Costume design is one of the great strengths of the superhero genre, a way to establish distinctive visual shorthand for a character and reveal key details about concept, purpose, and personality. But which is the best superhero costume of all time? This month, we’re asking you to decide, by voting up your favorites and voting down the rest. When we have your votes, we’ll compile a list of the greatest super-costumes of all time.
In today's poll we look at some of costumes worn by the members of notorious loner Batman's extended bat-family, including the recently revamped Burnside take on Batgirl, the original Robin design first worn by Dick Grayson, and the same character's much later Nightwing costume.We haven't included the Nightwing costume with the fringe, as we're pretty sure that costume isn't going to win any polls.
Costume design is one of the great strengths of the superhero genre, a way to establish distinctive visual shorthand for a character and reveal key details about concept, purpose, and personality. But which is the best superhero costume of all time? This month, we're asking you to decide, by voting up your favorites and voting down the rest. When we have your votes, we'll compile a list of the greatest super-costumes of all time.
For day one, we're looking at Spider-Man costumes --- and Spider-Woman costumes. Steve Ditko's Spider-Man costume is considered one of the all-time classics, but it's also inspired some incredible variations. Today, rather than jump rightt in with the classic blue-and-red Spidey costume, we're asking for your take on some of the other spider-folk, including Miles Morales and Spider-Gwen.
Nightwing is comics' hottest male superhero. His superior hotness is a fact so indisputable that, when we compiled our list of the 50 Sexiest Guys In Comics a while back, there was never any serious doubt that he would come out on top. His appeal is not only recognized by fans, but also by creators and even by publisher DC, which has been known to pander to his fans on several occasions. In an industry that doesn't generally make time for the female gaze, Dick Grayson has emerged as one of the medium's few male sex symbols.
But what is it about Dick Grayson that sets him apart among the macho mannequins of superhero comics? Is it his personality? His history? His character design? His butt? ComicsAlliance spoke to Dick Grayson experts Tim Seeley and Devin Grayson, and several of the character's fans, and undertook an intense study of the source material, to get to the lovely bottom of this great question.
Marvel has unveiled a brand new look for Flash Thompson's Venom, courtesy of artist Valerio Schiti, and it's great. Schiti is currently the penciller on Guardians of the Galaxy with writer Brian Michael Bendis, and Thompson, a long-time part of the Spider-Man supporting cast, is now riding around space with the crew as the Avengers' official emissary. In this week's Guardians Of The Galaxy #23, he got a symbiote upgrade and an even newer gig as... an agent of the cosmos. And with that job title comes a spiffy new outfit.
Schiti's sketches show that he went through a few different takes on the new design before settling on one that keeps the spider motif central and distinct, but also gives Venom a much more sci-fi feel. Venom is as big as ever, but with an armored toughness and an awesome helmet design. The overall look evokes a Warhammer Space Marine.
As everyone knows, Spider-Man's costume is the best; a true masterpiece of design. The webbing, the colors, the chevron belt, the split arms, the wide-eyed mask; it's all perfect. Steve Ditko smashed it out of the park. It's also inspired some amazing costumes, like the black Spider-Man costume designed by Mike Zeck in 1984 (reportedly based on a suggestion by fan Randy Schueller), and this year's Spider-Gwen costume by Robbi Rodriguez.
And then there's Spider-Woman. Her costume was designed in 1972 by Marie Severin, and it hasn't really changed since -- and I hate it almost as much as I love Spider-Man's costume. It's ugly, tacky, and it doesn't match the personality of Jessica Drew, the woman behind the mask. So I'm delighted that artist Kris Anka has given Jess a new set of togs that look chic, modern, and appropriate to her character.
Over the past few years, comics fans have been embroiled in a debate over the double standard that applies to superhero costumes. While men's costumes are increasingly depicted as totally functional, women's costumes remain what they've been for decades: skimpy, overtly sexualized, and all too often, anything but what would be practical for the purposes of patrolling the streets and fighting crime.
Filmmaker Luke Patton's short film "Sexy Superhero" faces that debate head-on and makes something really funny out of it.
We live in a time of awesome superhero costumes in comics. The rise and rise of cosplay culture, the emergence of comic artists with a savvy understanding of fashion, and the slow diversification that's making heroes palatable to a broader audience, have all contributed to a costuming culture with more to offer than capes and pants.
Superhero costumes have always been an asset to the industry, because iconography helps establish character and create a brand. But the value of costumes in reaching audiences and reinventing characters seems to be recognized now as never before, leading to the rise of artist-designers like Jamie McKelvie and Kris Anka, who don't even need to be on a particular book in order to be called in to make-over the characters. This is a great leap forward in understanding just what a good costume can do -- and the special skills required to do it.
One of the most discussed news items from last month's Comic-Con International was the first look at Wonder Woman as she will appear in Batman V. Superman: Dawn of Justice, the new DC Entertainment film by Zack Snyder. Played by Gal Gadot, this will be the first cinematic appearance of William Moulton Marston's Amazonian princess and feminist icon in her nearly 75-year history, and naturally fans have had a lot to say about the portrait debuted in San Diego. In reaction to the image, members of the ComicsAlliance staff assembled to discuss and critique Gadot's costume, depictions of super-women on film, and the current state of superheroine fashion in general.
Today's participants include CA's superheroic sartorialist Betty Felon; clinical psychologist and Arkham Sessions co-host Dr. Andrea Letamendi; comic book editor Janelle Asselin; journalist Juliet Kahn; comics writer/artist Kate Leth; and blogger/vlogger Angelina L.B. aka ALB, who makes her CA debut in this in-depth analysis. Join us for our roundtable discussion on Wonder Woman's newest live-action steez, high heels, and the balance between practicality/realism and style in superheroine costume design.
If our weekly Ask Chris column isn't enough of definitive comic book (and pro wrestling) opinions for you, good news: ComicsAlliance is proud to present Here's The Thing, a series of videos where you can join our own extremely opinionated senior writer, Chris Sims, as he dives into comics history to explain why you're wrong and he's right.
This week, Chris has a very serious discussion about Superman's hair. No, really: You will believe a man's coif can provide a strong visual signifier of his character and can make another, slightly more volatile man hate a movie six months before it comes out.
In case the DVD and Blu Ray extras weren't enough, concept art for the look of Selina Kyle both in and out of costume has now surfaced on the internet. From different dresses for Kyle to even a few unused designs for Catwoman's heels, much of it is certainly intriguing. And while you'l
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