on the roadways of Japan's Chiba Prefecture last weekend: Batman, in broad daylight, riding around on a Batpod similar to the one from The Dark Knight and The Dark Knight Rises.
The Batman costume looks spot-on, and while the Batpod isn't quite the design from the movies (it's got three wheels instead of two), it does look pretty doggone cool.
If there's one thing we've learned from our series of in-depth reviews and interviews about Batman: Zero Year, it's that the creative team of Scott Snyder, Greg Capullo, Danny Miki and FCO Plascencia set out to do a lot more than just re-tell Batman's origin for a modern audience. That might've been the stated goal, but along the way, it became clear that the team wanted to use that bombastic superhero background to tell a story that was incredibly personal, using the trauma that made Bruce Wayne a hero to explore feelings of isolation, fear and, eventually, triumph.
In our final Zero Year interview, Snyder tells us about the interactions with other Batman creators while it was coming out, how he identifies with both Batman and the Riddler, and how much of the story was inspired by his own very personal experiences with overcoming panic and despair.
For the past year, I've spoken to Scott Snyder for a series of in-depth interviews about Batman: Zero Year, the new origin story that he, Greg Capullo, Danny Miki and FCO Plascencia have produced for DC Comics. In the final act, "Savage City," Batman was confronted with a Gotham City that had been destroyed by a super-storm, was overrun by plants that had grown out of control, and was being held in the iron grip of the Riddler, all while confronting the trauma that inspired him to become a hero.
With the full story completed, I spoke to Snyder for the first part of a two-part interview about how he felt he'd achieved his goals with the bestselling story, the inspiration for the dynamic visuals, and his meeting with Frank Miller, possibly the most definitive Batman author, who had one very specific note about the story.
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