Over the past few years, comics fans have been embroiled in a debate over the double standard that applies to superhero costumes. While men's costumes are increasingly depicted as totally functional, women's costumes remain what they've been for decades: skimpy, overtly sexualized, and all too often, anything but what would be practical for the purposes of patrolling the streets and fighting crime.
Filmmaker Luke Patton's short film "Sexy Superhero" faces that debate head-on and makes something really funny out of it.
We live in a time of awesome superhero costumes in comics. The rise and rise of cosplay culture, the emergence of comic artists with a savvy understanding of fashion, and the slow diversification that's making heroes palatable to a broader audience, have all contributed to a costuming culture with more to offer than capes and pants.
Superhero costumes have always been an asset to the industry, because iconography helps establish character and create a brand. But the value of costumes in reaching audiences and reinventing characters seems to be recognized now as never before, leading to the rise of artist-designers like Jamie McKelvie and Kris Anka, who don't even need to be on a particular book in order to be called in to make-over the characters. This is a great leap forward in understanding just what a good costume can do -- and the special skills required to do it.
One of the most discussed news items from last month's Comic-Con International was the first look at Wonder Woman as she will appear in Batman V. Superman: Dawn of Justice, the new DC Entertainment film by Zack Snyder. Played by Gal Gadot, this will be the first cinematic appearance of William Moulton Marston's Amazonian princess and feminist icon in her nearly 75-year history, and naturally fans have had a lot to say about the portrait debuted in San Diego. In reaction to the image, members of the ComicsAlliance staff assembled to discuss and critique Gadot's costume, depictions of super-women on film, and the current state of superheroine fashion in general.
Today's participants include CA's superheroic sartorialist Betty Felon; clinical psychologist and Arkham Sessions co-host Dr. Andrea Letamendi; comic book editor Janelle Asselin; journalist Juliet Kahn; comics writer/artist Kate Leth; and blogger/vlogger Angelina L.B. aka ALB, who makes her CA debut in this in-depth analysis. Join us for our roundtable discussion on Wonder Woman's newest live-action steez, high heels, and the balance between practicality/realism and style in superheroine costume design.
If our weekly Ask Chris column isn't enough of definitive comic book (and pro wrestling) opinions for you, good news: ComicsAlliance is proud to present Here's The Thing, a series of videos where you can join our own extremely opinionated senior writer, Chris Sims, as he dives into comics history to explain why you're wrong and he's right.
This week, Chris has a very serious discussion about Superman's hair. No, really: You will believe a man's coif can provide a strong visual signifier of his character and can make another, slightly more volatile man hate a movie six months before it comes out.
In case the DVD and Blu Ray extras weren't enough, concept art for the look of Selina Kyle both in and out of costume has now surfaced on the internet. From different dresses for Kyle to even a few unused designs for Catwoman's heels, much of it is certainly intriguing. And while you'l
For the past two weeks, ComicsAlliance's Chris Sims and David Uzumeri have been defending the much-maligned Batman & Robinmovie, but even they couldn't say anything nice about the atrocious costume designs. But amazingly, as we learned from the original unused costume concepts posted online e
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