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Best Art Ever (This Week): Tank Girl, Say Anything, Spider-Gwen, Tintin, Predator and More

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We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, as well as the special qualities of comic book storytelling, but because cartoonists, illustrators and their fans share countless numbers of great pinups, fan art and other illustrations on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, and some of it’s endearingly silly. All of it is awesome.

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‘Mouse Guard’ Invites Guest Creators To Play in its Sandbox This March [Preview]

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In celebration of the 10th anniversary of David Petersen's beloved series Mouse Guard, a new collection of short stories set in the Mouse Guard world is about to debut. With stories from creators as varied as Mark Buckingham, Becky Cloonan, and Dustin Nguyen, the four part Mouse Guard: Legends of the Guard Vol. 3 begins in March.

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Jeff Lemire and Dustin Nguyen’s ‘Descender’ Totally Worth Sony’s Crazy Money

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Hollywood just can't keep its grubby little hands off of our stuff. Last week it was announced that Sony Pictures snapped up the rights to Jeff Lemire and Dustin Nguyen's Descender well before the book's March publication, a practice becoming more common. This type of announcement may cause consternation among some, but you have to take it on a case-by-case basis: If anything Mark Millar writes gets a deal before publication, please, be offended; in all other circumstances, reserve judgment until a "professional" receives an advance copy and dictates your opinion to you. (This is my new persona: hated.)

Descender, on its way from Image in March, is epic, intelligent, and full of heart, and it looks like Sony was right on the money for once.

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Push Comics Forward: Talking About The Future With Boom EIC Matt Gagnon

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Boom Studios has a reputation in the comics industry for publishing an increasingly diverse group of books and creators. This commitment to diversity in genre and people is reflected in an all-new initiative the publisher announced today in Previews with a letter from founder Ross Richie. While 2015 is the 10th anniversary of Boom, the publisher wants to talk about what's next rather than what's come before. They call this discussion of the future Push Comics Forward and they don't want it to be only about Boom.

Push Comics Forward is Boom's way of focusing on the ongoing conversation about diversity and the future of the industry. To learn more about this initiative and what to expect from Boom for the next ten years and beyond, we spoke with Editor-in-Chief Matt Gagnon.

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Descender: The First Pages From Jeff Lemire & Dustin Nguyen’s Lonely New Space Opera

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The Image Comics slate for 2015 is something of an embarrassment of riches, with new work coming from some of the most exciting creators in North American comics, including those who've been building their fan bases with acclaimed work at Marvel and DC Comics for several years.

Among those who'll be creating original work for the first time in a long time is Dustin Nguyen, who's been one of DC's most reliably great artists of the decade. Known for his fantastic chibi book Li'l Gotham, beautiful backups in Superman Unchained and all sorts of striking work in the Batman line, Nguyen's inkwash and watercolor technique has sort of typecast him as a go-to cute and/or gothic artist. But those who've followed his career closely know that Nguyen is passionate about science fiction. He's worked on DC's Justice League Beyond and his own Wildstorm creation Manifest Eternity, but what's likely to be the cartoonist's biggest impact in the genre he loves so much is Descender, his new Image monthly with Jeff Lemire.

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Best Art Ever (This Week): Batgirl, Seconds, Marvin the Martian, Squirrel Girl, Phonogram And More

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We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, as well as the special qualities of comic book storytelling, but because cartoonists, illustrators and their fans share countless numbers of great pinups, fan art and other illustrations on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, awnd some of it’s endearingly silly. All of it is awesome.

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Best Art Ever (This Week): New Spider-Woman, The Shadow, Joan Jett, Stephen Colbert, Bitch Planet And More

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We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, as well as the special qualities of comic book storytelling, but because cartoonists, illustrators and their fans share countless numbers of great pinups, fan art and other illustrations on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, awnd some of it’s endearingly silly. All of it is awesome.

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Best Art Ever (This Week): Brooklyn 99, Alien, The Crow, Tina Turner, Constantine And More

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We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, as well as the special qualities of comic book storytelling, but because cartoonists, illustrators and their fans share countless numbers of great pinups, fan art and other illustrations on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, awnd some of it’s endearingly silly. All of it is awesome.

Read More: Best Art Ever (This Week): | http://comicsalliance.com/?p=112338&preview=true&trackback=tsmclip

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Marvel Announces Rocket Raccoon And Groot Homage Covers For November

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So it turns out that, defying any expectations that we may have had five years ago, Rocket Raccoon and Groot are the most popular characters in the most popular movie of the summer. In other words, get used to seeing them literally everywhere -- starting with 20 of Marvel's comics for November, where the talking tree and his surly procyonid pal are taking over with a series of variant covers.

Even better, the variants are homages to classic Marvel covers, ranging from classics like Captain America's reappearance in the Marvel Universe back in Avengers #4 to one of the most obscure and self-referential homages that I've ever seen. It's actually pretty amazing.

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‘Creepy’ #18 Celebrates 50 Years Of The Macabre With All-Star Creators Lineup

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About a decade after the formation of the Comics Code Authority in 1954 effectively killed off EC Comics' popular line of horror comics, Warren Publishing aimed to bring back some of that malevolent magic. The result was the anthology series Creepy (and later, its sister book, Eerie). Published as a black-and-white magazine, the series didn't have to adhere to the Comics Code's strict content standards, and as such, was able to push the envelope in ways comics in the mid-1960s generally couldn't.

Now, the book's current publisher, Dark Horse, is celebrating the magazine's 50th anniversary with a big, blowout issue featuring work by Fred Van Lente, Corinna Bechko, Dustin Nguyen, Peter Bagge, Alison Sampson, and Art Baltazar, among others.

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